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A Working Bibliography - The University of Sydney

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178<br />

no.100, June 1997; McCullough, Susan ‘Parallel Perspectives’, Asian Art News, vol.7, no.4, July/August<br />

1997.<br />

[Preston, Margaret] North, I., ed., <strong>The</strong> Art <strong>of</strong> Margaret Preston, Adelaide, <strong>The</strong> Art Gallery Board <strong>of</strong> South Australia,<br />

1980.<br />

[Sandrasegar, Sangeeta] Carsley, Gary, ‘Karma Chameleons’, Art India, vol ix, issue ii, quarter ii, 2004.<br />

[Sansom, Gareth] Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions Touring<br />

Agency, 1991; Sansom, G. [interview] ‘Responding to India’, Art Monthly Australia, no.41, June, 1991.<br />

[Savandhary Vongpoothorn] Fink, Hannah, ‘Rythmic Air’, Art AsiaPacific, 24, 1999<br />

[Shen Jiawei] Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, ‘Shen Jiawei at Gallery 4A’, Asian<br />

Art News, vol. 12, no. 6, November/December, 2002; Hill, Peter, ‘Red Eye’, <strong>Sydney</strong> Morning Herald, 11<br />

October 2002; James, Bruce, ‘Artist with awesome promise must escape the mosh pit’, <strong>Sydney</strong> Morning<br />

Herald, 2 October 2002; McDonald, John, ‘<strong>The</strong> Third World by Shen Jiawei’ in East West Arts, Number 1<br />

(September-November 2004), p. 6<br />

[Shen Shaomin] McDonald, John, ‘Shen Shaomin: Bones <strong>of</strong> Contention’ in East West Arts, Number 1<br />

(September-November 2004), pp. 68-75<br />

[Simryn Gill] Lee Weng Choy, ‘Simryn Gill’ in Art Asia Pacific, Issue 37 (2003), p. 65<br />

[<strong>Sydney</strong> Biennale 1998] Fink, Hannah, ‘Speechless’ Art AsiaPacific, 23, 1999<br />

[Tan Laurens] Genocchio, Benjamin, ‘Glocalism’, Art AsiaPacific, 22, 1999<br />

[Thomas, Rover] White, Sheona, ‘Roads Cross, Rover Thomas’, Art & Asia Pacific, vol.1, no.4, 1994.<br />

[To, Hiram] McAlera, D., ‘Hiram To: Performing Attitudes’, World Art, 1, 1995.<br />

[Wang Zhiyuan] Roberts, Claire, ‘<strong>The</strong> Art <strong>of</strong> Wang Zhiyuan: A state <strong>of</strong> flux’, Art AsiaPacific, no.33, 2002.<br />

[Yang, William] Yang, W., ‘I ask myself, am I Chinese?’, Art & Asia Pacific, vol.1, no.2, 1994.<br />

[Young, John] Jackson, Mark, ‘John Young’ Review, Art & Text 41, January 1992; Chiu, Melissa; Clark, John;<br />

Hutchings, Peter; Lindsay, Frances, john young; the double ground paintings, <strong>Sydney</strong>, Australian Art<br />

Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes<br />

and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; review, Art AsiaPacific, 22, 1999; Young, John:<br />

Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993<br />

[Zhang Peili] ; Franch, Blair, ‚’“Outside the Real“’, Gallery 4A, <strong>Sydney</strong> [Huang Du, Zhang Peili, Cai Guoqiang],<br />

Art & Text 64, Feb.-Apr. 1999;<br />

Critical and Historical Studies<br />

‘Travellers, Journeys, Tourists’, issue <strong>of</strong> Australian Cultural History, no.10, 1991, edited by Horne, J. & Walker, D.<br />

Ang, Ien; Stratton, John, ‘<strong>The</strong> Asian Turn’, Art & Text, no.50, January, 1995.<br />

Australian Perceptions <strong>of</strong> Asia, issue <strong>of</strong> Australian Cultural History, no.9, 1990, edited by Walker, D.<br />

Baume, Nicholas, ‘Guest in Venice: Australia’s Biennale Pavilion’, Art & Text 31, Dec.-Feb. 1989<br />

Broinowski, Alison, <strong>The</strong> Yellow Lady; Australian impressions <strong>of</strong> Asia, Melbourne, Oxford <strong>University</strong> Press, 1992.<br />

Carroll, A, ‘Parallels: Nationalism in Filipino, Indonesian, and Australian Art’, Art & AsiaPacific, no.1, supplement<br />

to Art & Australia, March 1993.<br />

Carroll, A, ‘To a friendly nation, far away’, Art Monthly Australia, no.88, April 1996.<br />

Chang, Virginia Yen-ju. Impressions <strong>of</strong> Asian Art in Australians’ Eyes: <strong>The</strong> Development <strong>of</strong> Asian Art Exhibitions in Art<br />

Gallery <strong>of</strong> New South Wales. Research paper, Master <strong>of</strong> Arts, Museum Studies, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1999.<br />

Chiu, Melissa, ‘<strong>The</strong> blank in the page’, Eyeline, no.31, Spring 1996.<br />

Clark, J., ‘Fragments <strong>of</strong> origin; Asian women artists’ group at the Blaxland Gallery’, Asian Art News, July/August<br />

1994.<br />

Clark, J., Australian Art and Asia -<strong>The</strong>n and Now’ Occasional Paper No.19, Research Institute for Asia and the<br />

Pacific, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, July 1992.<br />

Clark, John, ‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, Dever, Maryanne, ed., Australia and<br />

Asia: cultural transactions, Surrey, Curzon Press, 1996<br />

Collins, D, ‘Asian Art in Australia’, Art & Australia, vol.30, no.3, Autumn 1993.<br />

Collins, D., Asian Art and Australia: 1830s-1930s, M.A. <strong>The</strong>sis, Canberra, Australian National <strong>University</strong>, 1992.<br />

Eagle, M., ‘<strong>The</strong> Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist" Painters?’,<br />

Australian Journal <strong>of</strong> Art, Vol.VI, 1987.<br />

Galbally, A., ‘Australian Artists Abroad: 1880-1914’, in Galbally & Plant, 1978, above.<br />

Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department <strong>of</strong> Fine Arts, <strong>University</strong> <strong>of</strong><br />

Melbourne, 1978.

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