A Working Bibliography - The University of Sydney

161
Jain, Kajri, Gods in the Bazaar: The Economies of Indian Calendar Art, Durham, Duke University Press, 2007
Jain, Kajri, Of the every-day and the "National Pencil": Calendars in Post-Colonial India, M.A. Thesis, University of
Sydney, 1992.
Mishra, Vijay, Bollywood cinema: temples of desire, New York: Routledge, 2002
Mukhopadhyay, A., Das, N., ‘19th Century Printmaking in India’, Art Heritage, no.5, 1985-86.
Nandakumar, R.,“Raja Ravi Varma in the Realm of the Public,” Journal of Arts and Ideas, Nos. 27-28, March 1995.
Neumayer, Erwin & Schelberger, Christine, Popular Indian Art: Raja Ravi Varma and the printed Gods of India,
Oxford Unviersity Press, 2003
Parimoo, R., ‘Kitsch: The Vulgarization of Art’, The Times of India, 16.11.1975.
Paul, A. ed., Woodcut Prints of 19th century Calcutta, Calcutta, Seagull Press, 1983 [review, Santo Dutta in Journal of
Arts and Ideas, no.9].
Pinney, C., ‘The iconology of Hindu oleographs: linear and mythic narrative in popular Indian art’, Res, no.22,
Autumn 1992.
Pinney, Chritopher, ‘An authentic Indian kitsch: the aesthetics, discriminations and hybridity of popular Hindu
art’, Social Analysis, no.39, September 1995.
Rajadhyaksha, A. and Willemen, Paul, Encyclopedia of Indian Cinema, London and New Delhi: British Film Institute
and Oxford UP, 1999.
Ray, P., ‘Early Graphic arts in Bengal’, Lalit Kala Contemporary, no.18.
Sengupta, Paula, ‘Punjab Pictures’, Art India, vol ix, issue ii, quarter ii, 2004.
Uberoi, Patricia, ‘ From Goddess to Pin-Up: images of women in Indian calendar art’, ART AsiaPacific, no.14,
1997
Uberoi, Patricia, ‘Feminine Identity and National Identity in Indian Calendar Art’, Economic and Political Weekly,
24.4.1990.
The British Art School System
Bagal, J.C., Centenary: Government College of Art and Craft Calcutta, 1864-1964, Calcutta, Government College of Art
and Craft, 1966.
Bäumer, B., Rupa Pratirupa: Alice Boner Commemoration Volume, New Delhi, Bibli Impex Private, 1982.
Birdwood, George C. M. Industrial Arts of India, published for the Committee of Council on Education, London:
Chapman and Hill, 1880
Buck, E.C., ‘Preface’ & ‘Draft Scheme for the Promotion of Industrial Arts in India’, The Journal of Indian Art,
vol.1, October 1886.
Boner, G. & Fischer, E., Alice Boner, Artist and Scholar, Varanasi, Bharat Kala Bhavan, 1982 [discusses and
abstracts Alice Boner’s well-known work on the Sun Temple at Konarak].
Bose, P.N., Principles of Indian Silpasastra [1926] New Delhi, Bharatiya Publishing House, 1978.
Burns, C.L., ‘The Functions of Schools of Art in India’, Journal of the Royal Society of Arts, June 18, 1909.
Cohn, Bernard S., Colonialism and Is Forms of Knowledge: The British in India, Priceton: Princeton UP, 1996.
Goswamy, B.N., Dahmen-Dallapiccola, A.L., An Early Document of Indian Art, New Delhi, Manohar, 1976.
Gladstone Solomon, W.E., The Bombay Revival of Indian Art, [on sending panels to the British Empire Exhibition,
Wembley] Bombay, Sir J.J. School of Art, 1924.
Guha-Thakurta, T., The making of a new ‘Indian’ art: Artists, aesthetics and nationalism in Bengal, 1850-1920, Cambridge,
Cambridge University Press, 1992.
Heath, L., ‘The Mayo School of Arts, Lahore’, Arts and Letters (Society for India), 1931
Kelkar, N.M., The Story of the Sir J.J. School of Art: 1857-1957, Bombay, Government of Maharashtra and Sir J.J.
School of Art, n.d. [1969?]
Maitra, A.K., ‘Aims and Methods of Painting in Ancient India’, Rupam, nos 13-14, January-June 1923.
Mitter, P., Art and Nationalism in Colonial Indian, 1850-1922, Cambridge, Cambridge University Press, 1994.
Sastu, Pandit Natesa, ‘The Decline of South Indian Arts’, Journal of Indian Art, no.28, 1990.
Sivaramamurti, C., Chitrasutra of Vishnudharmottara, New Delhi, Kanak Publications, 1978.
Sivaramamurti, C., The Painter in Ancient India, New Delhi, Abhinav Publications, 1978.
Art for the Establishment
Bhushan, V., commissioner, Damerla Rama Rao, New Delhi, CMC Gallery, 1991.
Catalogue of the Maharajah Fatesingh Museum Baroda, Baroda, 1981.
Group 1890 exhibition catalogue, Rabindra Bhavan, New Delhi, 1963. Manifesto by J Swaminathan.