A Working Bibliography - The University of Sydney

180
I Thought I Knew But I Was Wrong (Travelling Video Art Exhibition), Glass, Alexie and Tutton, Sarah, ‘I Thought
I Knew But I Was Wrong’ (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.18-19;
Palmer, Daniel, ‘Medium Without Memory: Australian Video Art’ in Broadsheet, Vol. 33, No. 3 (September-
November 2004), pp. 20-21
Localities of Desire: Contemporary Art in an International World, curated by Ewington, Julie & Murphy, Bernice, Sydney,
Museum of Contemporary Art, 1995.
MAAP 2004, MAAP in Singapore 2004 –Gravity (Catalogue), Brisbane: MAAP, 2004; Machan, Kim, ‘Gravity –
Leap Into the Void’ (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 14-16
Out of Asia, curated Carroll, A., [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists exhibited:
Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe, Fiona MacDonald,
Susan Norrie, Robert Owen, Gareth Sansom]
Systems End: Contemporary Art in Australia, Sydney, Wright, Wiliam; Spark, Jo, eds. Sherman Galleries, 1996 [to
Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21 April, 1996; Shimizu Toshio,
‘Systems End’, ART AsiaPacific, no.14, 1997.]
Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee, Kamol
Phaosavasdi], Sydney, Art Gallery New South Wales, 1994; Menzies, Jackie, ‘A Thai-Australian Art
Exhibition’, Artlink, Vol. 13, No.3&4, November-March 1993/94
The Asian Interface, Australian Artists and the Far East, curated, Menzies, J., Exhibition and check-list, Sydney, Art
Gallery of New South Wales, 1983.
Tôkyô Connection, Australian Artists’ Studio in Tôkyô, Melbourne, Australian Exhibitions Touring Agency, 1990
[artists in residence in Tôkyô 1987-1990: Liz Coates, 1987; Diane Mantzaris, 1987; Noelene Lucas, 1987;
Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary, 1988; Jennifer
McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul Thirkell, 1989; Bette Mifsud,
1990].
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994. [to
Guangzhou, Hong Kong, Taiwan]; Wang, Chia Chi Jason, ‘A Veil in Between’ [on Transcultural painting
Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994
Corsini, Marco., ‘Memory and Subjectivity, Small World: Group Exhibition by Shaun Wilson and Adam
Cuthbert’ (CAST- Contemporary Artist Service Tasmania, Hobart), in Vehicle: Contemporary Visual Arts,
No.9, 2003, p.26-29.
Dysart, Dinah and Michael, ‘Asian Galleries – Art Gallery of New South Wales’ in Art & Australia, Vol. 41, No. 4
(Winter 2004), pp. 541-543
Friis-Hansen, D., ‘Locating the Australian Imaginary’ [Review of ‘Inner-Land’ exhibition in Tokyo], Art & Asia
Pacific, vol.1, no.3, 1994.
Heartney, Eleanor., ‘Parallel Lives: Montien Boonma at Asia Society and Chen Zhen at P.S.1’, in Art AsiaPacific,
Issue 38, Fall 2003, p.50-52.
Parossien, Leon, ‘The Biennale of Sydney – A Partisan Viewof Three Decades’ of Three Decades’ in Art &
Australia, Vol. 41, No. 1 (Autumn 2004), pp. 60-69
Raffel, Suhanya., ‘“Two Sites, One Vision” in Queensland’, in The Journal of the Asian Arts Society of Australia, Vol.
13, No. 1, March 2004, p.22.
Sager, Janine Fenton., ‘Connecting Audience with Art, Review of Australian Exhibition: “Anita and Beyond”’
(Penrith Regional Gallery & The Lewers Bequest, Western Sydney), in Vehicle: Contemporary Visual Arts,
No.9, 2003, p.30-35.
Seeto, Aaron, ‘Flacit Momentums and Tactical Interventions’ (On Asian-Australian Artists) in East West Arts,
Number 1 (September-November 2004), pp.108-109
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark
Modernity in Asian Art
Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007.
Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007
Modern Asian Art, Sydney, Fine Arts Press, Sydney & University of Hawai’i Press, Honolulu, 1998
Editor, Modernity in Asian Art, Wild Peony Press, Sydney [US’ distribution University of Hawaii Press] 1993,
including paper ‘Open and Closed Discourses of Modernity in Asian Art’1992
‘Kindai Ajia no bijutsu gensetsu ni okeru “taka” ’ (tr. Morino Yutaka, Fujiwara Sadao) in Shimamoto Kan, Kasuya
Makoto, hen, Bijutsushi to Tasha, Kyôto, Kôyô Shuppan, 2000; English original to be published as ‘Art
History and Alterity: ‘Othering’ as Process in Modern Asian Art Discourses’ in Flores, Patrick D. ed.,