A Working Bibliography - The University of Sydney

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134 [Cong Kim Hoa] Cong Kim Hoa Lacquer Painting, Thavibu Gallery, Bangkok, 2006 [Le Khac Cuong] Le Khac Cuong, River, Vietnam, 2005 [Lê, Dinh Q.] Duong, Quan M., ‘Vietnam Memories’, ArtAsiaPacific, no. 46, 2005; Fyfe, Joe, ‘Dinh Q. Lee at the Asia Society and PPOW’, Art in America, 94:5, May, 2006; Zhuang Wubin, ‘Engaging the Past’, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. [Le Thiet Cuong] Le Thiet Cuong, Dragon Gallery, Vietnam, 2001 [Le Vu] review, Art in America, vol. 93, iss. 2, Feb 2005. [Ly Hung Anh] review, Asian Art News, vol. 15, no. 6, 2005. [Nguyen Bao Ha] Findlay, Ian, ‘The View from Above’, Asian Art News, vol. 15, no. 4, 2005. [Nguyen Hatsushiba, Jun] review, Artforum, vol 43, iss. 8, Apr 2005; ‘Lehmann Maupin: Jun Nguyen Hatsushiba’, review, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005; review, Art in America, vol. 93, iss. 6, Jun-Jul 2005. [Nguyen Nghia Cuong] review, Asian Art News, vol. 15, no. 3, 2005. [Nguyen Quang Huy] Edwards, Bradford, ‘Layers of Meaning’, Asian Art News, vol. 15, no. 2, 2005. [Nguyen The Duy] Temples within Streets, Fine Arts Publishing House, Hanoi, 2004. [Nguyen Tam Nhan] Vietnam Coal Sculpture, The Fine Arts Publishing House, Hanoi, 2006. [Nguyen Trung] review, Asian Art News, vol. 15, no. 6, 2005. [Nguyen Van Duc] Carroll, Anja, ‘Silent Witness’, Asian Art News, vol. 15, no. 5, 2005. [Pham Kien Giang] Findlay, Ian, ‘In the Realm of Memory’, Asian Art News, vol. 15, no. 1, 2005; Watson, Robert C., ‘The Idyllic Imagination’, Asian Art News, vol. 16, no. 4, 2006. [Pham Luan] Findlay, Ian, ‘Man of the Streets’, Asian Art News, vol. 15, no. 1, 2005. [Pham Luc] Painter Pham Luc, Culture-Information Publishing House Vietnam, 2004. [Tran Thanh] Findlay, Ian, ‘Private Moments’, Asian Art News, vol. 15, no. 3, 2005. [Tran Trong Vu] Thompson, Jonathan, ‘A Game to Play’, Asian Art News, vol. 16, no. 4, 2006. [Tran Viet Phu] Findlay, Ian, ‘A World of Mysteries’, Asian Art News, vol. 16, no. 6, Nov-Dec 2006. [Van Duong Thanh] Van Duong Thanh – Journey from Folklore to Abstract, Vietnam Museum of Ethnology, 2005 [Van Tho] Oil Paintings by Van Tho, Fine Arts Publishing House Vietnam, 2002 ‘Saigon Open City’ (Review) Asian Art News, vol. 17, no. 1, Jan-Feb 2007. Brown, Jay, ‘Hanoi’s Unofficial Art Scene’, ArtAsiaPacific, no. 51, 2007. Hanoi Fine Art, The Fine Art Publishing House, Vietnam, 2005 Huynh, Boi Tran, ‘Post Doi-Moi International Reception of Vietnamese Contemporary Art’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 271-287. Impressions and Expressions: Vietnamese contemporary paintings, Thavibu Gallery, Bangkok, Thailand , 2006. Robinson, Abby, ‘New Vietnamese Photography’, Asian Art News, vol. 16, no. 5, Sep-Oct 2006 Vietnam Contemporary Fine Arts Exhibition in Korea, Ministry of Culture and Information of Vietnam, 2002. Vietnamese Fine Arts: 1975-2005, The Fine Arts Publishing House, Hanoi, 2005. Vietnamese Lacquer Painting, The Fine Arts Publishing House, Hanoi, 2005. Overseas Vietnamese Artists Blomgren, Lawrence, ‘Charlie Don’t Surf: 4 Vietnamese American Artists’ (review), ArtAsiaPacific, no. 46, 2005. Lindt, Naomi, ‘The Kings of Hell’, Asian Art News, vol. 15, no. 4, 2005. Moylan, Chris, ‘An-My Le: 29 Palms’ (review), ArtAsiaPacific, no. 43, 2005. ________________________________________________________________________________ INDONESIA General Works Aidit, D.M., Dengan