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A Working Bibliography - The University of Sydney

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190<br />

Coombes, Annie E., ‘<strong>The</strong> recalcitrant object: culture contact and the question <strong>of</strong> hybridity’, in Barker, F.,<br />

Hulme,P., Iversen M., Colonial Discourse/Postcolonial <strong>The</strong>ory, Manchester, Manchester <strong>University</strong> Press, 1994.<br />

Coombes, Annie E., ‘Inventing the “Post-Colonial”: hybridity and constituency in contemporary curating’, New<br />

Formations, 18, Winter 1992.<br />

Derrida, Jacques, Monolingualism OR <strong>The</strong> Prosthesis <strong>of</strong> Origin [1996] (tr.Mensah, Patrick), Stanford, Stanford<br />

<strong>University</strong> Press, 1998.<br />

Canclini, Néstor García, Hybrid Cultures: Strategies for Entering and Leaving Modernity, (tr. Chiappari Christopher L. &<br />

López, Silvia L.) Minneapolis, <strong>University</strong> <strong>of</strong> Minnesota Press, 1995<br />

Gilroy, P., ‘Cruciality and the Frog’s Perspective’, Art+Text, 32,Autumn 1989.<br />

Gilroy, P., “It ain’t where you’re from, it’s where you’re at” the dialectics <strong>of</strong> diasporic identification’, Third Text,<br />

13, Winter 1991.<br />

Gilroy, Paul, <strong>The</strong> Black Atlantic: Modernity and Double Consciousness, Cambridge MA, Harvard <strong>University</strong> Press, 1994.<br />

Glissant, Edouard, Poetics <strong>of</strong> relation (1990), Ann Arbor, <strong>University</strong> <strong>of</strong> Michigan Press, 1997.<br />

Gaudibert, Pierre, ‘Métissages artistiques’ in Métissage: Nouvelle Revue d’ethnopsychiatrie, no.17, ‘La Pensée Sauvage’,<br />

1991.<br />

Hall, Stuart, ‘Cultural Identity and Diaspora’, in Rutherford, Jonathan, ed., Identity, Community, Culture, London,<br />

1990.<br />

Hardt, Michael; Negri, Antonio, Empire, Cambridge, Mass., Harvard <strong>University</strong> Press, 2000.<br />

Joppke, Christian; Lukes, Steven, eds., Multicultural Questions, Oxford, Oxford <strong>University</strong> Press, 1999.<br />

Maharaj, Sarat, ‘ “Perfidious Fidelity”, the untranslatability <strong>of</strong> the other’¸ Fisher, Jean ed., Global Visions: Towards a<br />

new internationalism in the visual arts, London 1994.<br />

Mankekar, Purnima, ‘Brides Who Travel: Gender, Transnationalism, and Nationalism in Hindi Film’ in positions:<br />

east asia cultures critique, volume 7, number 3 (winter 1999), pp. 731-761<br />

Papastergeriadis, Nikos, ‘Restless Hybrids’, Third Text, XXXII, Autumn 1995.<br />

Park, Kyeyoung, ‘”I am Floating in the Air”: Creation <strong>of</strong> a Korean Transnational Space among Korean-Latino<br />

American Remigrants’ in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 667-695<br />

Pinney, Christopher; Thomas, Nicholas, eds., Beyond Aesthetics: Art and the technologies <strong>of</strong> Enchantment, Oxford, Berg,<br />

2001.<br />

Purdom, Judy, ‘Mapping Difference’, Third Text, XXXII, Autumn 1995.<br />

Taylor, Charles, ‘<strong>The</strong> Politics <strong>of</strong> Recognition’, in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton<br />

<strong>University</strong> Press, 1992, 1994.<br />

Verwoert, Jan, ‘World in Motion: Jan Verwoert on New Modernism’ in Frieze, Issue 84 (June/July?August 2004),<br />

pp. 90-95<br />

Werbner, P., Modood, T., eds, Debating Cultural Hybridity, London Zed Books, 1997.<br />

Yao Soucho, ed., House <strong>of</strong> Glass: Culture, Modernity, and the State in Southeast Asia, Singapore, Institute <strong>of</strong> Southeast<br />

Asian Studies, 2001.<br />

Cultural Globalization<br />

Appadurai, Arjun, Modernity at Large: Cultural Dimensions <strong>of</strong> Globalization; Minneapolis, <strong>University</strong> <strong>of</strong> Minnesota<br />

Press, 1996.<br />

Appadurai, A. Globalization, Durham, Duke <strong>University</strong> Press,<br />

Balfe, Judith Huggins, ‘Art works as symbols in international politics;’ <strong>The</strong> International Journal <strong>of</strong> Politics, Culture, and<br />

Society, 1, 2 Winter 1987.<br />

Bydler, Charlotte, <strong>The</strong> Global Art World Inc.; on the globalization <strong>of</strong> contemporary art, Uppsala, Acta Universitatis<br />

Upsaliensis, 2004<br />

Dirlik, Arif, <strong>The</strong> Postcolonial aura: Third World criticism in the age <strong>of</strong> global capitalism, Boulder, Westview, 1997.<br />

Fisher, Jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala Press in association<br />

with in IVA, 1994.<br />

Gikandi, Simon, ‘Globalization and the Claims <strong>of</strong> Postcoloniality’, <strong>The</strong> South Atlantic Quarterly, 100.3, Summer<br />

2001<br />

Grewal, Inderpal, ‘Travelling Barbie: Indian Transnationality and New Consumer Subjects’ in positions: east asia<br />

cultures critique, volume 7, number 3 (winter 1999), pp. 799-826<br />

Griffin, Tim, ‘Global Tendencies – Globalism and the Large Scale Exhibition’ in Artforum (November 2003), pp.<br />

154-162<br />

Hirst, P.; Thompson, G., Globalization in Question, Cambridge, Polity, 1996.<br />

Holton, Robert J., Globalization and the Nation-state, Basingstoke, Macmillan, 1998.

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