A Working Bibliography - The University of Sydney

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188 [Zhao Wuji / Zao Wou-ki] Cheng, F., Zao Wou-ki, Paris, Grand-Palais, 1981; Zhao Wuji, Hong Kong Arts Centre, 1982; Leymarie, J., Zao Wou-ki, Paris, Editions Cercle d’Art, 1986; [Zhu Dechun / Chu Te-chun]: Juin, H.L., Chu Teh-Chun, Paris, Musée de Poche, Gamma, 1979; Chu Teh-chun, Hong Kong, Institute for the Promotion of Chinese Culture, 1986; Binks, Hilary, ‘Passion for Life’, Asian Art News, vol.7, no.6, 1997. Clark, John, ‘Chinese Artists in Paris’, Far Eastern Economic Review, 16.12.1986. [Chinese translation: Meishu Shichao, Nanjing, no.4, 1987, 31-33]. Clark J., ‘Chinese Artists in France’, in Fisher, Jean & Mosquera, Gerardo, eds., Over Here, Cambridge, MIT Press, 2004 Fei Dawei, ed., Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l’art & Editions Carte Segrete, 1990 Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INiVA, 1997 Jouanno, Evelyne; Hou Hanru, Paris pour escale, [escale= ‘port of call’]; Paris, ARC- Musée d’Art Moderne de la Ville de Paris, 2000 (Foreword by Suzanne Pagé, Preface by Laurence Bossé, other texts by Gilane Tawadros, Michel Wieviorka, 27 artists, 6 Chinese: Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang Jiechang). Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004 Teil, D. ‘Indian Painters in Paris", Lalit Kala Contemporary, no.4. Asian Artists Transnational Activity – Elsewhere in Europe [Arif, Saleem] Hubbard, Sue. ‘The Art of Saleem Arif.’ Third Text no.27 Summer 1994. [Berlin, East-West], Garrett, Louise, ‘East-West in Berlin’, Art AsiaPacific, 30, 2001 [Cai Guoqiang], Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice Biennial), Cornuda: Antiga Edizoni, 2003 [Chu, Julia Nee] Asian Art News, 2, no.4, Jul/Aug 1992. [Dai Pedro]: Tseng Yung-lu, ‘Pedro Dai’, Free China Review,Aug-Sep,1986 [Gupta, Snil] Carver, Antonia, ‘Getting them between the eyes: an interview with Sunil Gupta’, Art AsiaPacific, no.16, 1997. [Hanayo] review, Art AsiaPacific, 30, 2001 [Kabir, Shahid] Karim, Ziaul, ‘Process and memory’, Asian Art News, vol. 8, no.2, 1998. [Lopez, Sebastian] Preece, Robert, ‘On gatekeeping’, Art AsiaPacific, 30, 2001 [Ming Fay] Magnan, Kathleen, F., ‘The Alchemist of Spirits’, Asian Art News, July/August 1994. [Ngan Wayne]: Asian Art News, 2, no.2, Mar/Apr 1992. [Sah, Cynthia] Millichap, John. ‘‘A Feeling for Stone: Cynthia Sah.’ Asia-Pacific Sculpture News 2:1 [Shiota, Chiharu] Koplos, Janet, 'Chiharu Shiota at Kenji Taki', Art in America, Vol. 91, Issue 4, April 2003 [Wilfredo Lam] Tancock, John, ‘Wilfredo Lam’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 60-64 [Xiao Qin / Hsiao Ch’in], Asian Art News, 2, no.1 Jan/Feb 1992. Acret, Susan, ‘49 th Venice Biennale: Northern Hemisphere Blues’, Art AsiaPacific, no.33, 2002. Kapoor, Kamala ‘Art across oceans: The ‘Containers 96’ exhibition in Copenhagen’, Art AsiaPacific, no.14, 1997. Komissar, Mariann, ‘Crosscurrents: Indian, Norwegian & British Artists in Oslo’, Art AsiaPacific, no.21, 1999. Malik, Dr. Sarita, ‘DNA Asia: Mapping the Future of South Asian Arts in the UK’ in Art Asia Pacific, No. 38 (Fall 2003), p. 20 Vos, Ken, ‘Sharing Collections and Presenting Cultural Heritage in Asian-European Exchange: AEMUS conference ‘Marketplace of Museum’s’, IIAS Newsletter, No. 28, July 2002 Wear, Eric Otto, ‘ Uncertainties at the Sao Paolo Bienal’, Asian Art News, vol. 7, no. 2, 1997. PRE-HISTORIES OF EURAMERICAN MODERN ART Crow, T. E., Painters and Public Life in 18th century Paris, New Haven, Yale University Press, 1985 Duro, Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991. Duro, Paul, The academy and the limits of painting in seventeenth-century France, New York, Cambridge University Press, 1997. EURAMERICAN THEORIES OF MODERNITY (selected)