sastra dan seni jang berkepribadian nasional, Djakarta, Pembaruan 1964. Bennet, James, ‘Textiles of Timor’, Art AsiaPacific,no.18, 1998. Bollansee, Esmeralda & Marc, Masterpieces of Contemporary Indonesian Painters, Singapore, Times Editions, 1997. Contemporary Indonesian Art, Taman Ismail Marzuki, Jakarta, 1995 Fischer, J.ed., Modern Indonesian Art, Jakarta and New York, Panita Pameran KIAS [1990-91], 1990. Gate Foundation, ed. Indonesian Modern Art: Indonesian Painting since 1945, Amsterdam: The Gate Foundation, 1993 Goodfellow, Rob. ‘History Imitating Art, Imitating Life: The Art of Bramantyo.’ Art AsiaPacific, no.22, 1999. Hadiwardoyo, Sanento Yuliman, ‘The Modern Art of Indonesia’, Art & Asia Pacific, vol.1. no.3, 1994.
135 Holt, Claire, Art in Indonesia: Continuities and Change, Ithaca, Cornell University Press, 1967 Kusuma-Atmadja, M., et al, Perjalanan Seni Rupa Indonesia: Dari Zaman Prasejarah Hingga Masa Kini, [Streams of Indonesian art from pre-historic to contemporary, Bilingual], Jakarta, Committee of the Festival of Indonesia 1990-1991, 1991. Loos-Haaxman, J. de, Verlaat Rapport Indië, Den Haag, 1968 Mulder, N., Inside Indonesian Society, an Interpretation of cultural Change in Java, Bankok, 1994 Pameran Se-Abad Seni Rupa Indonesia 1876-1976, Jakarta, Pemda DKI, 1976. Poeze, H., In het land van de overheerser, I, Indonesiërs in Nederland in Nederland 1600-1950, Verhandelingen van het Koninklijk Instituut voor Taal-Land- en Volkenkunde, 100, Leiden, 1986 Scalliet, M., Antoine Payen, peintre des Indes Orientales, Leiden, CNWS Publications, 1995 Schefold, R., ‘The domestication of Culture, Nation Building, and ethnic diversity in Indonesia’, Bijdrage tot de taal- land- en volkenkunde, 154-2, Leiden, 1998 Soebadio, H. (ed.), and du Marchie Servaes, C. (eds.), Dynamaics of Indonesian History, Amsterdam, 1978 Soedarso, S.P. (ed), Seni Patung Indonesia, Yogyakarta, 1992 Soemantri, Hilda (ed)., Indonesian Heritage: Visual Art, Jakarta: Archipelago Press, 1998. Spanjaard, Helena, Exploring Modern Indonesian Art: The Collection of Dr Oei Hong Djien, Singapore, SNP International, 2004 Spanjaard, Helena, ‘Vrije kunst, academische schilders in Indonesië’, in Kunst uit een andere wereld, Museum voor Volkenkunde, Rotterdam, 1988, pp. 103-132 Spanjaard, Helena, ‘Patung Lampu Minyak’ in Double Dutch, Tilburg, 1991, pp. 60-67 Spanjaard, Helena, ‘De gado-gado van culturele transmissie, van cubisme tot installaties’ in Nederland-Indonesië, een culturele vervlechting, Den Haag, 1995, pp. 138-151 Spanjaard, Helena, ‘Van palmboom tot installatie, vijftig jaar Indonesische schilderkunst (1945-1995) in Kunstlicht, Volume 16, no. 2, 1995, pp. 8-14 Spanjaard, Helena, Moderne Indonesische schilderkunst, engagement en romatiek’ in Aziatische kunst, Rijksmuseum, Amsterdam, Volume 31-3 (2000), pp. 12-21 Spanjaard. Helena, Modern Indonesian Painting, London: Sotheby, 2004 Spanjaard, Helena, ’Indische en Indonesische kunst: op zoek naar de blinde vlek’ in Tussen twee werelddelen in wacht het verlangen van een oceaan, Bergen op Zoom, 2003, pp. 182-193 Spanjaard, Helena, Reformasi Indonesia! Protest Art, 1995-2000, Delft: Museum Nusantara, 2000 Sudarmadji, Pulukis dan Pematung Indonesia, Jakarta, 1981 Supangkat, Jim, Indonesian Modern Art and Beyond, Jakarta, 1997 Supangkat, Jim, ‘Discoursing in Regional Contemporary Art in Asia.’ [Indonesia]’Asian Art: Prospects for the Future.’ International Symposium 1999. Suryadinata, Leo, Chinese Indonesian: State, Policy, Monoculture and Multiculture, International Specialized Book Services, 2004 Women of Indonesia: A Coutry Profile, United Nations Publication, 1998 Art from Late 19th Century to 1945 Amir Siddharta, curator Dari Mooi Indië Hingga Persagi, Jakarta, Museum Universitas Pelita Harapan, 1998. Bustaman, Soekondo, Raden Salleh: Pangeran di anatra para pelukis romantik, Bandung, Abardin, 1990. Catalogus Tentoonstelling Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1935 Catalogus Tentoonstelling Tweede Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1936 Catalogus Tentoonstelling Derde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1937 Catalogus Tentoonstelling Vierde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1938 Catalogus Tentoonstelling Vijfde Collectie Regnault, Bruikleenmuseum Batavische Kunstkring, Batavia, 1939-1940 Di bawah pendudukan Jepang: Kenangan Empat Puluh Dua orang yang mengalaminya, [Under the Japanese occupation: recollections of forty-two people], Jakarta, Arsip Nasional, 1989. Fan, Flora, ‘Controversy and change: 19 th and early 20 th century landscape paintings in Indonesia and Malaysia’, in Mashadi, Ahmad, Vision & Enchantment: Southeast Asian paintings, Singapore, Singapore Art Museum, 2000. Kraus, Werner, ‘On the Reception of Raden Saleh’s Painting “The Arrest of Dipanagara”? A Dilemma of Indonesian Art History’, from http://www.ari.nus.edu.sg/conf2004/asianart.htm Kraus, Werner, ‘First Steps to Modernity: The Javanese Painter Raden Saleh (1811-1880)’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art, University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 29-55.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86: 85 Clark, John, ‘Japanese houses
Page 87 and 88: 87 Society of Architects & Building
Page 89 and 90: 89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92: 91 Medical facilities : new concept
Page 93 and 94: 93 Wilson, Peter L. Western objects
Page 95 and 96: 95 Gluck, C., Japan’s Modern Myth
Page 97 and 98: 97 La Fleur, William A., ‘A turni
Page 99 and 100: http://www.musabi.co.jp/list.html M
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Page 103 and 104: 103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106: 105 [Lee, Yong-Baek] review, Flash
Page 107 and 108: 107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110: 109 Chaiyan Rajchagool, The Rise an
Page 111 and 112: 111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114: 113 Michaelsen, H., Die Entwicklung
Page 115 and 116: 115 8 Actual Visions in Thai Contem
Page 117 and 118: 117 Individual Artists Anurak Chata
Page 119 and 120: 119 to shock’ The Nation, January
Page 121 and 122: 121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124: 123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126: 125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128: 127 Suehiro Akira, Capital Accumula
Page 129 and 130: 129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132: Nguyen Thi Dinh, No other road to t
Page 133: 133 [Nguyen Manh Hung], Edwards, Br
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
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Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
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Page 153 and 154: 153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156: 155 Foundation Asia Center, 2002; F
Page 157 and 158: 157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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