A Working Bibliography - The University of Sydney

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Daozi, ‘The Wisdom of the Body’, Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001,
published Online at: http://www.chinese-art.com
Gao Minglu, “Private Experience and Public Happenings: The Performance Art of Zhang Huan” (Translated by
Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels, Cotthem Gallery, 2001
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery,
University at Buffalo Art Galleries, and Millennium Art Museum, 2006
Ling, Gao, ‘Art is Action’, , Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001, published
Online at: http://www.chinese-art.com
Merewether, Charles, ‘The spectre of being human’, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a
chronology for chiefly avant-garde and performance art since 1986]
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs, 1993-1998,
Zurich, Scalo Publishers, 2007 (Forthcoming)
MAILAND CHINA, 1911-PRESENT
Albums
Between the thunder and the rain: Chinese paintings from the Opium War to the Cultural Revolution, 1840-1979, San
Francisco, Asian Art Museum, 2000
Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Musée Cernuschi, 1985
Brown, Claudia; Chou Ju-hsi; Transcending turmoil: painting at the close of China’s empire, 1796-1911, Phoenix, Phoenix
Art Museum, 1992.
Eliséef, V., Exposition de la Peinture Moderne Chinoise, Paris, Musée Cernuschi, 1946
Eliséef, V., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris, Musée
Cernuschi, 1977
Eliséef, V., Peintures Chinoises Traditionelles, 1975-80, Paris, Musée Cernuschi, 1981
Ellsworth, R.H. et al, Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes, New York, Random House,
1987
Hajek, L., Hofmeister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959
Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981
Moss.H., ed.,The Experience of Art, Hong Kong, Umbrella, 1983
Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987.
Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991.
Sun Jie, ed., A Selection of Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981
Tam, L.S., ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984
Tao Yongbai, ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982
Individual Artists
For lists of albums see the bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong,
Oxford University Press, 1988 for a list of artists’ albums, and for other lists of reproductions see Laing,
E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984. The publishing industry
in both the People’s Republic and Taiwan has also produced many single-artist multi-volume series in the
1990s.
A number of artist’s names become homonyms in English although written with different characters in Chinese.
To obviate lengthy explanation in these cases I have simply identified the artist the medium or type of work
e.g. Liu Wei, painter and Liu Wei, video installation, are two different artists working in those media whose
personal names are actually written with different characters even though their surnames are identical.
Sometimes the same artists also appears in later sections by country under ‘Asian Artists Transnational
Activity’.
Individual artists have also been listed in the Mainland China – 1989-2000 and 2000+ categories of this
bibliography.