A Working Bibliography - The University of Sydney

166
[Syed Jahangir], Jamal, Osman., ‘A Social Conscience’, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.54-57.
‘Aminul Islam: Drawing and Art Writing 1950-2000 edited by Osman Jamal’ (book review), in Asian Art News,
Vol. 14, No. 2, March/April 2004, p.100-101.
‘The Folk Inspiration in Modern Indian Painting", [editorial], Lalit Kala Contemporary, no.5.
Appasamy, Jaya, ‘The Folk inspiration in Modern Indian Painting’, Lalit Kala Contemporary 34, (New Delhi) 1987.
Appasamy, Jaya, “The painters of the Transition,” Lalit Kala Contemporary 34, 1987.
Archana, The Language of Symbols, New Delhi, Crafts Council of India
Art India, Vol IX, Issue iii (Quarter iii 2004) special issue on ‘the festival aesthetic.’
Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‘Vocing the Material’ [Includes lead essays on
Decoration, Alternative Spaces, and Use of Matreials in Art]
Art India, Vol. 8,Issue 3 (Quarter 3, 2003), Special Issue on ‘Exploring the Decorative’
Art India, Vol. ix, issue ii (Quarter ii, 2004), Special Issue on ‘Negotiating the Popular’
Chandra, M., et al, Folk Paintings of India, New Delhi, India International Cultural Centre, 1959.
Dalmia, Y., The Painted World of the Warlis, New Delhi, Lalit Kala Akademi, 1988.
Jain, J., ‘Ganga Devi’, Third Text, no.6, Spring 1990.
Jain, J., Painted Myths of Creation, New Delhi, Lalit Kala Akademi, 1984.
Kramrisch, S., Unknown India: Ritual Art in Tribe and Village, Philadelphia, 1968.
Kumar, Lakshmi, ‘Indian Culture, Remixed and Cemented’, ArtAsiaPacific, no. 48, 2006.
Maske, J.S. & B., The Warlis: Tribal Paintings & Legends, Bombay, Chermould Publications and Arts, n.d.
Maury, C., Folk Origins of Indian Art, Calcutta, Oxford and IBH Publishing Company, 1967.
Mohan, Jag, “The Bombay Art Scene in the Late Forties,” Lalit Kala Contemporary 28, 1979.
Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts Museum, n.d.
Pathy, D., Traditional Paintings of Orissa, Bhubaneswar, Working Artists’ Association of Orissa, 1990.
Postel, Michael and Cooper, Zarine, Bastar Folk Art: Shrines, Figurines and Memorials, Mumbai:Project for Indian
Cultural Studies, 1999.
Saksena, J., Mandana; A Folk Art of Rajasthan, New Delhi, National Crafts Museum, 1985.
Shah, H., Fischer, B.& E., Gopal: Ein Indischer Balladen Sänger zeichnet sein Leben, Wuppertal, Peter Hamm Verlag,
1985.
Shah, H., Fischer, E., Rural Craftsmen and Their Work, Ahmedabad, National Institute of Design, 1970.
Shah, H., Form and Many Forms of Mother Clay, New Delhi, National Crafts Museum, 1985.
Shah, H., Votive Terracottas of Gujarat, New York, Mapin International,1985.
Swaminathan, J., Jain, J., The Art of Adivasi; Tribal Art, Tokyo, Yomiuri Shinbun, 1988.
Swaminathan, J., The Perceiving Fingers, Bhopal, Bharat Bhavan, 1987.
Vazirani, Minal., ‘Worlds on Papers’, in Asian Art News, Vol. 13, No. 3, May/June 2003, p.47-49.
Williams, J., ‘From the fifth to the twentieth century and back’, Art Journal, 49, 4, Winter 1990.
Style, Criticism, and Identity
Note: the Lalit Kala Akademi has from time to time has published small monographs on important individual
artists, some of which are in the National Library in Canberra. In Sydney, Schaeffer Library also has
volumes 1-22 of Lalit Kala Contemporary]
Art India, Vol. 6, Issue 2 (Quarter 2, 2001), Special Issue on ‘The Art of Writing on Art [Includes Profiles on
Akbar Padamsee, Rekha Rodwittiya & Kiran Subbaiah; Focus on ‘Public Art’]
Art India, Vol. 8, Issue 4 (Quarter 4, 2003), Special Issue on ‘The Art of Humour’
Chandrashekhar, Indira and Seel, Peter C. (eds.), body.city: siting contemporary culture in India, Berlin: House of World
Cultures and New Delhi: Tulika Books, 2003.
Clark, J., ‘Individual creation and the Indian imaginary: conversations with Swaminathan and Arpita Singh’, Art &
Asia-Pacific, no.2, June 1993.
Dalmia, Yashodhara, et al, Indian Contemporary Art Post Independence, New Delhi, Vadehra Art Gallery, 1997.
Desai, Vishakha N., “Engaging Tradition in the Twentieth-Century Arts of India and Pakistan” in Conversations
with Traditions: Nilima Sheikh, Shahzia Sikander, New York: Asia Society, 2001.
Dube, A., catalogue essay for Seven Young Sculptors, New Delhi, KasauliArt Centre, 1985.
Dube, Anita, Questions and Dialogue, exhibition catalogue Faculty of Fine Arts, March 1987.
Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla Academy of Art and Culture, 1990.
Hoskote, Ranjit, ‘Bhupen Khakhar: 1934-2003 In Memoriam’ in Art Asia Pacific, No. 41 (Summer 2004), pp.
68-70
James, J., essay for Sculpture: The Madras metaphor, New Delhi, Art Heritage, 1991.