A Working Bibliography - The University of Sydney

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130 Jamieson, Neil, “Cultural Representation in Transition: the Evolving Context of Contemporary Vietnamese Painting”, in Cultural Representation in Transition: New Vietnamese Painting, exh. cat., the Siam Society, Bangkok, 1996, 14-31 Kurihara Hirohide, ‘Changes in the Literary Policy of the Vietnamese Workers Party, 1956-1958’, in McHale, Shawn, “Printing and Power: Vietnamese Debates over Women’s Place in Society 1918-1934”, in Essays into Vietnamese Pasts, eds. K.W. Taylor and John K. Whitmore, Ithaca, 1995, 173-94 Shiraishi Takashi, eds., Indochina in the 1940s and 1950s, Ithaca, SEAP, 1992. General History Betts, Raymond, Tricouleur: The French Overseas Empire, Gordon and Cremonesi Publishers, London and New York, 1978 Duiker, William, The Rise of Nationalism in Vietnam, 1900-1941, Ithaca, Cornell University Press, 1976. Karnow, Stanley, Vietnam: A History, Harmondsworth, Penguin, 1983. Lockhart, B M, Monarchy in Siam and Vietnam, 19251-1946, Ph.D Dissertation, Cornell University, 1990. Marr, David, Vietnam 1945: The Quest for Power, Berkeley University of California Press, 1995. Marr, David, Vietnamese Tradition of Trial, 1920-1945, Berkeley, University of California Press, 1981. McHale, Shawn, Print and Power: Confucianism, Communism and Buddhism in the Making of Modern Vietnam, University of Hawaii Press, Honolulu, 2004. Nguyen Van Ky, La Société Vietnamienne façe à la modernité, Paris, L’Harmattan, 1995. Pelley, Patricia, Writing Revolution: The New History in Post-colonial Vietnam, PhD dissertation, Cornell University, 1993. Pelley, Patricia, “The History of Resistance and the Resistance to History”, in Essays into Vietnamese Pasts, eds. K.W. Taylor and John K. Whitmore, Ithaca, 1995 Rambo, A. Terry, “Black Flight Suits and White Ao Dais: Borrowing and Adaptations of Symbols of Vietnamese Cultural Identity”, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture, Southeast Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai’i, Hanoa, 1982, 115-23 Smith, R, Viet-Nam and the West, London, Macmillan , 1968. Turley, W.; Selden, M. eds, Re-inventing Vietnamese Socialism: Doi Moi in Comparative Perspective, Boulder, Westview Press, 1993. Tranh Tu Binh, The Red Earth: A Vietnamese Memoir of Life on a Colonial Rubber Plantation, trans. John Spragens Jr., ed. David G. Marr, Southeast Asia Series no. 66, Centre for International Studies, Ohio University, 1985 Truong Buu Lam, “Japan and the Disruption of the Vietnamese Nationalist Movement”, in Aspects of Vietnamese History, Walter F. Vella, ed., The University of Hawai’i Press, Honolulu, 237-269 Women in Vietnam Anh, Tran Thi Van, Hung, Le Ngoc, Women and Doi Moi in Vietnam, Hsnoi, Women’s Publishing House, 1997. Eisen, Arlene, Women and revolution in Vietnam, London, Zed Books, 1984. Hao, Phan Thanh, Turner Karen G., Even the Women must fight: memories of war from North Vietnam, New York, John Wiley and Sons, 1998. Lowe, Viviane, Women in Arms: Gender and Nation in the Democratic Republic of Vietnam, 1965-1975, unpublished MA thesis, Australian National University, 1996. Vietnamese Literature Cao Thi Nhu-Quynh and Schaefer, John C., “From Verse Narrative to Novel: The Development of Prose Fiction in Vietnam”, Journal of Asian Studies, vol.47, no.4, 1988, 756-77 Cong Huyen Ton Nu Nha Trang, “The Role of French Romanticism in the New Poetry Movement in Vietnam”, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture, Southeast Asian Paper no. 25, Centre for Asian and Pacific Studies, University of Hawai’i, Hanoa, 1982, 52-62 Durand, M M, Nguyen T H, An Introduction to Vietnamese Literature, New York, Columbia University Press, 1991. Huong, Dong Thu, Novel without a name, New York, William Morrow, 1995. Huynh Sanh Thong ed., An Anthology of Vietnamese Poems: From the Eleventh Through the Twentieth Centuries, Yale University Press, New Haven and London, 1996 Lombard, Denys, “Prélude à la Littérature Indochinoise”, in Denys Lombard, ed., Rêver l’Asie: Exotisme et Littérature Coloniale aux Indes, en Indochine et en Insulide, Les Éditions de l’École des Hautes Études en Sciences Sociales, Paris, 1993, 119-39 Nguyen, K V, Vietnamese Literature, Red River Foreign Languages Publishing House, 1980?
