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A Working Bibliography - The University of Sydney

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182<br />

Southeast Asia<br />

Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007.<br />

‘<strong>The</strong> Transfer: Art in Colonial Southeast Asia’, in Mashadi, Ahmad, ed., Visions and Enchantment: Southeast Asian<br />

paintings, Singapore, Singapore Art Museum, 2000.<br />

‘Mooi Indie and Persagi from the perspective <strong>of</strong> a Modern Asian Art’ in Sidharta, Amir & Purnomo, Ninsih, eds,<br />

Dari Mooi Indie Hingga Persagi, Tangerang, Museum Universitas Pelita Harapan, 1997<br />

‘Into the Forest: Interview with Yeoh Jin-leng’, Art & Asia Pacific, vol. 1, no.2, 1994.<br />

Review:‘Panya Vijinthanasarn at Tadu Contemporary Art’ Asian Art News, vol.8, no.2, 1998.<br />

‘Asian Modernism: Diverse Developments in Indonesia, the Philippines, and Thailand’, Asian Art News, vol.6,<br />

no.1, January/February, 1996.<br />

Review: Apinan Poshyananda, Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols, Amarin Printing<br />

Group, Bangkok,1993; in Art & Asia Pacific, vol.2.no.1, July 1994.<br />

Review <strong>of</strong> Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992, Art Monthly<br />

Australia, April, 1993.<br />

Review <strong>of</strong> Anne Richter, Arts and Crafts <strong>of</strong> Indonesia, London, Thames & Hudson, Australian Book Review,<br />

December, 1993.<br />

Asian Artists Transnational Activity – North America<br />

[2004 Whitney Biennial] Sirmans, Franklin, ‘<strong>The</strong> 2004 Whitney Biennial: One on One with Shamin Momin’ in Art<br />

Asia Pacific, No. 40 (Spring 2004), pp. 16-18<br />

[Asian descent artists in Canada] Wallace, Keith, ‘<strong>The</strong> beauty <strong>of</strong> rupture’, Art AsiaPacific, 24, 1999<br />

[Bai Bien-U] review, Art AsiaPacific, 32, 2001<br />

[Bose Santiago; Villa, Carlos] review, Art AsiaPacific, 30, 2001<br />

[Cai Guoqiang] Heartney, Elanor, ‘Cai Guoqiang: illuminating the new China’, Art in America, May 2002;<br />

Schwabsky, Barry, ‘Tao and physics: <strong>The</strong> art <strong>of</strong> Cai Guo Qiang’, Artforum International, Vol.35, Issue 10,<br />

Summer 1997; Cultural Meeting Bath: Projects for the 20th century, New York, Queens Museum <strong>of</strong> Art, 1997<br />

[review: Goodman, Art AsiaPacific,no.18, 1998; Heartney, Elanor, ‘Cai Guo-Qiang: Illuminating the new<br />

China’, Art in America, Vol. 90, Issue 5, May 2002; Goodman, Jonathan, ‘Cai Guo-Qiang an Explosion<br />

Event: Light Cycle over Central Park at the Asia Society’ (Review) in Art Asia Pacific, No. 39 (Winter 2004),<br />

p. 84; Poshyananda, Apinan, ‘Cai Guo-Qiang’ in Art Asia Pacific, Issue 37 (2003), p. 76; Lin, Xiaoping,<br />

‘Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York’ in Third Text, Vol.<br />

18, Issue 4 (July 2004), pp. 279-296<br />

[Centre A] Gustafson, Paula, ‘’Twisting the box’, [Mattress factory] Art AsiaPacific 28, 2001<br />

[Cheang, Shu Lea] Chua, Lawrence, ‘An odd circuit’, Art AsiaPacific, 27, 2000<br />

[Chen Longbin] Karetzky, Patricia. ‘Between Two Cultures: Chen Longbin.’ World Sculpture News 4:3 Summer<br />

1998.<br />

[Cheng Emily], Goodman, Jonathan., ‘Ornament as Knowledge, Ornament as Desire: the Art <strong>of</strong> Emily Cheng’, in<br />

Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.52-58.<br />

[Cheung, Emily], Wei, Lilly, ‘Time reading’, Asian Art News, vol.6, no.2, Mar/Apr 1996.<br />

[Chin, Mel] Kent, Rachel, ‚New York Scene’, Art AsiaPacific, 32, 2001<br />

[Chong, Teresa] review, Art AsiaPacific, 34, 2002<br />

[Chu Hung] Findlay, Ian, ‘Kuang Jian at Palette Collections Gallery’, Exhibition Reviews, Thailand Feature, Asian<br />

Art News, vol. 12, no. 1, January/February 2002<br />

[Chu, Josie], review, Asian Art News, vol.10, no.5, 2000<br />

[Chun Seong] Kee, Joan, “suspended in ambivalence’, Art AsiaPacific 29, 2001<br />

[Cody Choi] Park, Kyung Mee, ‘Cody Choi’ in Art Asia Pacific, Issue 37 (2003), p. 7<br />

[Dakoji, Pratibha], Cohen, Joan Lebold,’<strong>The</strong> traveler Rests’ Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />

[Dave, Vinod] review, Art AsiaPacific, 25, 2000<br />

[Diao, David] Anderson, Paul A, ‘David Diao: Critical painting and the Racial Sublime’, Third Text, no.33, Winter<br />

1995-6, 41-50.<br />

[Do-Ho Suh] Momin, Shamin, ‘Do-Ho Suh’ in Art Asia Pacific, Issue 37 (2003), p. 69; Chung, Shinyoung,<br />

‘Do-Ho Suh’ in Art Asia Pacific, No. 38 (Fall 2003), p. 75<br />

[Emily Cheng] Malhotra, Priya, ‘Wholeness in a Fragmented World’ in Asian Art News , Vol. 14, Number 4<br />

(July/August 2004), pp. 36-40<br />

[Fang Lijun] review, Art AsiaPacific, 25, 2000<br />

[Filipina artists], Jana, Reena, ‘Unfolding identities’, Asian Art News, vol.9, no.1, 1999

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