A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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13<br />
Hearn, Maxwell K.; Smith Judith G.; eds, Chinese Art: Modern Expressions, New York, Metropolitan Museum <strong>of</strong><br />
Art, 2001<br />
Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford <strong>University</strong> Press, 1988 [proceedings <strong>of</strong><br />
a 1984 Hong Kong Conference, this covers most areas <strong>of</strong> modern Chinese painting in a general manner]<br />
Kuo, Jason, C., ‘Reviews <strong>of</strong> recent books on Modern Chinese Painting’, Ars Orientalis, vol.20, 1991.<br />
Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984<br />
Litzinger, Ralph A., 1959-, ‘<strong>The</strong>orizing Postsocialism: Reflections on the Politics <strong>of</strong> Marginality in Contemporary<br />
China’, <strong>The</strong> South Atlantic Quarterly, 101.1, Winter 2002<br />
Sullivan, Michael, ‘Orthodoxy and Individuality in Twentieth Century Chinese Art’, in Murck, C., ed., Artists and<br />
Traditions, Princeton, Princeton UP, 1979.<br />
Sullivan, Michael, Art and Artists <strong>of</strong> Twentieth Century China, Berkeley, California <strong>University</strong> Press, 1996 [reviews:<br />
Dal Lago in ART AsiaPacific, no.15, 1997, Croizier in <strong>The</strong> Journal <strong>of</strong> Asian Studies, 1997; Clark in Asian Studies<br />
Reviews, 1999].<br />
Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.<br />
Sullivan, Michael, <strong>The</strong> Meeting <strong>of</strong> Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and approach<br />
<strong>of</strong> this book are highly problematic], revised version, U. California Press, 1991.<br />
Tsuruta, T., ‘Kinhyakunenrai Chûgoku Gajin Shiryô’, Bijutsu Kenkyû, nos 293-294, 303, 307; ‘Minkokuki ni okeru<br />
zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1’, Bijutsu Kenkyû, no.349;<br />
‘Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2’, Bijutsu Kenkyû,<br />
no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue <strong>of</strong> the 1954 Second National Fine Arts Exhibition]; 2, Fu<br />
2, Bijutsu Kenkyû, no.352 [Catalogue <strong>of</strong> the 1960 Third National Fine Arts Exhibition].<br />
Tsuruta, T., ‘Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei’, (Izumishi Kubosô<br />
Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991.<br />
Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972.<br />
Wan Qingli, ‘Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting’, Orientations, 23,<br />
no.7, July 1992.<br />
Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London, Harvard<br />
<strong>University</strong> Press, 2005<br />
Wu Hung, Remaking Beijing: Tiananmen Square and the Creation <strong>of</strong> Political Space, Reaktion Books, 2005<br />
Texts and Some Terms in Chinese:<br />
MS: Meishu, Art, the only national art monthly, published by the Artists’ Association. Generally the issue number<br />
equals the month, thus 1979-3, means the issue puiblished for March 1979. But for a brief period from<br />
1960 until about 1964 it was published bi-monthly. Publication was suspended during the Cultural<br />
Revolution and restarted in 1977.<br />
MSJTX: Meishujia Tongxun, Information Bulletin <strong>of</strong> the Artists’ Association, this is not usually available to<br />
non-members and foreigners and has only occasionally been available to this author. MSJY: Meishu Yanjiu,<br />
Art Research, quarterly, published by CAFA.<br />
MY: Meishuyanjiu, Art Research, published by the Central Academy <strong>of</strong> Fine Arts, Beijing.<br />
RMRB: Renmin Ribao, People’s Daily, the <strong>of</strong>ficial CCP newspaper.<br />
Shijie Meishu, World Art.<br />
Xinmeishu: New Art, irregular journal <strong>of</strong> Zhejiang Academy <strong>of</strong> Fine Art.<br />
youhua: oil painting.<br />
zhongguohua: Chinese painting, sometimes used as a full form for guohua.<br />
ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989.<br />
ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary <strong>of</strong> Chinese Artists, Changsha, Hunan Renmin Chubanshe,<br />
1981-1985<br />
Chinese Art before the Twentieth Century (selected texts)<br />
Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana & Chicago,<br />
<strong>University</strong> <strong>of</strong> Illinois Press, 1991.<br />
Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon, Princeton<br />
<strong>University</strong> Press, 1997.<br />
Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996<br />
Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994<br />
Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge <strong>University</strong>