Nguyen Thi Dinh, No other road to take, Ithaca, Cornell University SEAP, 1976. Schafer, John; Uyen, Thee ‘The Novel emerges in Cochinchina’, Journal of Asian Studies, no.4, Nov 1983. Wilcox, Wynn, ‘Women and Mythology in Vietnamese History: Lê Ngc Hân, H`ô Xuân Hung, and the Production of Historical Continuity in Vietnam’, positions, vol. 13, no. 2, 2005. 131 1990s and after [Jun Nguyen-Hatsushiba] Farver, Jane, ‘Jun Nguyen-Hatsushiba’ in Art Asia Pacific, Issue 37 (2003), p. 45 ‘Beyond ideology and label’, Asian Art News, 2, no.4, Jul/Aug 1992. ‘Supplement Vietnam’, Asian Art News, no.3, May-June 1994. ‘Vietnam Feature’ including Findlay, I. & Hagemans, H., ‘Changing times’; Duong Trong, ‘A tradition of the new’; Howard Ian, ‘Discovery and Innovation’; Edwards Bradford, ‘A Stir in the Ranks’; Findlay, Ian, ‘Of Memories and Music’ [Nguyen Cam]; Hagemans, Helen, ‘Freedom and Hardship [Nguyen Trung]; Howard, Ian,’The road ahead is behind you’ [Vu Dan Tan]; Findlay, Ian, ‘Of pagodas and spirits’ [Nguyen Xuan Tiep]; Robinson, Abby, ‘Vietnamese photography comes into focus’ [Van Bao, Ho Ngoc Son, Bui Xuan Huy, Thi Tho, Dao Hoa Nu, Long Thanh, Duy Anh]; Kupfer, Peter,’ Strong Coffee and Sublime Art’ [Cafe Lam]; Asian Art News, vol. 7, no.2, March/April 1997. An Ocean Apart: Contemporary Vietnamese Art from the United States and Vietnam, Washington, SITES, 1995. Contemporary Art from Vietnam, Hong Kong, Gallery La Vong, 1994. Cultural Representations in Transition, Bangkok, The Siam Society, 1997 [review: Gampell, Jennifer, Art AsiaPacific, no.17, 1998]. Bang, Thuc Ban, ‘Women Achieving Against Great Odds’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Becker, Carol, ‘Pilgrimage to My Lai: Social Memory and the Making of Art’ in Art Journal (Winter 2003), pp. 51-65 Ca, Le Thang, 'The Scene in Ho Chi Min City’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Curry, Shannon K., ‘A World in Portraits’, , Asian Art News, vol.8, no.3, May/June 1998. Duong, Thuong, ‘Trailblazers Recognised at Last’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Findlay, Ian, ‘Changing times’, Asian Art News, vol.9, no.5, 1999 Findlay, Ian, ‘Notes from Hanoi’, Asian Art News, vol.11, no.1, 2001 Fyfe, Joe, ‘Making it New’ (Report From Hanoi) in Art in America (January 2003), pp. 77-81 Hantover, J., Nguyen Quan, Uncorked Soul: Contemporary Art from Vietnam, Hong Kong, Plum Blossoms gallery, 1991. Hantover, J., ‘Art from the bottom of the well’, Asian Art News July/Aug 1994. Hantover, J., ‘Contemporary Vietnamese Art’, Asian Art News, 1, no.2, 1991. Hantover, Jeffrey, Uncorked Soul: Contemporary Art from Vietnam, Hong Kong, Plum Blossoms, 1991. Hussfeld, Birgit, ‘Gap Vietnam’, Art AsiaPacific, 25, 2000 Kraeskaia, Natasha, ‘Contemporary Vietnamese Art: Obstacles of Tradition’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Meridian Art Centre, A Winding River: The Journey of Contemporary Art in Vietnam, Washington, Meridian International Center, 1997. Nguyen Gia Tri, To Nqoc Van, Bui Xuan Phai, and Nguyen Sang: Masters of Modern Vietnamese Painting, Hanoi, Fine Arts Publishing House, 1994. Nguyen Quan ‘A few remarks about contemporary Vietnamese art: Tradition and Acculturation’, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, 1994. Nguyen Quan, ‘Multicolored and richly idiosyncratic’, Art & Asia Pacific, supplement, Art & Australia, Sept 1993 Nguyen Quan, ‘Introduction to Art in Vietnam’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Nguyen Sy Bach and Nguyen Xuan Tiep. (eds.) All The Rivers Are Running: Vietnamese Contemporary Fine Art. Hanoi, 1997. Norindr, Panivong, “Filmic Memorial and the Colonial Blues: Indochina in Contemporary French Cinema”, in ed, Dina Sherzer, Cinema Colonialism Postcolonialism: Perspectives from the French and Francophone Worlds, University of Texas Press, Austin, 1996, 120-46 Pham, Quynh, ‘Open Studio at Binh Quoi Village’, Exhibition Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002 Plum Blossoms Gallery. Uncorked Soul--Contemporary Art from Vietnam. Hongkong, 1991. Quan, Nguyen, ‘Vietnamese Appearances’, Asian Art News, vol. 8, no.2, March/April 1998. Quynh Pham, ‘At A Crossroads’, Asian Art News 9:4 1999. Quynh Pham, ‘At a crossroads’, Asian Art News, vol.9, no.4, 1999
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
Page 79 and 80: 79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82: 81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86: 85 Clark, John, ‘Japanese houses
Page 87 and 88: 87 Society of Architects & Building
Page 89 and 90: 89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92: 91 Medical facilities : new concept
Page 93 and 94: 93 Wilson, Peter L. Western objects
Page 95 and 96: 95 Gluck, C., Japan’s Modern Myth
Page 97 and 98: 97 La Fleur, William A., ‘A turni
Page 99 and 100: http://www.musabi.co.jp/list.html M
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Page 103 and 104: 103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106: 105 [Lee, Yong-Baek] review, Flash
Page 107 and 108: 107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110: 109 Chaiyan Rajchagool, The Rise an
Page 111 and 112: 111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114: 113 Michaelsen, H., Die Entwicklung
Page 115 and 116: 115 8 Actual Visions in Thai Contem
Page 117 and 118: 117 Individual Artists Anurak Chata
Page 119 and 120: 119 to shock’ The Nation, January
Page 121 and 122: 121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124: 123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126: 125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128: 127 Suehiro Akira, Capital Accumula
Page 129: 129 Koch, Maurice, “Jos-Henri Pon
Page 133 and 134: 133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136: 135 Holt, Claire, Art in Indonesia:
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144: BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152: 151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154: 153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156: 155 Foundation Asia Center, 2002; F
Page 157 and 158: 157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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