A Working Bibliography - The University of Sydney

127
Suehiro Akira, Capital Accumulation in Thailand, 1855-1985, Tokyo, The Center for East Asian Cultural Studies,
1989 & Chiangmai, Silkworm Books, 1996
Film, T.V., and Modern Media
Chaiworaporn, Anchalee., ‘Nostalgia in Post-Crisis Thai Cinema’, in FOCAS: Forum on Contemporary Art & Society,
No. 4, June 2002, p.298-311.
Cusripituck, Setaphorn et al., Communication Policies in Thailand: A Study Project, Bangkok, UNESCO, 1985.
Hamilton, A., ‘The Unforgotten Kings: Icons and Modernity in Thailand’, unpublished, 1992.
Hamilton, A., ‘Family dramas; film and modernity in Thailand’, Screen, vol.33, no.2, Autumn 1992
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CAMBODIA
[An, Prom Sam] Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art
Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999
[Soeung Vannara], Vannara, Soeung., Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2002
[Svay Ken] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
[Vannara, Soeung], Vannara Soeung in Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,
2001
Collins, Darryl, ‘The gallery ‘scene’ in Phnom Penh’, Asian Artnotes, Art Monthly Australia, Aug 1999: 122.
Eastburn, Melanie., ‘Fragility and Strength: the Art of Marine Ky’, in The Journal of the Asian Arts Society of Australia,
Vol. 13, No. 1, March 2004, p.17.
Edwards, Bradford. An Enduring Intimacy’, Asian Art News, 8: 6 Nov/Dec 1998.
Edwards, Penny "Propagender: Marianne, Joan of Arc and the Export of French Gender Ideology to Colonial
Cambodia (1863-1954)", in Promoting the Colonial Idea, eds. Tony Chafer and Amanda Sackur, Palgrave
Publishers, Basingstoke, 2002, 116-30
Gleeson, Erin, ‘Svay Ken: Home and Country’, ArtAsiaPacific, no. 46, 2005.
Kumar, Lakshmi, ‘The First Cambodian Visual Arts Open’, ArtAsiaPacific, no. 46, 2005.
Kumar, Lex, ‘Cambodia’s First Visual Arts Open’, ArtAsiaPacific, no. 47, 2006.
Muan, Ingrid, ‘Selling Space: Socialism and Signage in Phnom Penh after the Khmer Rouge’, in eds. Clark, John,
Peleggi, Maurizio and Sabapathy, T.K, Eye of the Beholder: Reception, Audience and Practice of Modern Asian Art,
University of Sydney East Asian Series no. 15, Wild Peony, Sydney, 2006, pp. 117-128.
Muan, Ingrid and Ly, Daravuth, ‘Cambodian Contemporary Art; a difficult search for foundation’, Kuroda, Raiji,
ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Muan, Ingrid and Ly, Daravuth, ‘Cambodian Contemporary Art; a difficult search for foundation’, Kuroda, Raiji,
ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Muan, Ingrid et al, Cultures of Independence: an introduction of Cambodian Arts and Culture in the 1950s and 1960s,
Phnom Penh, Reyum Institute of Arts and Culture, 2002.
Muan, Ingrid, ‘Selling Space:Socialism and Signage in Phnom Penh after the Khmer Rouge’, from
http://www.ari.nus.edu.sg/conf2004/asianart.htm
Muan, Ingrid, Citing Angkor: The “Cambodian Arts” in the Age of Restoration, 1918-2000, PhD thesis, Columbia
Unicversity, 2001
The Legacy of Absence, Phnom Penh: Reyum Institute of Arts and Culture, 2000. [Catalogue with essay for group
show of contemporary Cambodian art considering the legacy of the KR regime]
Visions of the Future, Phnom Penh: Reyum Institute of Arts and Culture, 2003. [Catalogue with essay for group
show of contemporary Cambodian art on the theme of the Future]
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VIETNAM
Art in General
[Vietnamese diacritics unavailable]
Asian Art and Culture. [Vietnam Issue] vol. VII no.1 Oxford University Press, 1994.
A Winding River: The Journey of Contemporary Art in Vietnam. Meridian International Center, Washington D.C. 1997.