144 Gill and the politics <strong>of</strong> identity’, Art AsiaPacific, no.16, 1997; Carruthers, Asley, ‘Simryn Gill, Dalam’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 [Latiff Mohidin], Sabapathy, T.K., ed., Pago - Pago to Gelombang: 40 Years <strong>of</strong> Latiff Mohidin, Singapore, Singapore Art Museum, 1994; Raslan, K., ‘<strong>The</strong> Line from Point to Point’, Art & Asia Pacific, supplement to Art & Australia, Sept 1993. [Mahati] Fan, Laura, ‘Telling Tales: the latest exhibition by the Malaysian group Mahati’, Art & Asia-Pacific, vol.3, no.1, 1996. [Noor Azinan Rahman Paiman] Kuroda, Raiji, ed., <strong>The</strong> First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, <strong>The</strong> 1 st Fukuoka Asian Art Triennale 1999 [<strong>The</strong> 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 [Nur Hanim bte Mohamed Khairuuddin] Hanim, Nur bte Khairuuddin, Mohamed, A <strong>Working</strong> Paper on For Whom the Bell Tolls, at the Visiting Exhibition Gallery NUS Museums, Singapore: NUS Museums, National <strong>University</strong> <strong>of</strong> Singapore, 2002 [Soh Chee Hui], Farnay, Rachel, ‘Across time and cultures’ [Soh Chee Hui], Asian Art News, vol.7, no.5, Sept/Oct 1997. [Syed Ahmad Jamal], Fan, Laura, ‘Banking on Art’ [Syed Ahmad Jamal], Art & Asia Pacific, vol.2, no.3, 1995. [Tang Hon Yin] Tang Hon Yin Australian High Commission, Kuala Lumpur, 1986. [Wong Hoy Cheong] Raslan, K. in Art & Asia Pacific, vol.1, no.2, 1994; Fan, Laura, ‘A controversy <strong>of</strong> silence: Wong Hoy Cheong in Exhibition’, Art AsiaPacific, no.16, 1997; Kuroda, Raiji, ed., <strong>The</strong> First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Ooi, Adeline, ‘<strong>The</strong> Artists As Ethnographer’, On Wong Hoy Cheong, Asian Art News, vol. 12, no. 5, September/October, 2002 [Yeoh Jinleng] Sabapthy, T. K., Yeoh Jin Leng: Art and Thoughts, 1952-1995, Kuala Lumpur, National Gallery, 1995; Clark, J., ‘Into the forest’, Art & Asia Pacific, vol.1, no.2, 1994. 1990s-2000+ [Anwar, Ahmad Zakii], Findlay, Ian, ‘Waiting in the shadows’, Asian Art News, vol.11, no.6, 2001 [Chang Fee Ming] Kam, Garrett, ‘Surp[rises <strong>of</strong> an ephemeral life’, Asian Art News, vo.11, no.4, 2001 [Jamal, Syed Ahmad] review, Art AsiaPacific, 30, 2001 [Mokhtar, Hayati] Fairley, Gina, ‘Near Invisible Lines’, Eyeline, no. 60, 2006. [Multhalib, Abdul] Fairley, Gina ‘Architecture Defining Sculpture’, World Sculpture News, vol. 11, no. 3, 2005. [Nahappan, Kumar] Jay, Sian E., ‘Sensations <strong>of</strong> ritual’, Asian Art News, vol.11, no.1, 2001 [Rahman, Mastura Abdul] Tan, Sim, ‘Looking to Origins: Mastura Abdul Rahman’, Artlink, Vol. 13, No.3&4, November-March 1993/94 [Said, Dain-Iskandar] Fairley, Gina, ‘Near Invisible Lines’, Eyeline, no. 60, 2006. [Shanmughalingam, Nirmila Dutt] Jumabhoy, Zehra, ‘<strong>The</strong> Artist as Conscience Keeper’, Art India, volume ix, issue iii, quarter iii, 2004. [Video Art] Rajah, Niranjan; Saidon, Hasnul Jamal, ‘<strong>The</strong> evolution <strong>of</strong> electronic art in Malaysia’, Art AsiaPacific, 27, 2000 [Wong Hoy Cheong] Mandal, Sumit, ‘Valuing Asia’, Art AsiaPacific 29, 2001 Cheong, Wong Hoy and Jit, Krishin, ‘<strong>The</strong> Shaping <strong>of</strong> Contemporary Art in Malaysia’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Fairley, Gina, ‘A Good Rate <strong>of</strong> Exchange between Malaysian and Australian Artists’, Art Monthly Australia, no. 192, August 2006. Fan, Laura, ‘Rupa Malaysia, A decade <strong>of</strong> Malaysian art in London’, Art AsiaPacific, No.21, 1999. Findlay, Ian, ‘Pictures from Penang’, Asian Art News, vol.7, no.5, September / October 1997 Geh, Lida, ‘Support for Art in Malaysia’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Geh, Lida, ‘Women Breaking Taboos’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Langerbach, Ray, ‘Culture <strong>of</strong> Silence: a reading <strong>of</strong> three artists’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Lee Weng Choy, ‘Artis pro active’, Art AsiaPacific, 24, 1999 Mateer, John, ‘Confess & Conceal Asia/Australia exhibition at AGWA’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Ng, Lena, ‘You are Here’ (review), ArtAsiaPacific, no. 48, 2006. O’Ferrall, Michael, ‘Fauzan Omar - Layers <strong>of</strong> Meaning’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Rajah, Niranjan, ‘<strong>The</strong> End <strong>of</strong> Globalisation?: Malaysian Art at the Close <strong>of</strong> the 20 th Century’, Kuroda, Raiji, ed., <strong>The</strong> First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
