A Working Bibliography - The University of Sydney

181
Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila, University of the Philippines,
[in editing, scheduled 2003].
‘Asian Modernisms’ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002.
‘Inter-Asian Criteria of Institutional Modernity in Art’, in Kunstlerische Austausch/Artistic Exchange, Akademie
Verlag, Berlin, 1993.
‘What in the context of contemporary art, is your vision of a future art?’, on the refereed web journal
www.anthology-of-art.net, in February, to be published later in an anthology from Jochen Gerz,
Braunschweig College of Art, 2003.
‘On Two Books by Edward W. Said’, Bicitra Seni, Jilid 2, [from Pusat Seni, Universiti Sains Malaysia,], 1996.
‘Art Goes Non-Aligned’ [Four Exhibitions in Jakarta including the Art of the Non-Aligned Movement, April 1995],
Art & Asia Pacific, vol.2, no.4, 1995.
‘Ajia ! Ajia!’, Art Monthly Australia, no.39, April, 1991
‘Asian Artists at the 2001 Venice Biennale’, IIAS Newsletter, November, no.26, 2001
"Contemporary Arts: Asia", review of Asia Society New York Roundtable, Journal of the Asian Arts Society of
Australia, vol.2, no.1, January, 1993.
‘Once Again the East’, [The new Asian Gallery, Art Gallery of New South Wales], Art Monthly Australia, no.30,
May, 1990.
Australia
Australian Art and Asia -Then and Now’, Occasional Paper No.19, Research Institute for Asia and the Pacific,
University of Sydney, 1992
‘Playing with the Stars: Guan Wei’s styles’, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu Gallery, La Salle
SIA, Singapore 2000.
‘Crossings’, essay for the catalogue curated by William Wright, The Rose Crossing: Contemporary Art in Australia,
Sydney, Sherman Galleries, 1999.
‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, in Dever, Maryanne, ed., Australia and Asia:
cultural transactions, Surrey, Curzon Press, 1997.
‘Systems End’, catalog essay in Tseng Fang-ling, Huang Pei-yi, editors, Systems End, Contemporary Art in Australia,
Gaoxiong, Gaoxiong Shili Meishuguan, 1996.
‘The position of the transcultural: an end to hyphenation?’, [essay on the work of John Young] in Lumby, Kathy
& Robinson, Julia eds, Antipodean Currents, Ten Contemporary Artists from Australia, Washington, John F.
Kennedy Centre for the Performing Arts, 1994.
‘Swimming in the Transcultural Sea: John Young’, Asian Art News, vol.4, no.3, May/June, 1994.
‘Sons’: an essay for a catalogue of works by Yvonne Boag, Mirabel Fitzgerald, and Patsy Payne exhibited at
Silpakorn University Bangkok, 1998
‘William Robinson’, Asian Art News, vol.4 no.6, December, 1994.
Review: ‘Fragments of origin: Asian Women Artists’ Group at Blaxland Gallery; Fresh Art: 20 Young Artists at
the S.H. Ervin Gallery: Moet & Chandon Touring Exhibition at the Art Gallery of New South Wales’,
[Three Reviews of Sydney Exhibitions], Asian Art News, vol. 4, no.4, July/August 1994.
South Asia
Modern Indian Art: Some Literature and Problematics, Occasional Paper, no.21, Research Institute for Asia and the
Pacific, 1994.
‘Two Modern Indian Painters: Arpita Singh and Swaminathan’, Art & Asia Pacific, supplement to Art and
Australia, 1993
Review of Bankim Chandra Chatterjee, tr. Marian Madden and S.N.Mukherjee, The Poison Tree: Three Novellas,
New Delhi, Penguin Books India, 1996, The Journal of the Oriental Society of Australia, vol.31, 1999.
Review of Jyotindra Jain, Kalighat Painting: Images from a Changing World, Ahmedabad, Mapin Publishing, 1999;
Yashodhara Dalmia, The making of Modern Indian Art: The Progressives, New Delhi, Oxford University Press,
2001; Gulamohammed Sheikh, editor, Contemporary Art in Baroda, New Delhi, Tulika, 1997; forthcoming in
Art AsiaPacific, 2003
Review of Geeta Kapur, When was Modernism: Essays on Contemporary Cultural Practice in India, New Delhi, Tulika,
2000, Australian and New Zealand Journal of Art, no.2, 2002