176 Devenport, Rhana, ‘Beauty, Shadow-Play and Silhouettes’, Art and Australia, vol. 44, no. 3, 2006 [Sangeeta Sandrasegar, Guan Wei, Nusra Latif Qureshi, Emil Goh, Renee So, Ah Xian, Liza Lim]. Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, <strong>Sydney</strong>, Craftsman House, 2006. Koop, Stuart, ‘Asia Exchange: Rapt! Satellite’, Art and Australia, vol. 44, no. 3, 2006. Pennings, Mark and Danni Zuvela, ‘Korea/Australia’ (review <strong>of</strong> exhibition at Insititute <strong>of</strong> Modern Art, Brisbane), Art and Australia, vol. 42, no. 3, 2005. Roberts, Claire, ‘<strong>The</strong> Slow Art <strong>of</strong> Ah Xian’, Art and Australia, vol. 43, no. 3, 2006. Australia and Asia [selected] Australian Academy <strong>of</strong> the Humanities, Knowing Ourselves and others: <strong>The</strong> Humanities in Australia into the 21 st century, 3 volumes, Canberra, Australian Government Publishing Service, 1998. 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Foss, Paul, ed., Island in the Stream: Myths <strong>of</strong> Place in Australian Culture, <strong>Sydney</strong>, Pluto Press, 1988. Gibson, Ross, South <strong>of</strong> the West: Postcolonialism and the Narrative construction <strong>of</strong> Australia, Indiana <strong>University</strong> Press, Bloomington and Indianapolis, 1992. Grenville, Kate, <strong>The</strong> Secret River, Melbourne, Text Publishing, 2005. Hage, Ghassan & Couch, Rowena, eds., <strong>The</strong> Future <strong>of</strong> Australian Multiculturalism , <strong>Sydney</strong>, <strong>The</strong> <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1999. Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, <strong>Sydney</strong>, Pluto Press, 2003. Hage, Ghassan, White Nation: Fantasies <strong>of</strong> White supremacy in a multi-cultural society, <strong>Sydney</strong>, Pluto Press, 1998. 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Stuart, Francis, Towards Coming-<strong>of</strong>-Age: a Foreign Service Odyssey, Nathan, Griffith <strong>University</strong>, Centre for the Study <strong>of</strong> Australian-Asian Relations, 1989. Walker, David, Anxious Nation: Australia and the Rise <strong>of</strong> Asia, 1850-1939¸ St. Lucia, <strong>University</strong> <strong>of</strong> Queensland Press, 1999. Individual Artists [Ah Xian] Roberts, Claire, ‘Fishes and dragons’, Art AsiaPacific, 26, 2000; Feinstein, Roni, ‘A journey to China’, Art in America, February 2002; Jaivin, Linda, ‘Ah Xian, recent works in porcelain’, Art AsiaPacific, no.33, 2002; Chiu, Melissa, ‘Ah Xian’ in Art Asia Pacific, Issue 37 (2003), p. 31 [Ahn Pil Yun] Cho Lisa Mira, ‘<strong>The</strong> Swallowed Moon’, Art Monthly Australia , no.96, December 1996.
177 [Asia Pacific Artists Initiative] Kin, Natalie, ‘USEby’, ArtAsiaPacific, 30, 2001 [AWAS!] review, Art AsiaPacific 29, 2001 [Benyon, Kate] Koop, Stuart, ‘Warrior Girl’, Art AsiaPacific 29, 2001; Helen McDonald, ‘Global City Dreaming’ in Art Asia Pacific, No. 39 (Winter 2004), pp.57-64 [Boag, Yvonne] Kidd, Courtney, ‘Yvonne Boag in South Korea’, Art Monthly Australia, no.88, April 1996 [Cai Guoqiang] ; Franch, Blair, ‚’“Outside the Real“’, Gallery 4A, <strong>Sydney</strong> [Huang Du, Zhang Peili, Cai Guoqiang], Art & Text 64, Feb.-Apr. 1999; [Camel Byrne], Bravaic, Milica., ‘Signal from “<strong>The</strong>re”: Solo Exhibition by Carmel Byrne’ (Plastique Kinetic Worms, Singapore), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.11. [Chou, Irene (Zhou Luyun)] Binks, Hilary. ‘<strong>The</strong> Universe Within.’ Asian Art News 8:6,1998 [Cruz, Maria] Sullivan, Eve, ‘Maria Cruz, Songlines’, Art Asia Pacific, no.34, 2002. 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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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- Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
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- Page 203 and 204: 203 Kember, Pamela., ‘A Report on
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