145 Whitley, Keri, ‘Castle’s Journeys into Asia’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Zhang Wubin, ‘Setting New Goals’, (interview regarding First Kuala Lumpur International Photography Biennale), Asian Art News, vol. 15, no. 6, 2005. Zhang Wubin, ‘<strong>The</strong> Ascent <strong>of</strong> the Image’ (review <strong>of</strong> First Kuala Lumpur International Photography Biennale), Asian Art News, vol. 15, no. 6, 2005. SINGAPORE General works Brecelic, Thomas, ‘ARTSingapore 2001’, Art AsiaPacific, No.34, 2002. Chua, Kevin, ‘ In Venetian Waters: Singapore at the 49 th Venice Bienale’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Dolven, Ben, ‘Artistic dilemma: Singapore hopes to establish itself as an international art center, but local artists still find the going tough’, Far Eastern Economic Review, April 22, 1999. Jeyaretnam, Philip, ‘Sex, Art, and Singapore’, Commentary, vol.11, no.1, 1993. Chai Yik Chin, Singapore Artists, Singapore Cultural Foundation, 1982 Chia, J., ‘Trouble at Hand’, Art & AsiaPacific, vol.2, no.2, 1995 Chow Kwok Kian, Channels a & Confluences: A History <strong>of</strong> Singapore Art, Singapore, Singapore Art Museum, 1995. Chua, Kevin, ‘Painting the Nanyang’s “Public”: Notes Towards a Reassessment’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 72-93. Fifth Asian Youth Painting 1987, Singapore, Ministry <strong>of</strong> Community Development and National Museum, June 1987 Findlay, Ian, ‘Building Bridges’, On ARTSingapore 2002, Asian Art News, vol. 12, no. 5, September/October, 2002 Findlay, Ian., ‘An Odyssey in Art’ in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.64-67. [Feature Issue], Asian Art News, vol. 6, no.3, May / June 1996. [Fukuoka Asian Art Museum], Modern Artists-II, Nanyang 1950-65: Passage to Singaporean Art, Fukuoka: Fukuoka Asian Art Museum, 2002 ‘Kitsch & <strong>The</strong> Singapore Modern’, Forum Transcript , Focas (Forum on Contemporary Art & Society), no.3, January 2002 Langenbach, Ray, ‘Garlands <strong>of</strong> Love: Socialist Realist Aesthetics in Singapore’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 129-149. Langenbach, Ray, ‘Annotated Singapore Diary", Art & Asia Pacific, vol.1, no.4, 1994. Lee Weng Choy, ‘All Washed up’, Art & Asia-Pacific, vol.3, no.1, 1996. Lee Weng Choy, ‘Department Store Art’, Art & Asia Pacific, vol.3, no.2, 1996. Lee Weng Choy, ‘Distinctions, Paintings by Vincent Leow and Ian Woo’, Art Asia Pacific, No.34, 2002. Lee, Weng Choy., ‘Art, Writing and Politics’, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.102-112. Legaspi-Ramirez, Eileen C., ‘Traversing Centre and Fringe: Problems <strong>of</strong> Engagement in Unstable Democratic Spaces’, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.27-37. Lingham, Lucy., ‘Art Interpreting Heritage (Of Effacements, Pilgrimages, Exhumantions & Effigies)’, in FOCAS: Forum on Contemporary Art & Society, No. 1, January 2001, p.109-122. Lingham, Susie., ‘Navel: <strong>The</strong> Mark <strong>of</strong> a Vampire’, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.49-83. Lim, Kok Boon., ‘On Art Writing’, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.26-27. Loh, Susan, ‘ <strong>The</strong> Fine Art <strong>of</strong> Gardening: A Decade <strong>of</strong> Nurturing the Arts’, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Rae, Paul, ‘Rates <strong>of</strong> Exchange: <strong>The</strong> Flying Circus Project in the Context <strong>of</strong> Globalisation’, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Sabapathy, K., ‘Trimurti: Contemporary Art In Singapore’, Art & Asia Pacific, no.2, June 1993. Scarlett, K., ‘<strong>The</strong> Shock <strong>of</strong> the Unexpected: Innovation in Singapore’, Art Monthly Australia, 55, Nov 1992. Schoppert, Peter, ‘More Trouble than its Worth: What Can We Expect From Public Art in Singapore?’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 150-169. Schoppert, Peter, ‘Kitch and Singapore Public Art’, Focas (Forum on Contemporary Art & Society), no.3, January 2002
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media