186 Goodman, Jonathan., ‘Conditions <strong>of</strong> Anonymity: the Performance Art <strong>of</strong> Kim Sooja’, in Art AsiaPacific, Issue 38, Fall 2003, p.58-59. Goodman, Jonathan., ‘Miguel Trelles at Taller Boricua’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.124-125. Gustafson, Paula, ‘Faces from the Past: First Nations Masks <strong>of</strong> Canada’, Art AsiaPacific, no.21, 1999. Jaana, Reena, ‘Dialogue Face to Face’, Asian Art News 9:1 1999. Jaana, Reena, ‘Fashioning Trends’, Asian Art News 9:4 1999. Kenney, Aaron., ‘My Painted Dreams by Mahvash Mossaed’ (book review), in Asian Art News, Vol. 14, No. 2, March/April 2004, p.101. Kerr, Merrily, ‘Translated Acts: Asian Performance Art’ Art AsiaPacific, no.35, 2002. Kim Yu-yeon, ‘In the eye <strong>of</strong> the tiger, Korean artists in America’, Art AsiaPacific, vol.3, no.3, 1996 Kim, Kunmja Paik, ‘New Acquisitions <strong>of</strong> Korean Painting’, Orientations, Volume 34, Number 1, January 2003 [including Yi Eung-nok, 1860s] Kosasa, Karen K. ‘Crossings 2003: Korea/Hawai’i’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 81 Lin, Xiaoping, ‘Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York’ in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296 Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, <strong>The</strong> Asia Society, 1993. Machida, Margo, Shifting Identities <strong>of</strong> Asian Women in America, Henry Street Settlement Abrons Arts Center, June 24-July 28, 1995. Laster, Paul, ‘Down the Rapid Hole With Terence Koh’ in Art Asia Pacific, No. 39 (Winter 2004), pp. 66-69 Leung, Laura Kateri, ‘Dream So Much’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18 Millichap, John, ‘An Infinite Variety: Chui Faising.’ World Sculpture News 3:2 Summer 1997. Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS Newsletter, No. 29, November 2002 Silberman, Seth Clark, ‘Red Beans and Rice: Asian Artists in the New South’ (review), ArtAsiaPacific, no. 48, 2006. Spalding, David., ‘Weaving History: An Interview with Dinh Q. Lê’, in Art AsiaPacific, Issue 38, Fall 2003, p.68-70. Wang, Dan.S., ‘Medium(s) Asian-American Artists’, Art AsiaPacific, no.33, 2002. Wang, Shipu., ‘Swinging on Hyphenation: An Inquiry into the Construct <strong>of</strong> an Asian American Art’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51. Wei, Lilly, ‘Conversations: Nilima Sheikh & Shahzia Sikander’, Art AsiaPacific, no.35, 2002. Wei, Lilly., ‘On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America’, in Art AsiaPacific, Issue 38, Fall 2003, p.28-30 Winther-Tamaki, Bert, Art in the encounter <strong>of</strong> Nations: Japanese and American artists in the early postwar years, Honolulu, <strong>University</strong> <strong>of</strong> HWoodson, Yoko, ‘Acquisitions <strong>of</strong> Japanese Art: 1988-2002’, Orientations, Volume 34, Number 1, January 2003 Yang, Alice, ‘Shifting identities <strong>of</strong> Asian Women in America’, Art & Asia-Pacific, vol.3, no.1, 1996. Asian Artists Transnational Activity – Britain [Alvi, Tariq] Preece, Robert, ‘<strong>The</strong> aesthetic obsessions <strong>of</strong> Tariq Alvi’, Art AsiaPacific, 32, 2001. [Anglo South Asian artists] Braddock, Kevin, ‘A sense <strong>of</strong> self’, Art AsiaPacific, 26, 2000. [Arnish Kapoor] Jana, Reena, ‘Arnish Kapoor: Between Poetry and Prose’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 24-25; Bryson, Norman, ‘Kapoor’s Vertigo’ in Parkett, No. 69 (2003), pp.104-115; Forster, Kurt W., ‘A Word in the Giant’s Ear’ in Parkett, No. 69 (2003), pp. 116-125; Warner, Marina, ‘<strong>The</strong> Perforate Self or Nought is Naught’ in Parkett, No. 69 (2003), pp. 126-141. [Biswas, Sutapa; Lubaina Himid; Boyce, Sonia] Tawadros, Gilane, ‘Beyond the Boundary: <strong>The</strong> Work <strong>of</strong> Three Black Women Artists in Britain’, Third Text, n8/9, Autumn/Winter 1989, 121-150. [El Sahali, Ibrahim] Beier, Ulli, ‘<strong>The</strong> Right to Claim the World: Conversation with Ibrahim El Salahi’, Third Text n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany. [Fu, Julie, Yin Xuizhan] Preece, Robert. ‘Chinese Art, Manchester Style.’ Asian Art News 8:6,1998. [Hatoum, Mona] Guha, Tania, ‘Andrea Fisher/Mona Hatoum.’ Third Text no.28/9 Autumn/Winter 1994. [Indian Drawing], Abbott, Guy Mannes, ‘Drawing space’, Art AsiaPacific, 30, 2001. [Li Yuan-chia] Brett, Guy, ‘Li Yuan-chia 1929-1994’, Third Text, 28/9, Autumn/Winter 1994, 3-4: obituary; Overy, Paul, ‘After a long silence: the works <strong>of</strong> Li Yuan-chia’, Third Text, 55, 2001, 51-62; Hill, Katie, ‘Li Yuan jia’, Art AsiaPacific, 32, 2001. [Liao, Jeff Chien-Hsing] review, Art in America, 94.9, October 2006.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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