A Working Bibliography - The University of Sydney

179
Gallbally, A., ‘Aestheticism in Australia’, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays
presented to Bernard Smith, Melbourne, Oxford University Press, 1980.
Geczy, Adam, ‘Buddha: Radiant Awakening’, Art AsiaPacific, no.35, 2002.
Genocchio, Benjamin, ‘Between Mirrors: an interview with Lindy Lee’, Eyeline, 31, Spring 1996.
Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, The Humanities Research Centre of Australian
National University, 1994.
Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic Publishers,
1994.
Green, Charles, ‘Unofficial World: Postcolonial and the Metropolis’, On the Position of Australian Art, Art &
Text 43, September 1992
Hage,Ghassan, White Nation: Fantasies of White supremacy in a multi-cultural society, Sydney, Pluto Press, 1998.
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, Sydney, Pluto Press,2003.
Hamilton, A, ‘Fear and Desire: Aborigines, Asians and the National Imaginary’, in Australian Perceptions of Asia
above.
Hamilton, A, ‘Trading Image; Art at the ‘Asia’ Junction’, Art & Australia, vol.30, no.3, Autumn 1993.
Hamilton, A., ‘Dreaming the Lotus: Aesthetic dialogue with ‘Asia’?,in Caroll, 1990.
Hjorth, Larissa, ‘Neo-Tokyo: Japanese Art Now’, Art AsiaPacific, no.35, 2002.
Hoffie, P., ‘The reluctant tourist; a mythical narrative on nationalism’, Art Monthly Australia, 59, May 1993.
Howard, I., ‘Dialogues of differences’ [Australia/Vietnam], Asian Art News, vol.5, no.2, Mar/April 1995.
Lane, T., ‘A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria’, Historic Environment,
vol.3, no.3, 1984.
McClean, Ian, ‘White aborigines: colonial imperatives of Australian Colonialism’, Third Text, no.22, Spring 1993.
McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979.
Ross, Helen, ‘Arx 4 Torque-the last session of the first day’, Art Monthly Australia, no.79, May, 1995.
Scarff, Julian, ‘Australian New Media artists in Beijing’, Art AsiaPacific, 27, 2000
Storer, Russel, ‘Artists-run Initiatives and Alternative Spaces in Sydney and Singapore’ (Master of Arts
Dissertation, University of Sydney, 2004)
Walker, D., and Ingleson, J., ‘The Impact of Asia’, in Meaney, N., ed., Under New Heavens: Cultural Transmission and
the Making of Australia, Melbourne, Heinemann Educational Australia, 1989.
Walker, D., Anxious Nation: Australia and the Rise of Asia, 1850-1939¸ St.Lucia,University of Queensland Press,
1999.
White, R., ‘Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914’, in Australian Perceptions of Asia,
1990.
White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981.
Exhibitions and Reviews [selected]
Adelaide Biennial 1994, Broket, David, ‘East West Passage’, [featuring works of North and South East Asian artists
at the 1994 Adelaide Biennial of Australian Art], Art & Text 48, May 1994
Argonauts of the Timor Sea (2004), Bralow, Geraldine, ‘Argonauts of the Timor Sea’ (Review) in Broadsheet, Vol. 33,
No. 3 (September- November 2004), pp. 54-57
Art from Australia, curated Carroll, A, [catalogue of touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur,
Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John
Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young].
Asia Traffic 2004, Sambrani, Chaitanya, ‘Home and Away: Higways and Bylanes in Asian Art’ in Broadsheet, Vol. 33,
No. 3 (September- November 2004), pp.24-31
Biennale of Sydney 2002, Chen, Elsa Hsiang-chun, ‘Identity Politics? Allegorical Existence? On the Way to the
Fantastic’ in Yishu: Journal of Contemporary Chinese Art, Vol. 1, No. 2 (July/August 2002)East and West: The
Meeting of Asian and European Art, curated Carroll, A, [Exhibition and catalogue], Adelaide, Art Gallery of
South Australia, 1985.
Biennale of Sydney 2004 Felicia Fenner, ‘On Reason and Emotion’ (Interview with Isabel Carlos), in in Art &
Australia, Vol. 41, No. 4 (Winter 2004), pp. 557-559; ‘No Big Picture [2004 Biennale of Sydney]’
(Commentaries by Alex Gawronski, Jacqueline Millner and Adam Geczy) in Broadsheet, Vol. 33, No. 3
(September- November 2004), pp. 48-53
Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial
Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon,
Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson].