A Working Bibliography - The University of Sydney

158
Mosby, Tom Byra Mixie, ‘ Playthings: Dance machines from the Torres Strait Islands’, Art AsiaPacific, no.14,
1997.
Page, Maude, ‘Contemporary Art at the Pacific Festival of Arts’, Art AsiaPacific, no.14, 1997.
Pirating the Pacific, Sydney, Powerhouse Museum, 1993, [review by Martin Terry in Art Monthly Australia, no.66,
December-February 1993-94].
Rees, Simon, ‘1 st Auckland Triennial’, Art AsiaPacific, no.33, 2002.
Rosi, Pamela, ‘Shigeyuki Kihara: Subverting Dusky Maidens and Exotic Tropes of Pacific Paradise’, ArtAsiaPacific,
no. 51, 2007.
Searle, R., ‘Melanesia’, Art Monthly Australia, no.66, December-February 1993-94.
Teaiwa, Theresa and Launiuvao, Juliette, ‘Canoe Culture’, ArtAsiaPacific, no. 47, 2006.
Thomas, Nicholas & Losche, Diane, Double Vision: Art Histories and Colonial Histories in the Pacific, Cambridge,
Cambridge University Press, 1999.
Thomas, Nicolas, ‘Marked men’, Art AsiaPacific, no.13, 1997.
Thomas, Nicolas, ‘Pacific Presences’, Art Monthly Australia, no.86, Dec 1995-Feb 1996.
Thomas, Nicolas, ‘What shall we tell them ? Pacific Art, politics and culture’, Art & Asia Pacific, vol.1.no.4, 1994.
Vercoe, Corline, ‘Postcards as a signature of place’, Art & Asia-Pacific, vol.3, no.1, 1996.
Von Reiche, Steven, “Pacific festival of Arts Workshop report’, Art AsiaPacific, no.14, 1997.
PAPUA NEW GUINEA
Mel, Michael, ‘Tradition and bilas in New Guinea’, Art & Asia-Pacific, vol.3, no.1, 1996.
Simons, Susan; Stevenson, Hugh, Luk Luk Gen! Look Again: Contemporary Art from Papua New Guinea, Townsville,
Perc Tucker Regional Gallery, 1990.
Smalley, S.F., Contemporary Art of Papua New Guinea, New York, Bridgewater State College, 1989.
Waiko, John, ‘Through our own eyes: Contemporary Art in Papua New Guinea", Art & Asia Pacific, vol.1, no.4,
1994.
SOUTH ASIA
INDIA
General Works
Appasamy, J., ‘25 years of Indian Art’, Lalit Kala Contemporary, no.15.
Appasamy, J., An Introduction to Modern Indian Sculpture, New Delhi, Indian Council for Cultural Relations & Vikas
Publications 1970.
Appasamy, J., The Critical Vision: Selected Writings, New Delhi, Lalit Kala Akademi, 1985.
Archer, W.G., India and Modern Art, London, George Allen & Unwin, 1959.
Award Winners: National Exhibition of Art, 1955-1990, New Delhi: Lalit Kala Akademi, n.d. (probably 1990 or soon
after, given the publication is an exhibition catalogue).
Chaudhuri N.C., The Autobiography of an Unknown Indian, [London, Macmillan, 1951] Berkeley, University of
California Press, 1968.
Chaudhuri N.C., Thy Hand Great Anarch!, India 1921-1952, London, [Chatto & Windus 1987], The Hogarth Press,
1990.
Clark, J., ‘Modern Indian Art: Some Literature and Problematics’, Occasional Paper, no.21, Research Institute for
Asia and the Pacific, 81-page Review, ISBN 0 86758 916 7, 1994.
Dalmia, Yashodhara, The Making of Modern Indian Art: The Progressives, New Delhi: Oxford, 2002.
Dalmia, Yashodhara, et.al., Contemporary Indian Art: Other Realities, Bombay: Marg, 2002.
Dhamija, R., ed., Sixty Years of Writing on Arts & Crafts in India [from Roopa-lekha 1928-1988], New Delhi, Sterling
Publishers, 1988.
Elliott, D., Musgrave, V., Alkazi, E., India: myth and reality, Aspects of Contemporary Art, Oxford, Museum of Modern
Art, 1982.
Ghose, D.C., Bibiliography of Modern Indian Art, New Delhi, Lalit Kala Akademi, 1980.
Goetz, H., ‘The great crisis from traditional to modern art’, Lalit Kala Contemporary, no.1.
Inden, R., Imagining India, Oxford, Blackwell, 1990.
Indian Aesthetics and Art Activity, Simla, Indian Institute of Advanced Study, 1968.
Indische malerei der Gegenwart, [Bonn, Hannover, Hamburg, Bayreuth]Catalogue, 1982.
Kapur Geeta, When was Modernism: Essays on contemporary cultural practice in India, New Delhi, Tulika, 2000.