A Working Bibliography - The University of Sydney

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[Tagore] Parimoo, R., The Paintings of the Three Tagores: Abanindranath, Gaganendranath, Rabanindranath, Baroda, M.S.
University of Baroda, 1973.
Aurobindo, Sri, The Significance of Indian Art, [with ‘Western and Eastern Misunderstandings’, 1918-21],
Pondicherry, Sri Aurobindo Press, 1947.
Borden, Carla, ed., Contemporary Indian Tradition, New York: Smithsonian, 1989.
Chattopadhyay, R., ‘Nationalism and form in Indian Painting: A Study of the Bengal School’, Journal of Arts &
Ideas, 14/15, Jul-Dec 1987.
Chopra, S. ‘The Folk in Modern Art’, India International Centre Quarterly, vol.17, no.2, Monsoon 1990.
Dey, Bishnu, ‘The pioneers of art in modern India’, Lalit Kala Contemporary, no.1.
Elmhirst,L.K., Poet and Plowman, Calcutta [?], Visva-Bharati, 1975.
Griffith,John, The Paintings in the Buddhist Cave-Temples of Ajanta [1896], reprint, Delhi, Caxton Publications, 1983.
Guha-Thakurta, T., The making of a new ‘Indian’ art: Artists, aesthetics and nationalism in Bengal, c.1850-1920,
Cambridge, Cambridge University Press, 1992.
Herringham, C.J., et al, Ajanta Frescoes, London, The India Society, 1915.
Jamal, Osman, ‘E.B. Havell: The Art and Politics of Indianness’, Third Text, n39, Summer 1997, 3-19;
Jamal, Osman, ‘Rashid Amin at Gallery Twenty-one, Exhibition Reviews, Asian Art News, vol. 12, no. 2,
March/April 2002
Kawakita Michiaki, et al, Ajia Kindaikaiga no Yoaketen, Tôkyô, Mainichi Shinbun, 1985.
Mitra,A., Four Painters [includes, ‘The forces behind the modern movement’], Calcutta/New Delhi, New Age,
1965.
Mittal, J., ‘Graphic art of the Bengal School’, Lalit Kala Contemporary, no.1.
Mookerjee,A., Modern Art In India, Calcutta, Oxford Book and Stationery Co., 1956.
Parimoo, R., ‘Revival of Indigenous Values and their Influences on Modern Indian Art’, Journal of the
M.S.University of Baroda vol.XXXIII-XXXIV, no.1, 1984-5.
Parimoo, R., Studies in Modern Indian art, New Delhi, Kanak, 1975.
Parimoo, R., ‘Revivalism and After’, in Simla, 1968
Sarkar, Benoy Kumar, ‘Tendencies of Modern Indian Art’, Rupam, 1926.
Sarkar, Benoy Kumar, ‘Social Philosophy in Aesthetics’, Rupam, 15-16, July-December 1923.
Sarkar, Benoy Kumar, ‘The Aesthetics of Young India’, Rupam, 9, January 1922, [same issue has, Agastya, ‘A
Rejoinder’; [see also Kramrisch, S., ‘"The Aesthetics of Young India", A Rejoinder’, Rupam, 10, April 1922.]
The Soul Speaks: Pictorial Representations of Spirituality, exh. Cat., National gallery of Modern Arts, New Delhi.
Nascent Counter-establishment
[Baij, Ramkinker] Appasamy, J., Ramkinker, New Delhi, Lalit Kala Akademi, 1961; Prasad, D., ‘Ram Kinkar: A
tribute’, Art Heritage, 9, 1989-90; Subramanyam, K.G., ‘Remembering Ram Kinkar’, Art Heritage, 9,
1989-90; Subramanyam, K.G., text for Ramkinker, Calcutta, Birla Academy of Art and Culture, 1972, in
his Moving Focus, 1978.
[Gujral, Satish] Sinha, Gayatri, Santo Datta and Gautam Bhatia, Satish Gujral: An Artography, Roli Books, New
Delhi, 2006; Satish Gujral: A Retrospective, exh. cat., National Gallery of Modern Arts, New Delhi.
[Mukherjee, Benode Bihari] Sheikh, Gulammohammed and R. Shiv Kumar, eds., Benodebehari Mukherjee
(1904-1980): A Centenary Retrospective Exhibition, Vadehra Art Gallery, New Delhi, 2007; Mukherjee, B.B.,
‘My Experiments with Murals’, Lalit Kala Contemporary, no.14; Sheikh, G.M., ‘Benode Bihari Mukherjee’,
Lalit Kala Contemporary, no.23; Subramanyam, K.G., ‘Benode Bihari Mukherjee’, Lalit Kala Contemporary,
no.10; Neogy, Prithwith, Benode Bihari Mukherjee, Lalit Kala Akademi, 1965.
[Ramachandran] Siva Kumar, R., Ramachandran: A Retrospective, New Delhi, Vahedra Art Gallery, 2004.
[Roy, Jamini] Sen, P., Kejariwal, P., Jamini Roy - The Grand Patua, New Delhi, CMC Gallery, 1991; The Art of Jamini
Roy, Calcutta, Birla Academy of Art and Culture & Jamini Roy Birth Centenary Celebration Committee,
1987.
[Roychowdhury, D.P.] Biswas, Kali, Devi Prasad Roychowdhury, Lalit Kala Akademi, 1973; The Art of D.P.Roy
Chowdhury, Calcutta, Birla Academy of Art and Culture, 1989.
[Sabavala, Jenhangir] Hoskote, Ranjit, The Crucible of Painting: The Art of Jenhangir Sabavala, Eminence
Deisgns/National Gallery of Modern Art, Mumbai, 2005.
[Sher-Gil, Amrita] Amrita Sher-Gil : Eine indische Kunstlerfamilie im XX. Jahrhundert, Schirmer Mosel, 2006; Dalmia,
Yashodhara , Amrita Sher-Gil: A life, New Delhi, Penguin/Viking, 2006; Sher-gil, Amrita, Amrita Sher-Gil: an
auto-portrait in letters and writings, annotated and edited by Vivan Sundaram, New Delhi, Tulika Books, 2007;
Chawla, Rupika, ‘ Talent tragedy and the myth of Amrita Sher-Gil’, in Sinha, Gayatri, ed., Indian Art: an