A Working Bibliography - The University of Sydney

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174 Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998. Galligan, Gregory, ‘Painting Over the Lines: Contemporary art from Pakistan’, ART AsiaPacific, Issue 36 (2002) Hashmi, Salima, ‘Looking Back, Looking Forward: Pakistani Art in the 90’s’, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Hashmi, Salima, ‘Women artists in the Muslim World: a fresh perspective from Pakistan’, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994 Hashmi, Salima, ‘Radicalising tradition: painting in Pakistan’, Artlink, Vol. 20, No. 2, July 2000 Hashmi, Salima, essays in Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan, New Delhi, Oxford University Press, 2007 MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester University Press, 1995. Mirza, Quddus, ‘A particular language’, Art AsiaPacific, 24, 1999 Mirza, Quddus, ‘Cross-Connecting Identities’, Art India, volume X, issue I, quarter I, 2005 (special issue on video art). Mirza, Quddus, ‘Letter from Pakistan: Broadcast News’, Art India, Volume X, Issue IV, Quarter IV, 2005. Mirza, Quddus, ‘Letter from Pakistan: De-Fused Identities’, Art India, vol 9, issue i, quarter i, 2004. Mirza, Quddus, ‘Letter from Pakistan: Using Popular Imagery’, Art India, vol ix, issue ii, quarter ii, 2004. Pettifor, Steven, ‘Contemporary Art from Pakistan: Asia House’ (review), Asian Art News, vol. 16, no. 6, Nov-Dec 2006. Sambrani, Chaitanya, ‘Printing across borders: the Aar-Paar Project’, in Art Monthly Australia, No. 171 (July, 2004), pp. 12-15 Sharma, Prageeta, ‘Playing with a Loaded Gun: Contemporary Art in Pakistan at Apex Art’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 83 Whiles, Virginia, ‘In and Out of Pakistan’, Third Text, n52 Autumn 2000, 103-111 Wright, Stephen, ‘Beyond Borders: Art of Pakistan’ (review), Parachute,100, 2005. BANGLADESH [Ahmed, Kamal] Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 [Amin, Rashid] review, Asian Art News, vol.12, no.2, 2002 [Chowdhury, Swapan] Jamal, Osman, ’A Man of His Time’, Asian Art News, vol. 16, no. 3, 2006. Zhang Wubin, ‘Voices of Resistance’, Asian Art News, vol. 15, no. 1, 2005. [Ilsma, Aminul] Jamal, Osman, ‘The making of a Bangladeshi artist’, Asian Art News, vol.9, no.6, 1999 [Karmaker, Ashoke] Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 [Shahabuddin] Jamal, Osman, ‘The spirit of violence’, Asian Art News, vol.11, no.3, 2001 Anuar, Zanita, ‘Impressions of the 8 th Asian Art Biennale in Bangladesh’, Artlink, Vol. 20, No. 2, July 2000 Choudhury, Subir, ‘Art of Bangladesh: Contemporary trends among the artists of the 90’s’, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Jamal, Osman ‘To bear witness[four women artists], Asian Art News, vol.10, no.5, 2000 ‘Supplement on Rickshaw Painting’ to Fukuoka Art Museum ed., 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. SRI LANKA/CEYLON [Bari Kumar] Jana, Reena. ‘Other Ways of Seeing.’ Asian Art News 8:6 November/December 1998 [Coomaraswamy, Ananda] Bandaranaike, S., ‘Ananda Coomaraswamy and approaches to the study of traditional Sri Lankan art and Society’, in P.E.P. Deraniyagala Commemoration Volume, Columbo, Sri Lanka, 1980. [Daraniyagala, Justin] Justin Daraniyagala, Catalogue with essay by Ellen Dissanayake, Colombo, Deutsche Bank, 1992. [de Alwis, Tissa] Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 [Keyt, George, see India ] [Muhammaed Cader, Anoli Peera, Rahju, Senaka Senanayake, Jagath weerasinghe, Laki Senanayake] Preece, Robert, & Giddens, Sarah, ‘Artist’s Voices’, Asian Art News, vol.7, no.3, May/June 1997
