A Working Bibliography - The University of Sydney

159
Kapur, Geeta “Representational Dilemnas of the Nineteenth-Century Painter: Raja Ravi Varma”, in When was
Modernism: Essays on Contemporary Cultural Practice in India, Tuliki, New Delhi, 2000, 145-78
Kapur, G., Bartholomew, R., Padamsee, A., Contemporary Indian Art, London, Royal Academy of Art, 1982.
Kapur, Geeta, Contemporary Indian Art, London, Royal Academy of Arts & Festival of India, 1982.
Kapur, Geeta, “A Stake in Modernity: Brief History of Contemporary Indian Art” in Caroline Turner, ed.,
Tradition and Change: Contemporary Art of Asia and the Pacific, Brisbane: University of Queensland Press, 1993.
Kapur, “Riddles of the Sphinx”, exhibition catalogue exhibition catalogue on Gulammohammed Sheikh,
Pathvipath/ Journeys, CMC Gallery, New Delhi, 1991.
Kapur, Geeta and Sambrani, Chaitanya, crossing generations: diverge – Forty Years of Gallery Chemould (Exhibition at the
National Gallery of Modern Art, Mumbai), Mumbai: Gallery Chemould, 2003
Kaul, M., Trends in Indian Painting, New Delhi, Dhoomimal Ramchand, 1961.
Lynn, V., Singh, M.G., Bawa, M., Shah, H., India Songs: Multiple streams in Contemporary Indian Art, Sydney, Art
Gallery of New South Wales, 1993.
Mair, Victor, H., ‘Picture-storytelling in recent and modern India’, chapter 4 of Painting and performance: Chinese
picture recitation and its Indian genesis Honolulu, University of Hawai’i Press,1988.
Milford-Lutzker, Mary-Ann, ‘Shakti: The Power of Women’s Art in India’, Orientations, Volume 33, Number 6,
June 2002 [including: B. Prabha, Anjolie Ela Menon, Madhvi Parekh, Nalini Malani, Vasundhara Tewari,
Arpita Singh and Arpana Caur]
Mitter, Partha, Indian Art, New Delhi: Oxford:University Press, 2001.
Parimoo, R., ‘Modern Movement in Indian Sculpture’, Special QuarterlyIssue of Kalavritt no.19, January-March
1990.
Patel, G., Sokolowski, T., Herwitz, D.A., Contemporary Indian Art, New York, New York University Press, 1985.
Pereira, José; Pal, Pratapaditya, eds., India and Portugal: Cultural Interactions, Mumbai, Marg Publications, 2001 [Marg,
vol.53, no.2]
Purohit, V, Arts of Transitional India, 2 vols, Bombay, Popular Prakashan, 1988.
Rohatgi, Pauline; Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai, Marg
Publications, 1997.
Rush, Dana, ‘The Idea of India – West African Vodun Art and Thought’, Art Asia Pacific, No.34, 2002.
Sadwelkar, Baburao, “Bombay Art Society: Story of a Hundred Years” in Story of a Hundred Years: Bombay Art
Society 1888-1988, Bombay: Bombay Art Society, 1989.
Dalmia, Yashodhara and Sambrani, Chaitanya, et. al, Indian Contemporary Art Post-Independence, New Delhi: Vadehra
Art Gallery, 1997.
Sarkar, Kamal, Bharater Bhaskar o Chitra-shilpi, Calcutta, 1984 [unseen by me, apparently the only artists’
biographical dictionary].
Singh, B.P., India's culture: the state, the arts, and beyond, Delhi; New York: Oxford University Press, 1999.
Six Indian Painters, London, The Tate Gallery, 1982.
Ajay J., Sinha, “Contemporary Indian Art: A Question of Method” Art Journal Fall 1999
Sinha, Gayatri, Indian Art: An Overview, New Delhi, Rupa & Co., 2003
Subramanyam, K.G., The Living Tradition: Perspectives on Modern Indian Art, Calcutta, Seagull Books, 1987.
Subramanyam, K.G., Moving Focus, New Delhi, Lalit Kala Akademi, 1978.
Subramanyam, K.G., The Creative Circuit, Calcutta, Seagull Books, 1992.
Art for the British
Appasamy, J., Indian Paintings of the British Period, New Delhi, Rasaja Foundation, 1984.
Appasamy, J., Indian Paintings on Glass, New Delhi, Indian Council for Cultural Relations, 1980 [brief article by
Appasamy & Singh also in Art Heritage, no. 5, 1985-86].
Archer, M., ‘Banaras and the British’, in Krishna, A., ed, Chhavi, Banaras, Bharat Kala Bhavan, 1971.
Archer, M., and W.G., Indian Painting for the British, 1770-1880, Oxford, Oxford University Press, 1955.
Archer, Mildred, Company Paintings: Indian Paintings of the British Period, London, Victoria & Albert Museum &
Ahmedabad, Mapin, 1992.
Art of Bengal Past and Present 1850-2000 Calcutta: CIMA, 2001.
Carey, W.,H., The Good Old Days of Honorable John Company, reprint, Calcutta, R. Cambray & Co, 1906 [vol.II, pages
184-219].
Chatterjee, R., From the Karkhana to the studio: Changing social roles of patron and artist in Bengal, New Delhi, Books &
Books, 1990.