A Working Bibliography - The University of Sydney

160
Davis, Richard H., ‘Indian images collected’, ch.5 of his Lives of Indian Images, Princeton, Princeton University
Press,1997
Goswami, B.N., ‘Toda Gashia: painting at Scindia’s court at Gwalior’, Art Heritage, no.2, 1979.
Mahajan, J., ‘Oriental Scenery: The Daniells in Northern & Eastern India’, Orientations, vol 13, no.1, 1982.
Mahajan, J., ‘Oriental Scenery:The Daniells in Western India’, ibid, August 1982.
Mahajan, J., ‘The Daniells in South India’, ibid, April 1982.
Mahajan, J., ‘The Ganges from a Budgerow’, Orientations, vol.12, no.6, June 1981.
Mitter, P., Much Maligned Monsters, Oxford, 1977.
Pal, P., ‘Indian Artists and British Patrons in Calcutta, Marg, XLI, no.4, 1991.
Pal, P., Dehejia, V., From Merchants to Emperors: British Artists and India, 1757-1930, Ithaca, Cornell University Press,
1986.
Randhawa, R.S., ‘Two Panjabi Artists of the Nineteenth Century’,in Krishna, A., ed, Chhavi, Banaras, Bharat Kala
Bhavan, 1971.
Rohatgi, Pauline; Godrej, Pheroza, eds., India, a pageant of prints, Bombay: Marg Publications, 1989.
Rohatgi, Pauline; Godrej, Pheroza, eds., Under the Indian sun : British landscape artists, Bombay : Marg Publications,
1995.
Rohatgi, Pauline; Portraits in the India Office Library and Records, London: British Library, 1983.
Rossi, Barbara, From the Ocean of painting: India’s popular paintings, 1589 to the present, New York, Oxford Unviersity
Press, 1998
Roy, S., Calcutta, Society and Change 1690-1990, Calcutta, Rupa, 1991.
Welch, S.C., India:Art and Culture,1300-1900, New York, Metropolitan Museum, 1985 [see Chapter V, The British
Period].
Welch, S.C., Room for Wonder; Indian Painting during the British period 1760-1880, New York, The American
Federation of Arts, 1978.
Urban Popular Graphic Art in the 19th and 20 th Centuries
Appasamy, J., ‘Early Calcutta Lithographs’, Lalit Kala Contemporary, no.31, April 1981.
Appasamy, J., ‘Early oil painting in Bengal’, Lalit Kala Contemporary, no.32, April 1985.
Archer, W.G., Kalighat Paintings, London, HMSO, 1971.
Art India, Vol. 8, Issue 2 (Quarter 2, 2003), Special Issue on ‘Imaging the City’ [Includes lead essay on Cities as
sites of modernity in relation to the production and consumption of Art]
Ashish Nandy, ed., The secret politics of our desires: innocence, culpability and Indian popular cinema, London; New York:
Zed Books, 1998.
Banerjee, S., The Parlour and the Streets: Elite and Popular Culture in 19th century Calcutta, Calcutta, Seagull Books,
1989.
Blurton, Richard, ‘Tradition and Modernism: contemporary Indian religious prints’, South Asia research, vol.8, no.1,
1988
Boji, Zoja, ‘The Age of Heroes’, Art Monthly Australia, no.102, August 1997.
Breckenridge, Carol A. ed., Consuming modernity: public culture in a South Asian world, Minneapolis: University of
Minnesota Press, 1995.
Dwyer, Rachel, Patel, Divia, Cinema India : the visual culture of Hindi film, New Brunswick, NJ : Rutgers University
Press, 2002 ‘
From Goddess to pin up’ review, Art AsiaPacific, 34, 2002
Ghose, A., ‘Old Bengal Paintings’, Rupam, nos 27-28, July-October, 1926.
Guha-Thakurta, T., ‘Women as "Calendar Art" icons: Emergence of pictorial stereotype in Colonial India’,
Economic and Political Weekly, 26.10.1991.
Jain, Jotindra, Kalighat Painting: Images from a changing world, Ahmedabad, Mapin, 1999.
Jain, Jyotindra, ed., Picture Showmen: Insights into the Narrative Tradition in India Art, Mumbai, Marg Publications 1998
[Marg, vol.49, no.3]
Jain, Jyotindra, Ganga Devi: Tradition and Expression in Mithila Painting, 1997.
Jain, Jyotindra, Indian Popular Culture: The Conquest of the World as Picture, National Gallery of Modern Arts, New
Delhi, 2002.
Jain, Jyotindra, Other Masters: Five Contemporary Folk and Tribal Artists of India, New Delhi: Crafts Museum, not
dated.
Jain, Kajri, Gods in the bazaar : the commercial, sacred and libidinal economies of Indian 'calendar art', unpublished PhD,
University of Sydney, 1998