A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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151<br />
Nyen, Ho Tzu, ‘Lee Wen: “Strange Fruit”’ (Review) in Art Asia Pacific, No. 40 (Spring 2004), p. 81<br />
Reaney, Colin., ‘Spending Time with Raffles: Getting to Know You, Raffles’ (Exhibition by students from Central<br />
St. Martins, Chelsea School <strong>of</strong> Art, Goldsmiths College and Royal College <strong>of</strong> Art), in Vehicle: Contemporary<br />
Visual Arts, No.2, 2001, p.20-22.<br />
See, Irwin., ‘Spending Time with Raffles: Getting to Know You, Raffles’ (Exhibition by students from Central St.<br />
Martins, Chelsea School <strong>of</strong> Art, Goldsmiths College and Royal College <strong>of</strong> Art), in Vehicle: Contemporary<br />
Visual Arts, No.2, 2001, p.18-19.<br />
Stone, Julian., ‘Space Invaders: Futuristic Incursions, Print Exhibition by 10 Regional Artists’ (Utterly Art Gallery),<br />
in Vehicle: Contemporary Visual Arts, No.6, 2002, p.40-43.<br />
Tan, Wilkie., ‘CyberArts: Intersections <strong>of</strong> Art and Technology’ (Nokia Art Singapore 2001, Curated by Gunalan<br />
Nadarajan, Singapore Art Museum), in Vehicle: Contemporary Visual Arts, No.5, 2002, p.18-25.<br />
<strong>The</strong>, Patricia., ‘A Decade for Change’ (Singapore Modern: Art in the 1970s, Singapore Art Museum), in Asian Art<br />
News, Vol. 13, No. 3, May/June 2003, p.62-69.<br />
Wong, Chee Meng., ‘Art on a Platter, Anyone? Performance, Installation and Group Exhibition by Aleksandar<br />
Obradovic, Benjamin Puah, Colin Reaney, Jeremy Hiah, Josef Ng, Juliana Yasin, Karee Dahl, Lam Hoi Lit,<br />
Lina Adam and Tang Da Wu’ (review), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.34-35.<br />
Yeo, Ash Y. S., ‘Art Connects: Art Elective Programme Exhibition’ (Lower & Upper Galleries, Singapore Art<br />
Museum), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.14-16.<br />
Yeo, Ash Y. S., ‘aseanARToday 2001 Singapore’ (Earl Lu Gallery), in Vehicle: Contemporary Visual Arts, No.3, 2001,<br />
p.28-31.<br />
Yip, May., ‘Alpha 3.0: GPS Piece- A Web, Walkabout by tsunami.net, A New Media Exhibition Held at the Earl<br />
Lu Gallery Organised and Funded by the National Arts Council’ (Earl Lu Gallery), in Vehicle: Contemporary<br />
Visual Arts, No.3, 2001, p.18-19.<br />
PHILIPPINES<br />
General Works<br />
Special issue on the Philippines including several articles on culture, and nationalism, RIMA, vol.28, no.1, 1994.<br />
Anderson, Nola, ‘Writing About Craft’, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
Baradas, David B., ‘Woven Textiles the Enduring Tradition’, Artlink, Vol. 13, No.3&4, November-March<br />
1993/94<br />
Bose, Santiago, ‘Struggle in Baguio: <strong>The</strong> Arts Guild Makes a Difference’, Artlink, Vol. 13, No.3&4,<br />
November-March 1993/94<br />
Castaneda,D., Art in the Philippines, Quezon City, <strong>University</strong> <strong>of</strong> the Philippines, Dillman, 1964 [Spanish to<br />
Modern Periods]<br />
Coseteng,A.M.L.,ed., Philippine Modern Art and Its Critics, Manila, UNESCO National Commission <strong>of</strong> the<br />
Philippines,1972 [Anthology <strong>of</strong> Critical Reviews]<br />
Datuin, Flaudette, ‘At the fringes in the Philippines’, Artlink, Vol. 20, No. 2, July 2000.<br />
Datuin, Flaudette M.V., Home, Body, Memory, Filipina artists in the visual arts, 19 th century to present, Quezon City,<br />
<strong>University</strong> <strong>of</strong> the Philippines Press, 2002.<br />
De Alaya,F.Z., Philippine Religious Imagery, Ateneo de Manila, 1983[Spanish Period,includes 19th century]<br />
Duldulao,M.D., A Century <strong>of</strong> realism in Philippine art, Manila, Fine ArtsCorp. 1982<br />
Duldulao,M.D., Contemporary Philippine Art from the 50s to the 70s, Quezon City, Vera-Reyes, 1972<br />
Duldulao,M.D., <strong>The</strong> Philippine Art Scene, Hong Kong, Toppan Printing Co., 1987.<br />
Flores, Patrick D., ‘”A Piece <strong>of</strong> History”: Juan Luna’s Parisian Life and the Production <strong>of</strong> Property’, in eds. Clark,<br />
John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian<br />
Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 56-71.<br />
Flores, Patrick D., ‘ “A Piece <strong>of</strong> History”: Juan Luna’s Parisian Life and the Production <strong>of</strong> Property’, from<br />
http://www.ari.nus.edu.sg/conf2004/asianart.htm<br />
Flores, Patrick D., ed., Perspectives on the Varga Museum Collection: from Revolution to Republic: the art <strong>of</strong> Luna, Amorsolo,<br />
Edades, Quezon City, Department <strong>of</strong> Art Studies, <strong>University</strong> <strong>of</strong> the Philippines, 1999.<br />
Flores. Patrick D., Painting History: revisions in Philippines Colonial Art, Manila, National Commission for Culture and<br />
the Arts, 1998.<br />
Flores, Patrick D., ‘Painting as Colonal Reconversion’ in Power, Kevin, ed., ’98 Cien Años Despues, Communitat<br />
Valenciana & Manila, Cultural Center <strong>of</strong> the Philippines, 1998.<br />
[Fukuoka Asian Art Museum], ASEAN-Japan Exchange Year 2003, Arts <strong>of</strong> the People III: Santo – Holy Sculptures<br />
from the Philippines, Fukuoka: Fukuoka Asian Art Museum, 2003