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[Savandhary Vongpoothorn] Fink, Hannah, ‘Rythmic Air’, Art AsiaPacific, 24, 1999 [Shen Jiawei] Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, ‘Shen Jiawei at Gallery 4A’, Asian Art News, vol. 12, no. 6, November/December, 2002; Hill, Peter, ‘Red Eye’, <strong>Sydney</strong> Morning Herald, 11 October 2002; James, Bruce, ‘Artist with awesome promise must escape the mosh pit’, <strong>Sydney</strong> Morning Herald, 2 October 2002; McDonald, John, ‘<strong>The</strong> Third World by Shen Jiawei’ in East West Arts, Number 1 (September-November 2004), p. 6 [Shen Shaomin] McDonald, John, ‘Shen Shaomin: Bones <strong>of</strong> Contention’ in East West Arts, Number 1 (September-November 2004), pp. 68-75 [Simryn Gill] Lee Weng Choy, ‘Simryn Gill’ in Art Asia Pacific, Issue 37 (2003), p. 65 [<strong>Sydney</strong> Biennale 1998] Fink, Hannah, ‘Speechless’ Art AsiaPacific, 23, 1999 [Tan Laurens] Genocchio, Benjamin, ‘Glocalism’, Art AsiaPacific, 22, 1999 [Thomas, Rover] White, Sheona, ‘Roads Cross, Rover Thomas’, Art & Asia Pacific, vol.1, no.4, 1994. [To, Hiram] McAlera, D., ‘Hiram To: Performing Attitudes’, World Art, 1, 1995. [Wang Zhiyuan] Roberts, Claire, ‘<strong>The</strong> Art <strong>of</strong> Wang Zhiyuan: A state <strong>of</strong> flux’, Art AsiaPacific, no.33, 2002. [Yang, William] Yang, W., ‘I ask myself, am I Chinese?’, Art & Asia Pacific, vol.1, no.2, 1994. [Young, John] Jackson, Mark, ‘John Young’ Review, Art & Text 41, January 1992; Chiu, Melissa; Clark, John; Hutchings, Peter; Lindsay, Frances, john young; the double ground paintings, <strong>Sydney</strong>, Australian Art Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; review, Art AsiaPacific, 22, 1999; Young, John: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993 [Zhang Peili] ; Franch, Blair, ‚’“Outside the Real“’, Gallery 4A, <strong>Sydney</strong> [Huang Du, Zhang Peili, Cai Guoqiang], Art & Text 64, Feb.-Apr. 1999; Critical and Historical Studies ‘Travellers, Journeys, Tourists’, issue <strong>of</strong> Australian Cultural History, no.10, 1991, edited by Horne, J. & Walker, D. Ang, Ien; Stratton, John, ‘<strong>The</strong> Asian Turn’, Art & Text, no.50, January, 1995. Australian Perceptions <strong>of</strong> Asia, issue <strong>of</strong> Australian Cultural History, no.9, 1990, edited by Walker, D. Baume, Nicholas, ‘Guest in Venice: Australia’s Biennale Pavilion’, Art & Text 31, Dec.-Feb. 1989 Broinowski, Alison, <strong>The</strong> Yellow Lady; Australian impressions <strong>of</strong> Asia, Melbourne, Oxford <strong>University</strong> Press, 1992. Carroll, A, ‘Parallels: Nationalism in Filipino, Indonesian, and Australian Art’, Art & AsiaPacific, no.1, supplement to Art & Australia, March 1993. Carroll, A, ‘To a friendly nation, far away’, Art Monthly Australia, no.88, April 1996. Chang, Virginia Yen-ju. Impressions <strong>of</strong> Asian Art in Australians’ Eyes: <strong>The</strong> Development <strong>of</strong> Asian Art Exhibitions in Art Gallery <strong>of</strong> New South Wales. Research paper, Master <strong>of</strong> Arts, Museum Studies, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1999. Chiu, Melissa, ‘<strong>The</strong> blank in the page’, Eyeline, no.31, Spring 1996. Clark, J., ‘Fragments <strong>of</strong> origin; Asian women artists’ group at the Blaxland Gallery’, Asian Art News, July/August 1994. Clark, J., Australian Art and Asia -<strong>The</strong>n and Now’ Occasional Paper No.19, Research Institute for Asia and the Pacific, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, July 1992. Clark, John, ‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, Dever, Maryanne, ed., Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996 Collins, D, ‘Asian Art in Australia’, Art & Australia, vol.30, no.3, Autumn 1993. Collins, D., Asian Art and Australia: 1830s-1930s, M.A. <strong>The</strong>sis, Canberra, Australian National <strong>University</strong>, 1992. Eagle, M., ‘<strong>The</strong> Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist" Painters?’, Australian Journal <strong>of</strong> Art, Vol.VI, 1987. Galbally, A., ‘Australian Artists Abroad: 1880-1914’, in Galbally & Plant, 1978, above. Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department <strong>of</strong> Fine Arts, <strong>University</strong> <strong>of</strong> Melbourne, 1978.
