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A Working Bibliography - The University of Sydney

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186<br />

Goodman, Jonathan., ‘Conditions <strong>of</strong> Anonymity: the Performance Art <strong>of</strong> Kim Sooja’, in Art AsiaPacific, Issue 38,<br />

Fall 2003, p.58-59.<br />

Goodman, Jonathan., ‘Miguel Trelles at Taller Boricua’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2<br />

No. 2, June 2003, p.124-125.<br />

Gustafson, Paula, ‘Faces from the Past: First Nations Masks <strong>of</strong> Canada’, Art AsiaPacific, no.21, 1999.<br />

Jaana, Reena, ‘Dialogue Face to Face’, Asian Art News 9:1 1999.<br />

Jaana, Reena, ‘Fashioning Trends’, Asian Art News 9:4 1999.<br />

Kenney, Aaron., ‘My Painted Dreams by Mahvash Mossaed’ (book review), in Asian Art News, Vol. 14, No. 2,<br />

March/April 2004, p.101.<br />

Kerr, Merrily, ‘Translated Acts: Asian Performance Art’ Art AsiaPacific, no.35, 2002.<br />

Kim Yu-yeon, ‘In the eye <strong>of</strong> the tiger, Korean artists in America’, Art AsiaPacific, vol.3, no.3, 1996<br />

Kim, Kunmja Paik, ‘New Acquisitions <strong>of</strong> Korean Painting’, Orientations, Volume 34, Number 1, January 2003<br />

[including Yi Eung-nok, 1860s]<br />

Kosasa, Karen K. ‘Crossings 2003: Korea/Hawai’i’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 81<br />

Lin, Xiaoping, ‘Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York’ in Third<br />

Text, Vol. 18, Issue 4 (July 2004), pp. 279-296<br />

Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, <strong>The</strong> Asia Society, 1993.<br />

Machida, Margo, Shifting Identities <strong>of</strong> Asian Women in America, Henry Street Settlement Abrons Arts Center, June<br />

24-July 28, 1995.<br />

Laster, Paul, ‘Down the Rapid Hole With Terence Koh’ in Art Asia Pacific, No. 39 (Winter 2004), pp. 66-69<br />

Leung, Laura Kateri, ‘Dream So Much’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18<br />

Millichap, John, ‘An Infinite Variety: Chui Faising.’ World Sculpture News 3:2 Summer 1997.<br />

Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS Newsletter, No.<br />

29, November 2002<br />

Silberman, Seth Clark, ‘Red Beans and Rice: Asian Artists in the New South’ (review), ArtAsiaPacific, no. 48, 2006.<br />

Spalding, David., ‘Weaving History: An Interview with Dinh Q. Lê’, in Art AsiaPacific, Issue 38, Fall 2003,<br />

p.68-70.<br />

Wang, Dan.S., ‘Medium(s) Asian-American Artists’, Art AsiaPacific, no.33, 2002.<br />

Wang, Shipu., ‘Swinging on Hyphenation: An Inquiry into the Construct <strong>of</strong> an Asian American Art’, in Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51.<br />

Wei, Lilly, ‘Conversations: Nilima Sheikh & Shahzia Sikander’, Art AsiaPacific, no.35, 2002.<br />

Wei, Lilly., ‘On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America’, in Art AsiaPacific,<br />

Issue 38, Fall 2003, p.28-30<br />

Winther-Tamaki, Bert, Art in the encounter <strong>of</strong> Nations: Japanese and American artists in the early postwar years, Honolulu,<br />

<strong>University</strong> <strong>of</strong> HWoodson, Yoko, ‘Acquisitions <strong>of</strong> Japanese Art: 1988-2002’, Orientations, Volume 34,<br />

Number 1, January 2003<br />

Yang, Alice, ‘Shifting identities <strong>of</strong> Asian Women in America’, Art & Asia-Pacific, vol.3, no.1, 1996.<br />

Asian Artists Transnational Activity – Britain<br />

[Alvi, Tariq] Preece, Robert, ‘<strong>The</strong> aesthetic obsessions <strong>of</strong> Tariq Alvi’, Art AsiaPacific, 32, 2001.<br />

[Anglo South Asian artists] Braddock, Kevin, ‘A sense <strong>of</strong> self’, Art AsiaPacific, 26, 2000.<br />

[Arnish Kapoor] Jana, Reena, ‘Arnish Kapoor: Between Poetry and Prose’ in Art Asia Pacific, No. 40 (Spring<br />

2004), pp. 24-25; Bryson, Norman, ‘Kapoor’s Vertigo’ in Parkett, No. 69 (2003), pp.104-115; Forster, Kurt<br />

W., ‘A Word in the Giant’s Ear’ in Parkett, No. 69 (2003), pp. 116-125; Warner, Marina, ‘<strong>The</strong> Perforate Self<br />

or Nought is Naught’ in Parkett, No. 69 (2003), pp. 126-141.<br />

[Biswas, Sutapa; Lubaina Himid; Boyce, Sonia] Tawadros, Gilane, ‘Beyond the Boundary: <strong>The</strong> Work <strong>of</strong> Three<br />

Black Women Artists in Britain’, Third Text, n8/9, Autumn/Winter 1989, 121-150.<br />

[El Sahali, Ibrahim] Beier, Ulli, ‘<strong>The</strong> Right to Claim the World: Conversation with Ibrahim El Salahi’, Third Text<br />

n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany.<br />

[Fu, Julie, Yin Xuizhan] Preece, Robert. ‘Chinese Art, Manchester Style.’ Asian Art News 8:6,1998.<br />

[Hatoum, Mona] Guha, Tania, ‘Andrea Fisher/Mona Hatoum.’ Third Text no.28/9 Autumn/Winter 1994.<br />

[Indian Drawing], Abbott, Guy Mannes, ‘Drawing space’, Art AsiaPacific, 30, 2001.<br />

[Li Yuan-chia] Brett, Guy, ‘Li Yuan-chia 1929-1994’, Third Text, 28/9, Autumn/Winter 1994, 3-4: obituary;<br />

Overy, Paul, ‘After a long silence: the works <strong>of</strong> Li Yuan-chia’, Third Text, 55, 2001, 51-62; Hill, Katie, ‘Li<br />

Yuan jia’, Art AsiaPacific, 32, 2001.<br />

[Liao, Jeff Chien-Hsing] review, Art in America, 94.9, October 2006.

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