156 Fairley, Gina, ‘Manila 2006’, Art and Australia, vol. 44, no. 3, 2006. Florentino, Eric., ‘Four Postmortems and an Ominous Carnival(or, <strong>The</strong> Freak Show Manifesto)’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.71-73. Flores Patrick D., Crafting Economies, Tokyo, <strong>The</strong> Japan Foundation, 2001. Flores, Patrick D., ‘At the crossroads’, Asian Art News, vol.10, no.3, 2000 Flores, Patrick D., ‘Central Station’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.11-16. Flores, Patrick D., ‘Loss and leaving’, Art AsiaPacific 28, 2001 Flores, Patrick; Cajipe-Endaya, Imelda; Cruz, Joselina, Koh, Jay, convenors, Locus: Interventions in Art Practice, Manila, National Commission for Culture and the Arts, Lopez Museum & Pananaw ng Sining Bayan, 2005. Garcia, Nona., ‘Luck’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.74. Guillermo, Alice G., ‘Bamboo in the Sea Wind’ (<strong>The</strong> First Bagabas International Eco-Arts), in World Sculpture News, Vol.9, No.3, Summer 2003, p.50-52. Guillermo, Alice G., ‘From the Familiar to the Abstract’, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.58-63. Guillermo, Alice G., ‘Yankee Doodles’, in Asian Art News, Vol. 13, No. 6, November/December 2003, p.52-55. Labrador, Ana P., ‘Eating their words’, Art AsiaPacific 29, 2001 Labrador, Ana P., ‘Out <strong>of</strong> order’, Art AsiaPacific, 25, 2000 Legaspi-Ramirez, Eileen C., ‘Traversing Centre and Fringe: Problems <strong>of</strong> Engagement in Unstable Democratic Spaces’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Pastor Roces, Marian, ‘Letter to an Artist concerning her Death’, in Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, La Salle-SIA, 2002. Pereira, Sharmini, ‘To talk with a degree <strong>of</strong> serendipity’, Artlink, Vol. 20, No. 2, July 2000 Pettifor, Steven, ‘Arkuiris at Art Centre SM Megamall’ (review), Asian Art News, vol. 15, no. 3, 2005. Ruiz, Jose Tence., ‘Atras /Avant: Lessons from a Continuing Reinvention <strong>of</strong> the Thirteen Artists Award’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.56-65. Samson, Ditas R., ‘<strong>The</strong> Beauty and the Bounty: Angono Recalled and Reinterpreted’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.17-26. Tan, Pearl., ‘<strong>The</strong> Philippine Art Awards: An Observer’s Evaluation’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.66-70. Torres, Emmanuel., ‘One Face <strong>of</strong> Filipino Art’, in Asian Art News, Vol.13, No.1, January/February 2003, p.56-60. Tuazon, Wire Rommel G., ‘Artist-Run-Spaces: Art Initiatives in the Case <strong>of</strong> Surrounded by Water’, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.44-47. Valeriano, Lourdes Lee., ‘Identity and Invisibility: Contemporary Filipino-American Art in New York’, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.41-48. Prints Pilar, S.A..; Cajipe-Endaya,I., Limbag Kamay: 400 Years <strong>of</strong> Philippine Printmaking, Manila, Cultural Center <strong>of</strong> the Philippines, 1993. PACIFIC, OCEANIA, NEW ZEALAND [<strong>The</strong>re is a flourishing art press in New Zealand which is too large to index here] [2 nd Auckland Triennial] Naylor, Stephen, ‘Public/Private Tumatanui/Tumataiti: <strong>The</strong> 2 nd Auckland Triennial, Art Monthly Australia, No. 170 (June, 2004), pp. 16-18 [Baerhart, Laurence] Batten, John, ‘Laurence Aberhart: Macau and China’ [Photography], Art AsiaPacific, no.33, 2002. [Cotton, Shane] Tillers, Imants, ‘Locating Shane Cotton’, Art AsiaPacific no.21 1999. [Devotion: the religious, the domestic, the pacific] review, Art AsiaPacific, 24, 1999 [Fiji] Teaiwa, Tersia K., ‘Our Pacific: Contemporary Art in Fiji’, Art AsiaPacific, no.17, 1998. [Fong, Luise] Vaigro, W., ‘Luise Fong: cosmographies; a pathologists’s diary’, Art & Asia Pacific, vol.2, no.2, 1995. [Hammond, Bill] Smith, Allan, ‘Bill Hammond Paints New Zealand’, Art AsiaPacific, no 23, 1999 Focus on New Zealand. [Jahnke, Robert] Thomas, Nicolas, ‘Shadow and Substance: the recent work <strong>of</strong> Robert Jahnke’, Art & Asia Pacific, vol.1, no.1, 1993. [Kahukiwa, Robyn] Diamond, Jo, ‘Robyn Kahukiwa: Nurturing Maori Identity’, Art AsiaPacific, no.33, 2002.
157 [Kuage, Mathias] review, Art AsiaPacific, 25, 2000 [Laita, Lily; O’Neill, Anne] Stevenson, Karen, ‘Negotiating ‘tradition’: the art <strong>of</strong> Lily Laita and Anne O’Neill’, Art AsiaPacific,no.18, 1998. [New colours from old worlds], review, Art AsiaPacific, 24, 1999 [New Zealand] ‘Focus on New Zealand’, Art AsiaPacific, 23, 1999 [many articles & reviews]; Dale, Richard, ‘Going East: post-orientalism in contemporary New Zealand Art’, Art AsiaPacific, 23, 1999; Davis, Leigh, ‘Maori Bay Quarry: Maori prophets in the work <strong>of</strong> Colin McCahon’, Art Asia Pacific, no 23, 1999 Focus on New Zealand. Art AsiaPacific, no 23, 1999 Focus on New Zealand; Fraser, Viriginia, ‘Te Papa Tongarewa’, Art Monthly Australia, no.110, June 1998; Leonard, R. & Vercoe, C., ‘Sisters are doing it: fashion, dance, art: New Zealand’s Pacific Sisters’, Art AsiaPacific, no.14, 1997; McAloon, William, ‘Casino Art in New Zealand’, Art Asia Pacific, vol.3, no.4, 1996. [Noumea] Lewis-Harris, Jacky, ‘Our identity lies ahead’, Art AsiaPacific, 31, 2001; Giakoumi, Dionissia, ‘A New Meeting Place in the Pacific: Centre Culturel Tjiboau, Noumea’, Art AsiaPacific, no.21, 1999; Kasarherou, Emmanuel, ‘Portraits Kanak’, Art AsiaPacific, vol.3, no.3, 1996; Sandra, Maillot Win-Nemou, ‘An exhibition <strong>of</strong> Torres Strait Islander Art in Noumea’, Art AsiaPacific, no.14, 1997; Stevenson, Karen, ‘Creating Together: <strong>The</strong> inaugural exhibition at Centre Culturel Tjibaou, Noumea’, Art AsiaPacific, no.21, 1999; Ewington, Julie, ‘Noumea-Tokyo’, Art AsiaPacific, 23, 1999 [Pacific arts, 8 th Festival <strong>of</strong>] Cochrane, Susan, ‘Undercurrents’, Art AsiaPacific, 31, 2001 [Parekowhai, Michael] Barr, Jima and Mary, ‘ <strong>The</strong> Indefinite Article: Michael Parekowhai’s riff on representation’, Art Asia Pacific, no 23, 1999 Focus on New Zealand. [Pule, John] Thomas, Nicolas, ‘Lost Gods: <strong>The</strong> paintings <strong>of</strong> John Pule’, Art & Asia Pacific, vol.1.no.4, 1994; Thomas, Nicolas, ‘Oceans Apart’, Asian Art News, vol.7, no.3, May/June 1997. [Reihana, Lisa] Page, Maude, ‘Interdigitatimg Reihanamations: Lisa Reihana’s Video Weavings.’ Art AsiaPacific no.21, 1999. [Samoa] Mallon, Sean, ‘Samoan art hsitories’, Art AsiaPacific, 32, 2001; Stevenson, Karen, ‘Picturing Paradise’, Art AsiaPacific, no.13, 1997; Stevenson, Karen, ‘<strong>The</strong> 7th Pacific Festival <strong>of</strong> Art in Samoa’, Art AsiaPacific, no.14, 1997; Vanya Taule’alo, ‘Ua sii matalalaga: Creating New Patterns in Pacific Art’, Art Monthly Australia, [Tatutai sculpture symposium] Vercoe, Caroline, ‘Navigating pacific Art’, Art AsiaPacific, 22, 1999 [Torres Straits] Thomas, Nicholas, ‘Islands <strong>of</strong> History’, Art AsiaPacific 28, 2000 [Vanuatu] Bolton, Lissant, ‘<strong>The</strong> New Vanuatu Cultural Centre’, Art AsiaPacific, vol.3, no.3, 1996; Thomas, Nicolas, ‘Dance party’, <strong>The</strong> Vanuatu Cultural Centre Mini National Arts Festival, Art AsiaPacific, vol.3, no.3, 1996. ‘Indigenous Arts <strong>of</strong> the Pacific’, Special Issue, Artlink, vol.16, no.4, Summer 1996 ‘Pacific Arts Symposium’, Art & Asia Pacific, vol.1, no.1, 1993. Auckland Art Gallery Toi O Tâmaki, Art Asia Pacific supplement no.23, 1999 Cochrane, Susan, ‘We are the artists <strong>of</strong> today: recent sculpture from the Solomon Islands and Vanuatu’, Art AsiaPacific, no.18, 1998. Cochrane, Susan, Bérétara: Contemporary Pacific Art, <strong>Sydney</strong>, Halstead Press, 2001. Craw, R., ‘Anthropology or the other’, Art & Asia Pacific, supplement to Art & Australia, September 1993. Elias, Ann, ‘Kowtowing to Commerce’, Art & AsiaPacific, vol.3, no.1, 1996. Hayes, Michael, ‘Burning Bridges, <strong>The</strong> contentious California conference “Rewriting the Pacific”’, Art AsiaPacific, vol.3, no.3, 1996 Jahnke, Robert, ‘Tribal Art and its Incorporation into Contemporary Art’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 9-28. Jose, Nicholas, ‘Asia & Oceania Influence - <strong>Sydney</strong>’, Artlink, Vol. 16, No. 4 Summer 1996 Kaino, Lorna, <strong>The</strong> Necessity <strong>of</strong> Craft: Development and Women’s Craft Practices in the Asia-Pacific Region, Perth, <strong>University</strong> <strong>of</strong> Western Australia Press, 1995. [Review, Labrador, Ana P., in Art AsiaPacific, vol.3, no.1, 1996.] Kidd, Courtney. ‘Oceans and Others: Navigating Pacific Territory.’ Art Monthly Australia, December 1998 to February 1999 no.116. Lewis-Harris, J., ‘Printed, beaten, and coiled’, Art & Asia Pacific, vol.2,no.2, 1995. Menzies, Louise, ‘Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art Gallery’, (exhibition review) ArtAsiaPacific, no. 50, 2006. Morse, Marcia, ‘Not Venice, Hawaii: <strong>The</strong> Contemporary Museum Biennial <strong>of</strong> Hawaii artists’, Art & Asia-Pacific, vol.3, no.1, 1996.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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- Page 113 and 114: 113 Michaelsen, H., Die Entwicklung
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- Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media