179 Gallbally, A., ‘Aestheticism in Australia’, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays presented to Bernard Smith, Melbourne, Oxford <strong>University</strong> Press, 1980. Geczy, Adam, ‘Buddha: Radiant Awakening’, Art AsiaPacific, no.35, 2002. Genocchio, Benjamin, ‘Between Mirrors: an interview with Lindy Lee’, Eyeline, 31, Spring 1996. Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, <strong>The</strong> Humanities Research Centre <strong>of</strong> Australian National <strong>University</strong>, 1994. Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic Publishers, 1994. Green, Charles, ‘Un<strong>of</strong>ficial World: Postcolonial and the Metropolis’, On the Position <strong>of</strong> Australian Art, Art & Text 43, September 1992 Hage,Ghassan, White Nation: Fantasies <strong>of</strong> White supremacy in a multi-cultural society, <strong>Sydney</strong>, Pluto Press, 1998. Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, <strong>Sydney</strong>, Pluto Press,2003. Hamilton, A, ‘Fear and Desire: Aborigines, Asians and the National Imaginary’, in Australian Perceptions <strong>of</strong> Asia above. Hamilton, A, ‘Trading Image; Art at the ‘Asia’ Junction’, Art & Australia, vol.30, no.3, Autumn 1993. Hamilton, A., ‘Dreaming the Lotus: Aesthetic dialogue with ‘Asia’?,in Caroll, 1990. Hjorth, Larissa, ‘Neo-Tokyo: Japanese Art Now’, Art AsiaPacific, no.35, 2002. H<strong>of</strong>fie, P., ‘<strong>The</strong> reluctant tourist; a mythical narrative on nationalism’, Art Monthly Australia, 59, May 1993. Howard, I., ‘Dialogues <strong>of</strong> differences’ [Australia/Vietnam], Asian Art News, vol.5, no.2, Mar/April 1995. Lane, T., ‘A burlesque <strong>of</strong> a burlesque: Aestheticism and the aesthetic interior <strong>of</strong> Victoria’, Historic Environment, vol.3, no.3, 1984. McClean, Ian, ‘White aborigines: colonial imperatives <strong>of</strong> Australian Colonialism’, Third Text, no.22, Spring 1993. McQueen, H., <strong>The</strong> Black Swan <strong>of</strong> Trespass, <strong>Sydney</strong>, Alternative Publishing Cooperative Ltd., 1979. Ross, Helen, ‘Arx 4 Torque-the last session <strong>of</strong> the first day’, Art Monthly Australia, no.79, May, 1995. Scarff, Julian, ‘Australian New Media artists in Beijing’, Art AsiaPacific, 27, 2000 Storer, Russel, ‘Artists-run Initiatives and Alternative Spaces in <strong>Sydney</strong> and Singapore’ (Master <strong>of</strong> Arts Dissertation, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 2004) Walker, D., and Ingleson, J., ‘<strong>The</strong> Impact <strong>of</strong> Asia’, in Meaney, N., ed., Under New Heavens: Cultural Transmission and the Making <strong>of</strong> Australia, Melbourne, Heinemann Educational Australia, 1989. Walker, D., Anxious Nation: Australia and the Rise <strong>of</strong> Asia, 1850-1939¸ St.Lucia,<strong>University</strong> <strong>of</strong> Queensland Press, 1999. White, R., ‘Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914’, in Australian Perceptions <strong>of</strong> Asia, 1990. White, R., Inventing Australia: Images and Identity 1688-1980, <strong>Sydney</strong>, 1981. Exhibitions and Reviews [selected] Adelaide Biennial 1994, Broket, David, ‘East West Passage’, [featuring works <strong>of</strong> North and South East Asian artists at the 1994 Adelaide Biennial <strong>of</strong> Australian Art], Art & Text 48, May 1994 Argonauts <strong>of</strong> the Timor Sea (2004), Bralow, Geraldine, ‘Argonauts <strong>of</strong> the Timor Sea’ (Review) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 54-57 Art from Australia, curated Carroll, A, [catalogue <strong>of</strong> touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young]. Asia Traffic 2004, Sambrani, Chaitanya, ‘Home and Away: Higways and Bylanes in Asian Art’ in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.24-31 Biennale <strong>of</strong> <strong>Sydney</strong> 2002, Chen, Elsa Hsiang-chun, ‘Identity Politics? Allegorical Existence? On the Way to the Fantastic’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 1, No. 2 (July/August 2002)East and West: <strong>The</strong> Meeting <strong>of</strong> Asian and European Art, curated Carroll, A, [Exhibition and catalogue], Adelaide, Art Gallery <strong>of</strong> South Australia, 1985. Biennale <strong>of</strong> <strong>Sydney</strong> 2004 Felicia Fenner, ‘On Reason and Emotion’ (Interview with Isabel Carlos), in in Art & Australia, Vol. 41, No. 4 (Winter 2004), pp. 557-559; ‘No Big Picture [2004 Biennale <strong>of</strong> <strong>Sydney</strong>]’ (Commentaries by Alex Gawronski, Jacqueline Millner and Adam Geczy) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 48-53 Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson].
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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