A Working Bibliography - The University of Sydney

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Press, 2001.
Shen and Marilyn Fu, Studies in Chinese Connoisseurship, Princeton, Princeton University Press, 1973.
Siren, O., Chinese Painting, Ronald Press, New York, 1958
Sullivan, M. The Birth of Landscape Painting in China, University of California Press, 1962.
Whitfield, R., ‘Landscape Painting in the Late Ch’ing Period’ in W. Watson, editor, Landscape Style in Asia, Percival
David Foundation of Chinese Art, London, 1979.
Early Contacts with European Art
Barmé, Geremie, ‘The Garden of Perfect Brightness: A Manchu Vision of China’, Paroissien, Leon, ed., Visual Arts and
Culture, Volume 1, Part 1 (1998), see http://www.chinaheritagequarterly.org/ No. 8, December 2006:
Yuanming Yuan, the Garden of Perfect Brightness
Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971.
Cahill, James, ‘Late Ming landscape albums and European printed books’, in Rosenwald, L.J., The Early Illustrated
Book, 1982.
Cahill, James, The Compelling Image: Nature and Style in Seventeenth Century Chinese Painting, Cambridge, Harvard
University Press, 1982
Delahaye, Hubert, ‘Du peu d’effet de la peinture occidentale en Chine’ in Jami, Catherine; Delahaye, Hubert, eds.,
L’Europe en Chine, interactions scientifiques, religieuses et culturelles aux XVII e et XVIII e siécles, Paris, Collége de
France, 1993.
Franke, Wolfgang, China and the West, Oxford, Basil Blackwell, 1967
Hsiang Ta (Xiang Da), ‘European influences on Chinese Art of the Later Ming and Early Ch’ing Period’ [original
in Dongfang Zazhi , vol.27, no.1, January 10th, 1930, translated by Wang Teh-chao], Renditions no.6, Spring
1976.
Ishida Mikinosuke, ‘A Biographical Study of Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in the Court
of Peking under the Ch’ing Dynasty’, Memoirs of the Tôyô Bunko, 1960, p.79-121;
Kôno Minoru, ed., Chûgoku Yôfû? Hyôgen no Dônyû? Meimatsu kara Shin jidai no kaiga, hanga, sashie-hon, Machida,
Machida Shirtisu Kokusai Hanga Bijutsukan, 1995.
Loehr, George, ‘Missionary artists at the Manchu Court’, Journal of the Oriental Ceramic Society, 34, 1962-63;
Loehr, George, ‘The Sinicization of Missionary artists and their work at the Manchu court during the Eighteeenth
Century’, Cahiers d’Histoire Mondiale, vol. VII, no.3, p. 795-815, 1963;
Pelliot, Paul, ‘La Peinture et la Gravure Européennes en Chine au temps de Mathieu Ricci’, T’oung Pao, 1922, 1-18;
Pirazzoli-T’Serstevens, M., Gravures des Conquêtes de l’Empereur de Chine K’ien-Long au Musée Guimet, Paris, Mus?e
Guimet, 1969;
Qing Imperial Court Painting, 25th Anniversary Special Issue of Orientations, vol.26, no.7, July/August 1995
Sullivan, Michael, ‘Some possible sources of European influence on late Ming and early Ch’ing painting’, in
Proceedings of the International Symposium on Chinese Painting, Taipei, National Palace Museum, 1972,
Swiderski, Richard M., ‘The dragon and the straightedge, part 1: a semiotics of the Chinese response to European
pictorial Space’, Semiotica 81-1/2, (1990); ‘part 2: The ideological impetus of linear perspective in late Ming
early Qing China’, ibid, 82-1/2 (1990); ‘part 3: Porcelains, horses, and ink stones - the ends of acceptance’,
ibid, 82 -3/4, (1990).
Vinograd, Richard, Boundaries of the Self, Chinese Portraits, 1600-1900, Cambridge, Cambridge University Press,
1992;
Chinacoast and Trade Paintings
Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.
Broadbent, J., China, Australia: Trade and Society 1788-1850, Sydney, Historic Houses of New South Wales, 2003.
Christies’, Fine Chinatrade Paintings, Hong Kong, Christies’ Swire, sale of 26-9-1989.
Conner, P., The China Trade 1600-1860, Brighton, Royal Pavilion, 1986
Conner, P., Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.
Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972
Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989.
Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975
Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of Pennsylvania
Press, 1984.
Leglouix, S., Image of China: William Alexander, London; Jupiter Books, 1980
Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924.