A Working Bibliography - The University of Sydney

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overview, New Delhi, Rupa, 2003; Sundaram, Vivan, biography of Sher-Gil at
http://www.sikh-heritage.co.uk/arts/amritashergil/amritashergill.html; Sundaram, Vivan, Re-take of
Amrita : digital photomontages based on photographs by Umrao Singh Sher-Gil (1870-1954) and photographs from the
Sher-Gil family archive, New Delhi : Tulika, 2001; Anand, M.R., Amrita Sher-gil, New Delhi, National Gallery
of Modern Art, 1989; Fabri, C., ‘Notes towards a Biography of Amrita Sher-Gil’, Lalit Kala Contemporary,
no.2; Subramanyam, K.G., ‘Amrita Sher-Gil and the East-West Dilemma’,in Marg special publication for
Amrita Sher-Gil retrospective no.2 1972 [ as well as papers by Gulam Mohammwed Sheikh & Geeta
Kapur], and in Moving Focus, 1978.
[Subramanyan, K.G] Siva Kumar, R., K.G. Subramanyan: A Retrospective, National Gallery of Modern Arts, New
Delhi.
[Tagore, Rabindranath] Bhowmik, S.N., Art of Rabindranath Tagore, Calcutta, Rabindra Bharati University, 1984;
Coomaraswamy, A.K. ‘Drawings by Rabindranath Tagore’, Rupam, nos 42-44, April-October, 1930;
Neogy, Prithwith, Drawings and Paintings of Rabindranath Tagore, New Delhi, Lalit Kala Akademi, 1961;
Tagore, R., ‘Foreword’ (to European exhibitions, of 28.4.1930), Rupam, nos 42/44, April-October, 1930;
Parimoo, R., Rabindranath Tagore, Collection of Essays, New Delhi, Lalit Kala Akademi, 1989.
Art India, Vol. 7, Issue 2 (Quarter 2, 2002), Special Issue on ‘Faith and Reason’’ [Spirituality and Abstraction]
Bansal, V. ‘Painted ceilings and murals at Rashtrapati Bhavan and Parliament House’, Lalit Kala Contemporary,
no.14.
Brown, Rebecca M., ‘P.T.Reddy, Neo-Tantrism and Modern Art in India’, Art Journal, vol. 64, iss. 4, 2005.
Dalmia, Yashodhara, The making of modern Indian art: The Progressives, New Delhi, Oxford University Press, 2001.
Kumar, R. Siva, Santiniketan: the making of a contextual modernism, New Delhi, National Gallery of Modern Art, 1997.
Mukhopadhyay, A., ‘The Art Situation before 1940’, Lalit Kala Contemporary, no.31, April, 1985.
Ramachandra Rao, P.R., Modern Indian Painting, Madras, Rachana, 1953.
Tartakov, G.M., ‘Art and identity: the rise of a new Buddhist imagery’, Art Journal, 49, 4, Winter 1990.
Identity
[Calcutta] Das Gupta, P., ‘The Calcutta Group: Its aims and achievements’, Lalit Kala Contemporary, no.31, April
1981.
[Gaitonde, V.S.] Karunakar, P., ‘V.S.Gaitonde’, Lalit Kala Contemporary, 19 & 20.
[Hebbar, K.K.] Krishnan, S.A., ‘Hebbar’, Lalit Kala Contemporary, no.10.
[Husain, M.F] Herwitz, Daniel, ‘Maqbool Fida Husain: the Artist as India’s National Hero’, Third Text, vol. 20, no.
1, January, 2006.
[Husain, MF] Appasamy, J., ‘Husain’, Lalit Kala Contemporary, no.10; Bartholomew, R., Kapur, Shiv S., Husain,
2nd ed., New York, Abrams, 1979.
[Keyt, George] Goonetileke, H.A.I., George Keyt Drawings, Colombo, The George Keyt Foundation, 1990; Russel,
M., George Keyt, Bombay, Marg, 1950; George Keyt Exhibition, Colombo, Lionel Wendt Gallery, 1983.
[Kore, Somnath] Ray, P., ‘The Political in Art’ (review of Somnath Hore’s Tebhaga: An Artist’s Diary and
Sketchbook), Journal of Arts & Ideas, 22, April 1992.
[Kumar, Ram] Bartholomew, R., ‘Ram Kumar: The Early Years’(1955) (and other pieces re-printed from 1960,
1961, 1980), Art Heritage, 4, 1984-85; Bartholomew, R., ‘The abstract principle in the paintings of Ram
Kumar’, Lalit Kala Contemporary, 19 & 20; Hoskote, Ranjit, ‘Reflections On The Art of Ram Kumar’, Asian
Art News, vol. 12, no. 5, September/October, 2002
[Madras] James, J., ‘The Madras School’, Lalit Kala Contemporary, no.6.
[Menon, Anjolie] Murti, I., ‘The Independent Romantic of Indian Art, Asian Art News, 2, no.2 Mar/Apr 1992.
[Padamsee, Akbar] Akbar Padamsee, Retrospective, New Delhi, Art Heritage, 1981 [?]; Datta, E., ‘Akbar Padamsee:
The Spirit of Order’, Art Heritage, 8, 1988-9; Hoskote, R., ‘Akbar Padamsee: Between the Hieratic and the
Human’, Art Heritage, 11, 1991-92; Karunakar, P., ‘Akbar Padamsee’, Lalit Kala Contemporary, no.23.
[Raza] Gaudibert, P., Sen, G., Raza Anthology 1980-90, Bombay, Gallery Chemould, 1991; Raza, Bombay, Gallery
Chemould, 1985.
[Reddy, Krishna] Krishna Reddy: A Retrospective, Calcutta, Birla Academy of Art & Culture, 1984.
[Sheikh, Gulammohammed] Sheikh, G.M., ‘Among Several Cultures and Times’, in Borden, C.M., ed.,
Contemporary Indian Traditions, Washington, Smithsonian Institution Press, 1989; Sheikh, G.M., ‘Mobile
Vision: Some Synoptic Comments’, Journal of Arts & Ideas, October-December 1983; Sheikh, G.M.,
‘Viewer’s View: Looking at Pictures’, Journal of Arts & Ideas April-June 1983; Gulammohammed Sheikh:
Mappings (Catalogue), Mumbai: The Guild Art Gallery, 2004; Kapur, Geeta, “Riddles of the Sphinx”,