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A Working Bibliography - The University of Sydney

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145<br />

Whitley, Keri, ‘Castle’s Journeys into Asia’, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />

Zhang Wubin, ‘Setting New Goals’, (interview regarding First Kuala Lumpur International Photography<br />

Biennale), Asian Art News, vol. 15, no. 6, 2005.<br />

Zhang Wubin, ‘<strong>The</strong> Ascent <strong>of</strong> the Image’ (review <strong>of</strong> First Kuala Lumpur International Photography Biennale),<br />

Asian Art News, vol. 15, no. 6, 2005.<br />

SINGAPORE<br />

General works<br />

Brecelic, Thomas, ‘ARTSingapore 2001’, Art AsiaPacific, No.34, 2002.<br />

Chua, Kevin, ‘ In Venetian Waters: Singapore at the 49 th Venice Bienale’, Focas (Forum on Contemporary Art &<br />

Society), no.3, January 2002<br />

Dolven, Ben, ‘Artistic dilemma: Singapore hopes to establish itself as an international art center, but local artists<br />

still find the going tough’, Far Eastern Economic Review, April 22, 1999.<br />

Jeyaretnam, Philip, ‘Sex, Art, and Singapore’, Commentary, vol.11, no.1, 1993.<br />

Chai Yik Chin, Singapore Artists, Singapore Cultural Foundation, 1982<br />

Chia, J., ‘Trouble at Hand’, Art & AsiaPacific, vol.2, no.2, 1995<br />

Chow Kwok Kian, Channels a & Confluences: A History <strong>of</strong> Singapore Art, Singapore, Singapore Art Museum, 1995.<br />

Chua, Kevin, ‘Painting the Nanyang’s “Public”: Notes Towards a Reassessment’, in eds. Clark, John, Peleggi,<br />

Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art,<br />

<strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 72-93.<br />

Fifth Asian Youth Painting 1987, Singapore, Ministry <strong>of</strong> Community Development and National Museum, June<br />

1987<br />

Findlay, Ian, ‘Building Bridges’, On ARTSingapore 2002, Asian Art News, vol. 12, no. 5, September/October,<br />

2002<br />

Findlay, Ian., ‘An Odyssey in Art’ in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.64-67.<br />

[Feature Issue], Asian Art News, vol. 6, no.3, May / June 1996.<br />

[Fukuoka Asian Art Museum], Modern Artists-II, Nanyang 1950-65: Passage to Singaporean Art, Fukuoka: Fukuoka<br />

Asian Art Museum, 2002<br />

‘Kitsch & <strong>The</strong> Singapore Modern’, Forum Transcript , Focas (Forum on Contemporary Art & Society), no.3, January<br />

2002<br />

Langenbach, Ray, ‘Garlands <strong>of</strong> Love: Socialist Realist Aesthetics in Singapore’, in eds. Clark, John, Peleggi,<br />

Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art,<br />

<strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 129-149.<br />

Langenbach, Ray, ‘Annotated Singapore Diary", Art & Asia Pacific, vol.1, no.4, 1994.<br />

Lee Weng Choy, ‘All Washed up’, Art & Asia-Pacific, vol.3, no.1, 1996.<br />

Lee Weng Choy, ‘Department Store Art’, Art & Asia Pacific, vol.3, no.2, 1996.<br />

Lee Weng Choy, ‘Distinctions, Paintings by Vincent Leow and Ian Woo’, Art Asia Pacific, No.34, 2002.<br />

Lee, Weng Choy., ‘Art, Writing and Politics’, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002,<br />

p.102-112.<br />

Legaspi-Ramirez, Eileen C., ‘Traversing Centre and Fringe: Problems <strong>of</strong> Engagement in Unstable Democratic<br />

Spaces’, in FOCAS: Forum on Contemporary Art & Society, No. 4, June 2002, p.27-37.<br />

Lingham, Lucy., ‘Art Interpreting Heritage (Of Effacements, Pilgrimages, Exhumantions & Effigies)’, in FOCAS:<br />

Forum on Contemporary Art & Society, No. 1, January 2001, p.109-122.<br />

Lingham, Susie., ‘Navel: <strong>The</strong> Mark <strong>of</strong> a Vampire’, in FOCAS: Forum on Contemporary Art & Society, No. 2, July<br />

2001, p.49-83.<br />

Lim, Kok Boon., ‘On Art Writing’, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.26-27.<br />

Loh, Susan, ‘ <strong>The</strong> Fine Art <strong>of</strong> Gardening: A Decade <strong>of</strong> Nurturing the Arts’, Focas (Forum on Contemporary Art &<br />

Society), no.2, July 2001<br />

Rae, Paul, ‘Rates <strong>of</strong> Exchange: <strong>The</strong> Flying Circus Project in the Context <strong>of</strong> Globalisation’, Focas (Forum on<br />

Contemporary Art & Society), no.2, July 2001<br />

Sabapathy, K., ‘Trimurti: Contemporary Art In Singapore’, Art & Asia Pacific, no.2, June 1993.<br />

Scarlett, K., ‘<strong>The</strong> Shock <strong>of</strong> the Unexpected: Innovation in Singapore’, Art Monthly Australia, 55, Nov 1992.<br />

Schoppert, Peter, ‘More Trouble than its Worth: What Can We Expect From Public Art in Singapore?’, in eds.<br />

Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong><br />

Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 150-169.<br />

Schoppert, Peter, ‘Kitch and Singapore Public Art’, Focas (Forum on Contemporary Art & Society), no.3, January 2002

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