A Working Bibliography - The University of Sydney

129
Koch, Maurice, “Jos-Henri Ponchin”, Extrême-Asie, no. 43, 1920, 1-6
Lachowsky, Michèle and Benzakin, Joel, Vietnam: Plastic Arts from 1925 to Our Time, exh. cat. Espace Meridien,
Brussels, Belgium, 1998.
Le Quoc Bao (ed.), Truong Dau Hoc My Thuat Ha Noi 1925-1990, Hanoi, 1990
Lévi, Sylvain, ed., Indochine, Exposition Coloniale Internationale de Paris, Société d’Éditions Géographiques,
Maritimes et Coloniales, Paris, 1931
Marchillac, Félix et al André Maire: Peintre Voyageur 1898-1984, Editions d’Art, Somogy, Paris, 2000
Merlin, M. “Arrêté”, Journal Officiel de l’Indochine Française, 29 October 1924, 2083-2086
Noppe, Catherine and Hubert, Jean-Francois, “Victor Tardieu 1870-1937 et l’École de Beaux Arts de
l’Indochine”, Arts du Vietnam: La Fleur du Pecher et L’Oiseau d’Azur, exh cat., Musée Royale de Mariemont,
2003, 153 – 83
Norindr, Panivong, ‘Representing Indochina: the French colonial fantasmic and the Exposition Coloniale de
Paris’, French Cultural Studies, vol.6, no.37, 1995.
Norindr, Panivong, Phantasmatic Indochina: French Colonial Identity in Architecture, Film and Literature, Duke University
Press, Durham and London, 1996
O’Brien, Charles “The ‘Cinema Colonial’ of 1930s France: Film Narration as Spatial Practice”, in Visions of the
East: Orientalism in Film, Matthew Bernstein and Gaylyn Studlar, I.B. Tauris, London and New York, 1997,
207-231
Scott, Phoebe, ‘Colonial Moderns: Studies From the École de Beaux-Arts d’Indochine’ (Honours Thesis,
University of Sydney, 2004)
Sentenac, Paul, “La Retrospective de Jules Galand, Peintre d’Indochine”, in Extrême-Asie, May 1928, no. 23,
589-90
Students of the Ecole de Beaux Arts de l’Indochine and F. de Feris, “Les Marchands Ambulants et les Cris de la
Rue Hanoi”, [Part I in Extrême-Asie, no. 15, September/October 1927, Part II in no. 18, December 1927,
Part III in no. 19, January 1928, and Part IV in no. 20, February 1928, (separate sections, generally not
paginated).]
Taylor, Nora, ‘Framing the National Spirit: viewing and reviewing painting under the revolution’ [To Ngoc Van],
in Tai Hue-Tam Ho, The Country of memory, Berkeley, University of California Press, 2001.
Trinh Van Thao, L’Ecole française en Indochine, Paris, Karthala, 1995.
Wright, Gwendolyn, The Politics of Design in French Colonial Urbanism, The University of Chicago Press, Chicago and
London, 1991
Art in War Period
Anthology of Fine Arts Works during Revolution Time, Ho Chi Minh City Fine Arts Association, 2005.
As seen by Both Sides: American and Vietnamese Artists look at the War, Boston, William Joiner Foundation, 1991.
Harrison-Hall, Jessica, [with Sherry Buchanan, Katharine Lockett, and Thu Stern], Vietnam behind the lines: images
from the war, British Museum Press, 2002.
Huynh Phuong Dong: Visions of Peace, Indochina Arts Partnersip, (forthcoming 2007).
Nguyen Doc Dung, ‘Why Vietnam won the war’, in Martin, Susan, Decade of Protest, political posters from the United
States, Vietnam, and Cuba, 1965-1975, Santa Monica, Smart View press, 1996.
Pham Thanh Tam, Drawing Under Fire: war diary of a young Vietnamese artist, Asia Ink, London, 2005.
Thaveeporn Vasavakul, ‘Art and Politics: Nationalism in Vietnam War Posters’, The Asia-Pacific Magazine , no.8,
1997.
Taylor, Nora A., ‘Framing the nation: viewing and reviewing painting under the revolkution’, in Hue Tam Ho Tai,
ed., The Country of Memory: Revisions of the past in late Socialist Vietnam, Berkeley, University of California Press,
2001.
Cultural Policies
Boudarel, Goerges, Cent fleurs éclosent dans la nuit du Viet Nam: communisme et dissidence 1954-1956, Paris, Jacques
Bertoin, 1991.
Cu Huy can, Culture et politique culturelle en République Socialiste du Vietnam, Paris, UNESCO, 1985.
DeFrancis, John, Colonialism and Language Policy in Vietnam, The Hague, Mouton, 1977.
Jamieson, Neil, “Relata, Relationships and Context: A Perspective on Borrowed Elements in Vietnamese
Culture”, in Truong Buu Lam ed., Borrowings and Adaptations in Vietnamese Culture, Southeast Asian Paper
no. 25, Centre for Asian and Pacific Studies, University of Hawai’i, Hanoa, 1982, 124-140