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A Working Bibliography - The University of Sydney

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185<br />

[Wang Du] Kent, Rachel, ‚New York Scene’, Art AsiaPacific, 32, 2001<br />

[Way, John], Johnson, Robert Flynn, ‘<strong>The</strong> art <strong>of</strong> John Way’, Asian Art News, vol.11, no.5, 2001<br />

[West Coast Asian American Artists], Jaana, Reena,’<strong>The</strong> freshest <strong>of</strong> visions’, Asian Art News, vol.5, no.6,<br />

Nov/Dec 1995.<br />

[Wong [Dian Shui-lu]Chattophadhyay, C. ‘Dancing with the Tao’, Asian Art News, vol.6, no.4, July/August, 1996.<br />

[Xie Dejing/ Hsieh Tehching] Johnston Jill, ‘Tehching Hsieh: Art’s willing captive’, Art in America, September<br />

2001<br />

[Xin Fei], Millichap, John, ‘Life Lines’, Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />

[Xu Bing] Xu Bing & Cai Guoqiang at Bard review, Art AsiaPacific, 22, 1999; Goodman, Jonathon, ‘Xu Bing:<br />

Cultural Translator’, Art AsiaPacific, no.35, 2002; Doran, Valerie C., ‘Xu Bing: A Logos for the Genuine<br />

Experience’, Orientations, Volume 32, Number 8, October 2001; Nanjo, Fumio, ‘Xu Bing’ in Art Asia<br />

Pacific, Issue 37 (2003), p. 70; Chattopadhyay, Collette, ‘Beyond Iconography: <strong>The</strong> Power <strong>of</strong> Graffiti – Xu<br />

Bing and Public Art’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 32-35; Wei, Lily, ‘On Chinese Artists and<br />

the Market Place’ (Xu Bing and Zhang Huan) in Art Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Xu Bing,<br />

Tobacco Project: Shanghai (Catalogue), Shanghai Gallery <strong>of</strong> Art, 2004; Lin, Xiaoping, ‘Globalism or<br />

Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York’ in Third Text, Vol. 18, Issue 4<br />

(July 2004), pp. 279-296<br />

[Yamamoto, Lynne] review, Art AsiaPacific, 22, 1999; review, Contemporary Visual Art, 23<br />

[Yamashita, Kumi] Koplos, Janet, 'Kumi Yamashita at Kent', Art in America, Vol. 91, Issue 1, January 2003<br />

[Yang Ying Feng, Gary Lichtenstein], Jaana, Reena,’Crossing Divides’, Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />

[Yoko Ono] Dimitrakaki, Angela. ‘Yoko Ono: Have You Seen <strong>The</strong> Horizon Lately?’ Third Text no.42 Spring<br />

1998; Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan Society & Harry N.<br />

Abrams, 2000; Schwendener, Martha, Yoko Ono’, Artforum International, Vol.39, Issue 5, January 2001;<br />

Lopez, Sebastian, 'YES YOKO ONO', IIAS Newsletter, No.24, February 2001<br />

[Yoong Soon Min] review, Art AsiaPacific, 22, 1999; Poshyananda, Apinan, ‘Yong Soon Min’ in Art Asia Pacific,<br />

Issue 37 (2003), p. 7<br />

[Zhang Huan] Wei, Lily, ‘On Chinese Artists and the Market Place’ (Xu Bing and Zhang Huan) in Art Asia Pacific,<br />

No. 38 (Fall 2003), pp. 28-30; Lin, Xiaoping, ‘Globalism or Nationalism? – Cai Guoqiang, Zhang Huan,<br />

and Xu Bing in New York’ in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296<br />

[Zhang Jian-jun] Wong, Aida-Yuen, 'Vestiges <strong>of</strong> Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein<br />

in Guangdong', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue<br />

[Zhang Peili] Cohen, Joan Lebold,’A Studio Visit with Zhang Peili.’. Asia-Pacific Sculpture News 1:4 Autumn 1995;<br />

review, Art AsiaPacific, 25, 2000; Isreal, Nico, ‘New York: Zhang Peili’, Exhibition Review, Artforum<br />

International, Vol.38, Issue 3, November1999<br />

‘Art Directory’, Art AsiaPacific, no.34, 2002.<br />

Asian Traditions/Modern Expressions: Asian-American Artists and Abstraction, 1945-1970, Rutgers, Jane Voorhees<br />

Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, no.17, 1998.]<br />

Becker, Carol, ‘<strong>The</strong> Romance <strong>of</strong> Nomadism: A Series <strong>of</strong> Reflections.’ Art Journal Summer 1999.<br />

Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February 2001<br />

Borum, Jenifer P, ‘New York:”Asia/America”, Artforum International, Vol.33, Issue 1, September 1994<br />

Brett, Guy, ‘Earth and Museum -- Local or Global?’ Third Text no.6 Spring 1989.<br />

Chang, Alexandra, ‘Taeko Baba: Reinventing the Self’ in Art Asia Pacific, No. 39 (Winter 2004), pp. 30-32<br />

Chang, Alexandra, ‘Urban Improv: On the Road with the Brainstormers’ in Art Asia Pacific, No. 40 (Spring 2004),<br />

pp. 36-39<br />

Chang, Alexandra, ‘Locating Asian American Art: Redefinitions’ in Art Asia Pacific, No. 41 (Summer 2004), pp.<br />

40-41<br />

Chattophadhyay, C., ‘Out <strong>of</strong> Hong Kong’, Asian Art News, vol.6, no.5, September / October, 1996.<br />

Doran, Valerie C., ‘Interview with Vishakha N. Desai, Senior Vice President, Asia Society and Director, Asia<br />

Society Museum, Orientations, Volume 32, Number 8, October 2001<br />

Erickson, Britta, ‘San Francisco Asian Art Museum opening’ in Art Asia Pacific, No. 38 (Fall 2003), p. 17<br />

Evans, Tim, ‘Asian Roots’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18<br />

Fu-Chia-Wen Lien ‘<strong>The</strong> Body as Metaphor for Feminist Expression’, Asian Art News, 8:4, August 1998.<br />

Gaur, Umesh, ‘American Collectors <strong>of</strong> Contemporary Indian Art in the Northeast’, Orientations, Volume 33,<br />

Number 6, June 2002<br />

Goodman, Joanthan, ‘<strong>The</strong> first steps’, Art AsiaPacific, 25,

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