189 Theories, Logics & Ideologies Baudrillard, Jean, ‘Modernity’ (1985), Canadian Journal of Political and Social Theory, Vol. XI, no.3, 1987. Baudrillard, Jean, Simulacra and Simulation, [tr. Glaser, S. F.], Ann Arbor, University of Michigan Press, 1994. Bauman, Zygmunt, Postmodern Ethics, Oxford, Blackwell, 1993. Bernstein, Richard J., ed., Habermas and Modernity, Cambridge, MIT Press, 1985. Deuleuze, G., Guattari, F. A Thousand Plateaus [tr Massumi, Brian], Minneapolis, University of Minnesota Press, 1987. Habermas, Jürgen The Theory of Communicative Action, vol: 1, Reason and the Rationalization of Society, vol.2 Lifeworld and System: A Critique of Functionalist Reason, [tr. Thomas McCarthy], London, Heinemann, 1984. Habermas, Jürgen, The Philosophical Discourse of Modernity, Cambridge, MIT Press, 1987. Hookway, Christopher, ‘Pragmatism: commonsense and the limits of science’, in Stone M.W.F. and Wolff, Jonathan, eds., The Proper Ambition of Science, London, Routledge, 2000. Marlais, Michael “Maurice Denis’ Conservative Modernism”, in Conservative Echoes in Fin de Siècle Parisian Art Criticism, Pennsylvania State University Press, University Park, Penn., 1992, 185-217 Pollock, Griselda, Avant-Garde Gambits 1883-1893: Gender and the Colour of Art History, Walter Neurath Memorial Lecture 1992, Thames and Hudson, London, 1992 Taxonomy and Evolutionary Speciation Crombie, A.C., Styles of Scientific Thinking in the European Tradition: The history of argument and explanation especially in the mathematical and biomedical sciences and arts, 3 volumes, London, Duckworth, 1994. Darwin, Charles, The Illustrated Origin of Species, [abridged and introduced by Richard Leakey from sixth edition of 1872], London, Faber & Faber, 1979 [updates Darwin’s theories or his evidence]. Fletcher, Roland, ‘Organized Dissonance: multiple code structures in the replication of human culture’, in Maschner, Herbert D.G., Darwinian Archaeologies, New York, Plenum Press, 1998. Gee, Henry, Deep Time: Cladistics, The Revolution in Evolution, London, Fourth Estate, 2001 Gould, Stephen Jay, Wonderful Life: The Burgess Shale and the Nature of History, London, Penguin Books, 1989. Hull, David, Science as a Process, Chicago, University of Chicago Press, 1988 Mayden et al, Species: the units of evolution, 1997 Mayr, Ernst, Principles of Systematic Zoology¸ New York, McGraw-Hill, 1969 Mayr, Ernst, ‘Darwin’s influence on modern thought’, Scientific American, vol 283, no.1, July 2000. Monod, Jacques, Chance and Necessity, [tr. Wainhouse, A.], New York, Alfred A. Knopf, 1971 & London Collins/Fontana, 1974. Sterelny, Kim & Griffiths Paul E., Sex and Death: an introduction to the Philosophy of Biology, Chicago, University of Chicago Press, 1999. Literary and Linguistic Theories Bakhtin, M. M., The Dialogic Imagination, [tr. by Emerson, C. & Holquist, M.], Austin, University of Texas Press, 1981. Benveniste, Emile Problems in General Linguistics, [1966] (tr Meek Mary E.), Coral Gables, University of Miami Press, 1971 Fletcher, Angus, Allegory: The Theory of a Symbolic Mode, Ithaca, Cornell University Press, 1964, 1970. Todorov, Tzvetan, Theories of the Symbol [1977] (tr. Porter, C.), Ithaca, Cornell University Press, 1984. Watt, Ian, Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe, Cambridge, Cambridge University Press, 1996; Canto Edition, 1997. Cultural Hybridity and Cultural Comparison Amselle, Jean-Loup, Mestizo Logics: Anthropology of Identity in Africa and Elsewhere, (tr. Royal, Claudia), Stanford, Stanford University Press, 1998. Appiah, K. Anthony, ‘Identity, authenticity, survival’ in Gutmann, Amy, ed., Multiculturalism, Princeton, Princeton University Press, 1992, 1994. Bennet, Tony, ‘The exhibitionary complex’, New Formations, no. 4. Bhabha, Homi K., The Location of Culture¸ London, Routledge, 1994. Brah, Avtar, Coombes, Annie E., Hybridity and its discontents: Politics, Science, Culture, London, Routledge, 2000 Canclini,Néstor García, ‘Too much determinism or too much hybridization?’, Travésia: Journal of Latin American Cultural Studies, 1, 2, 1992.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144: BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152: 151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154: 153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156: 155 Foundation Asia Center, 2002; F
Page 157 and 158: 157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187: 187 [Lubaina Himid; Boyce, Sonia; H
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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