175 [Peries, Ivan] Bandaranayake, Senake, ‘Ivan Peries: (Paintings 1939-1969) - The predicament of the bourgeois artist in the societies of the Third World’, Third Text n2, Winter 187/88, 76-92 [Senanayake, Senaka] Sardesi, Abhay, ’Interview’, Art India, vol 9, issue 1, quarter 1, 2004. [Thenuwara, Chandraguptha] Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Bandaranaike, S., ‘The Kataluva Murals’, Orientations, vol.13, no.1, January, 1982. Gunaratna, D.M., ‘A Living Legacy: The Contemporary Art Scene of Sri Lanka’, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Perera, Anoli, ‘ A new order’ Art AsiaPacific, 26, 2000 Preece, Robert, ‘In time of War’, Asian Art News, vol.7, no.3, May/June 1997 MONGOLIA See entries in 1994 Fukuoka Asian Triennale Catalogue [Sarantsatsralt, Ser-Od] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 [Su Xingping] Zhang Zhaohui, ‘A Human Narrative’, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. [Usehbayar, Zagdin] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 Sosor, Ochir, ‘Fine Art in Mongolia Today’, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Uranchimeg, Tsultem, ‘Art of Mogolian Nomads’, Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 Yamaki, Yuko, ‘The Development of Modern Mongolian Art’, Ushiroshoji, Masahiro, et.al., Modern Paintings of Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002 CIS AND OTHER Asia Yesterday - Today - Tomorrow. The World of Polar Forces March 20 - 25 1998 [Kazakstan - Erbosyn Meldibekov, Zhazira Dzhanabaeva, Kanat Ibragimov/ Indonesia - Aramaiani, Semsar Siahaan, Hanura Hosea] Ibraeva, Valeria., ‘Kazakhstan Contemporary Art Moves Ahead’, in Asian Art News, Vol. 13, No. 4, July/August 2003, p.46-53. __________________________________________________________________________________ ASIAN ARTIST TRANSNATIONAL ACTIVITY ‘Transnational activity’ includes artists of Asian ancestry working in the given zones and also artists who have moved from an Asian country of birth. Asian Artist Transnational Activity: Australia (There is a flourishing art press in Australia which is too large to fully index here) Barnes, Carolyn; Wright, William; John Young, Fisherman’s Bend, Craftsman House, 2005. Barnes, Carolyn, ‘Integral Histories: John Young’s ‘Double Ground’ Paintings’, Art and Australia, vol. 43, no. 3, 2006. Bolton, Ken, ‘Guan Wei: Unfamiliar land’ (review), Eyeline, no. 62, Summer 2006-7. Chiu, Melissa, ‘Rough Trade: Curating Cultural Exchange in Australia’, in Ang et al eds. Alter/Asians: Asian-Australian identities in art, media and popular culture, Pluto Press, Sydney, 2000. Clark, John, ‘An Australian Creative Space: where is Australian-Asian art now?’, in Waite Dianne, ed., Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne, Australian Centre for the Moving Image & National Gallery of Victoria, 2006, 26-33. Clark, John, ‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, in Dever, Maryanne, ed., Australia and Asia: cultural transactions, Surrey, Curzon Press, 1997. Clark, John, Australian Art and Asia -Then and Now’, Occasional Paper No.19, Research Institute for Asia and the Pacific, University of Sydney, 1992 Cvorco, Uros, ‘What will the Neighbours Think?’, Broadsheet, vol. 35, no. 2, 2006.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124: 123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126: 125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128: 127 Suehiro Akira, Capital Accumula
Page 129 and 130: 129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132: Nguyen Thi Dinh, No other road to t
Page 133 and 134: 133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136: 135 Holt, Claire, Art in Indonesia:
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144: BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152: 151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154: 153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156: 155 Foundation Asia Center, 2002; F
Page 157 and 158: 157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173: Martin, Courtney J. ‘South Asian
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Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
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Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
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Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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