A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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17<br />
Cai Guoqiang, painter and installation art, New York: Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin Gallery<br />
1998; Zaya Octavio et al, Venice’s Rent Collection Courtyard, Hong Kong & Vancouver, Annie Wong Art<br />
Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: <strong>The</strong> Art <strong>of</strong> Xu Bing and Cai Guoqiang, unpublished<br />
MA in Curatorial Studies <strong>The</strong>sis, Bard College, 1998; Zhang Qing, ‘History challenges reality: the life and<br />
art <strong>of</strong> Cai Guoqiang’, Yishu, vol.1, no.1, 2002; Zhang Zhaohui, ‘Tiandi zhi ji: Cai Guoqiang yu Xu Bing<br />
Suoshi biye zhanlan jihua shuomingshu’, Jiangsu Huakan, 2, 1999; ‘Naoshima no commishon waaku: Cai<br />
Guoqiang Bunkadaikonyoku, Naoshima no tame no projekuto’, Naoshima Tsûshin, vol.1, no.2, 1988; Hirano<br />
Akihiko & Takeuchi Hiroko eds., Cai Guoqiang “From the Pan-Pacific” [translated by Dutz, Margaret E.],<br />
Iwaki, Iwaki City Art Museum, 1994; Cai Guoqiang in “Ajia Shichô no Potensharu”, Hôkokusho, Tôkyô,<br />
Kokusai Kôryûkikin ASEAN Bunka Sentaa, 1994, p.84-89; Heartney, Elanor, ‘Cai Guoqiang: illuminating<br />
the new China’, Art in America, May 2002; Cultural Meeting Bath: Projects for the 20th century, New York,<br />
Queens Museum <strong>of</strong> Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998.]; Huang Du. ‘Cai Guoqiang:<br />
From mystery and philosophy to reality.’ Art AsiaPacific issue 20 1998; Naylor, Stephen, ‘A Gondola In<br />
Suburbia’, Art Monthly Australia August 1999: 122; Bartelik, Marek, ‘Cai Guo-Qiang’, Artforum International,<br />
Vol.40, Issue 10, Summer 2002; Stringa, Nico (ed), Terrecotte Cinesi dalla 48 a Biennale di Venezia (Chinese<br />
Terracota at the 48 th Venice Biennial), Cornuda: Antiga Edizoni, 2003<br />
Cai Jin, oil painter, Tianjin and New York: Yang En, ed. Cai Jin, Beijing, Renmin Meishu Chubanshe, 1995<br />
Cui Xianji, abstract oil painter: Dao Zi, ‘Cui Xianji: zuowei jingshengwaihua de ziranchouxiang’, Yishujie,<br />
11/12-1998.<br />
Chen Haiyan, Roberts, Claire, ‘Chen Haiyan: Dream work’, ART AsiaPacific, Issue 36 (2002)<br />
Chen Zhen, Sans, Jerome, ‘Paris: Chen Zhen’, Artforum International, Vol.34, Issue 5, January 1996; review, tribute<br />
by Hou Hanru, Art AsiaPacific, 33, 2002; Chen Zhen in Akiko Miyake, ed., Let’s Talk About Art #0002,<br />
‘Transexperiences’, Kitakyushu: Center For Contemporary Art, 2002; Nakamura, Nobuo and Miyake,<br />
Akiko, ed., CCA Artist’s Book Series, Chen Zhen in conversation with Xian Zhu, Kitakyushu: Center For<br />
Contemporary Art, 1998; Heartney, Eleanor, ‘Chen Zhen's legacy’, Art in America, Vol. 91, Issue 2,<br />
February 2003; Uslip, Jeffrey Zur, Rachael, eds, Chen Zhen [a tribute], Long Island City, NY : P.S.1<br />
Contemporary Art Center, 2003; Rosenberg, David; Xu Min; Daniel Buren, Chen Zhen : invocation <strong>of</strong> washing<br />
fire, Prato: Ori, 2003.<br />
Ding Yi, Shanghai, painter: Xiao Kayu, Shanghai, ShanghART, 1997.<br />
Dong Xiwen, deceased, oil painter: Chen Yingde, ‘Shiping Dong Xiwen youhua’, Mingbao Yuekan, 1, 1986, no.241.<br />
Fang Junbi: Fan Tchun-pi, A Retrospective Exhibition <strong>of</strong> the Works <strong>of</strong> Fan Tchun-pi, Hong Kong, Arts Centre,1978; Fan<br />
Tchun-pi, Bobot,M-T., Fan Tchun-pi, Paris, Musée Cernuschi, 1984<br />
Fang Lijun: Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human images in an uncertain age, Tokyo: Japan Foundation<br />
Asia Center, 1996; Chou, Yuting, ‘<strong>The</strong> Floating Body in the Art <strong>of</strong> Fang Lijun: An Artist's Comment on<br />
the Human Condition in Post-Cultural Revolution China’, China Information, Vol. XII, No.’s 1&2,<br />
Semmer/Autumn, 1997Li Luming, Fang Lijun, Hunan: Hunan Fine Arts Publications, 2001<br />
Fang Zhaolin, neo-traditionalist painter, Wong,Wucius,’Fang Zhaolin’, Orientations, November 1982<br />
Feng Zikai: Hung Changtu, ‘<strong>The</strong> Wartime Political cartoons <strong>of</strong> Feng Zikai’, Modern China, 16:1, January 1990;<br />
Barmé, G., Feng Zikai: A Biographical and Critical Study, 1898-1975, Ph.D. thesis, Australian National<br />
<strong>University</strong>, 1989.<br />
Fu Baoshi 1904-1965, Clarke, David, ‘Raining, Drowning and Swimming : Fu Baoshi and Water’, Art History, 29:1,<br />
February, 2006.<br />
Gao Jianfu: Wong Shiu Hon, Kao Chien-fu’s <strong>The</strong>ory <strong>of</strong> Painting, Hong Kong, Centre <strong>of</strong> Asian Studies, <strong>University</strong> <strong>of</strong><br />
Hong Kong, 1972; Wang Jiaohan, Gao Jianfu hualun shuping, Xianggang daxue, 1972.<br />
Geng Jianyi, Hangzhou, various media: Karen Smith, Baifen zhi wushi, Shanghai, ShanghART, 1999.<br />
Gu Wenda, calligraphy and installations, New York: Gu Wenda, ‘Yishu Biji’, Xinmeishu, no.20, 6.1985. Zhongguo<br />
Meishubao, no.129, 11.1.1988; Gu Wenda, ‘Women shidai de shenqu’,[tr.Jia Chunxian], Xinmeishu, no.4,<br />
1996; Jaivin, Linda, ‘Gu Wenda’, Art & Asia Pacific, vol.1, no.2, 1994; Erickson, Britta, ‘Gu Wenda’s silent<br />
selves and pseudo characters’, Art AsiaPacific, 26, 2000; [Gu Wenda], Xu Gan, ‘Why Hair?’, in Yishu: Journal<br />
<strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.10-12.; Yang, Xianeng., ‘New and Old: Gu<br />
Wenda’s Art and Chinese Traditions’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December<br />
2003, p.13-17.;Cateforis, David., ‘Gu Wenda’s United Nations: A Consideration <strong>of</strong> Two Monuments’, in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.18-24.; Bessire, Mark H. C.,<br />
‘Beyond the Body’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.25-26. ‘Gu<br />
Wenda: From Middle Kingdom to Biological Millennium, Symposium Discussion’, in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.27-32.