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163 [Tagore] Parimoo, R., <strong>The</strong> Paintings <strong>of</strong> the Three Tagores: Abanindranath, Gaganendranath, Rabanindranath, Baroda, M.S. <strong>University</strong> <strong>of</strong> Baroda, 1973. Aurobindo, Sri, <strong>The</strong> Significance <strong>of</strong> Indian Art, [with ‘Western and Eastern Misunderstandings’, 1918-21], Pondicherry, Sri Aurobindo Press, 1947. Borden, Carla, ed., Contemporary Indian Tradition, New York: Smithsonian, 1989. Chattopadhyay, R., ‘Nationalism and form in Indian Painting: A Study <strong>of</strong> the Bengal School’, Journal <strong>of</strong> Arts & Ideas, 14/15, Jul-Dec 1987. Chopra, S. ‘<strong>The</strong> Folk in Modern Art’, India International Centre Quarterly, vol.17, no.2, Monsoon 1990. Dey, Bishnu, ‘<strong>The</strong> pioneers <strong>of</strong> art in modern India’, Lalit Kala Contemporary, no.1. Elmhirst,L.K., Poet and Plowman, Calcutta [?], Visva-Bharati, 1975. 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Jahrhundert, Schirmer Mosel, 2006; Dalmia, Yashodhara , Amrita Sher-Gil: A life, New Delhi, Penguin/Viking, 2006; Sher-gil, Amrita, Amrita Sher-Gil: an auto-portrait in letters and writings, annotated and edited by Vivan Sundaram, New Delhi, Tulika Books, 2007; Chawla, Rupika, ‘ Talent tragedy and the myth <strong>of</strong> Amrita Sher-Gil’, in Sinha, Gayatri, ed., Indian Art: an
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media