A Working Bibliography - The University of Sydney

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exhibition catalogue exhibition catalogue, Gulammohammed Sheikh, Pathvipath/ Journeys, CMC Gallery,
New Delhi, 1991.
[Souza, Francis Newton] Kapur, Geeta, ‘Francis Newton Souza:Devil in the Flesh’ Third Text, no.8/9; Dalmia,
Yashodhara, The Demonic Line: An Exhibition of drawings, 1940-1964 by Francis Newton Souza, CatalogueDelhi
Art Gallery, 2001
[Subarmanyan, K.G.] K.G. Subramanyan: Retrospective, Calcutta, Birla Academy of Art & Culture, 1983; K.G.
Subramanyan, Sketches, Scribbles, Drawings, Calcutta: Seagull Books, 1999; K.G. Subramanyan, The Living
Tradition, Kolkata: Seagull, 1987; K.G. Subramanyan, The Creative Circuit, Kolkata: Seagull, 1992.
[Subramanyan, K.G.] Hebbar, A., ‘From Image to Icon: A study of the development of K.G. Subramanyan’, Art
Heritage, 4, 1984-85; Kapur, Geeta, K.G.Subramanyan, New Delhi, Lalit Kala Akademi, 1987.
[Sundaram, Vivan] Singh, M.G., ‘The Orientalist: A Short Note on Vivan Sundaram’s Work’, Journal of Arts &
Ideas, 17-18, June 1989; Vivan Sundaram, Catalogue, New Delhi, Shrihardharani Gallery, 1984; Vivan
Sundaram: Journeys, Bangalore, Kala Yatra, 1988; Brouwer, Marianne, ‘Vivan Sundaram: Re-take of Amrita’,
ART AsiaPacific, Issue 36 (2002); Phillips, Kristy, 'Family, Photography, and Icon: Vivan Sundaram's
Re-take of 'Amrita', IIAS Newsletter, No. 29, November 2002; Sundaram, Vivan, Re-Take of AmritaNew
Delhi: Tulika Books, 2001; Sundaram, Vivan, Great Indian Bazaar, Catalogue for the Second Johannesburg
Biennale, 1997; Vian Sundaram, The Sher-Gil Archive (Catalogue) 1995-1996; Sundaram, Vivan, Riverscape,
1992-1993 (Catalogue), New Delhi, 1994-1995
Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‘identity’.
Art India, Vol. 7, Issue 4 (Quarter 4, 2002), Special Issue on ‘The Nomad Aesthetic’ [Containing lead essays by
Hou Hanru, Ranjit Hoskote, Lee Weng Choy, Aneglikla Fitz, Shuddhabrata Sengupta and Michael Saup]
Art India, Vol. 9, Issue 1 (Quarter 1 2004), Special Issue on ‘Identity’
Indian Art since the early 1940s- a search for identity, Cholamandal, Artists’ Handicraft Association, 1974.
James, J., ‘Metaphysical content in recent contemporary Indian Painting’, Lalit Kala Contempoarary, nos 12 & 13.
Kapur, Geeta, Contemporary Indian Artists, New Delhi, Vikas Publishing House, 1978 [Souza, Kumar, Padamsee,
Husain, Khakhar, Swaminathan].
Krishnan, S.A., ‘Matter and Spirit’ [editorial], Lalit Kala Contemporary, nos 12 & 13.
Krishnan, S.A., ‘Figurative and Abstract Art’, Lalit Kala Contemporary, nos. 7 & 8.
Kumar, Ram, ‘Observations of an artist face à face with all the aesthetic theories’, see [Simla] above, 1968.
Mehta, Tyeb ‘Beyond Narrative Painting’, Art Heritage, 9, 1989-90.
Narayan, B., ‘Artists of the third epoch’, Lalit Kala Akademi, no.3.
Niranjana, Tejaswini; Sudhir, P.; Dhareshwar, Vivek; Interrogating Modernity: Culture and Colonialism in India,
Calcutta, Seagull Books, 1993.
Paniker, K.C.S., ‘Contemporary Painters and metaphysical elements in the art of the past’, Lalit Kala Contemporary,
nos 12 & 13.
Parimoo, R., ‘Baroda painters and sculptors’, Lalit Kala Contemporary, no.4.
Pradhan S., Marxist Cultural Movement in India: Chronicles and Documents [1936-47], Calcutta, National Book Agency,
1979.
Ramachandra Rao, P.R., Contemporary Indian Art, Hyderabad, published by the author, 1969.
Ray, P., ‘There can be no international art’(review of Gablik’s Progress in Art, New York, Rizzoli, 1977), Journal of
Arts & Ideas, July-September, 1983.
Tapati Guha-Thakurta, “Marking Independence: the Ritual of a National Art Exhibition” Journal of Arts and Ideas,
Nos. 30-31 (New Delhi, December 1997).
Tarun Mitra, “Art and Artists in Twentieth Century Calcutta” in Sukanta Chaudhuri, ed., Calcutta: The Living City,
Vol II: The Present and Future, Calcutta: Oxford University Press, 1990, p. 265.
The New Establishments
Dhamija, R., Award Winners, National Exhibition of Art, 1955-1990, New Delhi, Lalit Kala Akademi, 1990.
Hebbar, K.K., Voyage in Images, Bombay, Jehangir Gallery, 1990.
Pathy, D., convenor, Veteran Artists of India, New Delhi, Lalit Kala Akademi, 1990.
Raman, A.S. et al, Nature and Environment, New Delhi, Lalit Kala Akademi, 1989.
Sarkar, S., essay for 25th Anniversary Exhibition of Calcutta Painters, Calcutta, Birla Academy of Art & Culture, 1990.
The Folk and the Modern
[Sonabai], artists, Jain, Kajri, ‘Sonabai at the APT; difference, indifference, formality’, Artlink, Vol. 20, No. 2, July
2000