124 [Thasnai, Sethaseree], Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 [Time and Being Group] review, Asian Art News, vol.11, no.1, 2001 [Tiravanija, Rikrit] Rirkrit Tiravanija, R. Stange & F. Waldvogel, Soccer Half Time Cookery Book, Verlag fur Moderne Kunst, Nurnberg, 2006; Birnbaum, Daniel, ‘<strong>The</strong> Lay <strong>of</strong> the Land’ Artforum, vol 43, no. 10, 2005; Cornwell-Smith, Philip, ‘Ramakien Unplugged’, ArtAsiaPacific, no. 51, 2007; Griffin, Tim, ‘Remote Possibilities’, Artforum, vol 43, no. 10, 2005; Leffingwell, Edward, ‘Rikrit Tirivanija at the Guggenheim’ (review), Art in America, vol. 93, iss. 10, Nov 2005; Mertens, Brian, ‘Rikrit Tiravani Launches New Bangkok Venture’, ArtAsiaPacific, no. 51, 2007; review, Parachute, 121, 2006; review, Artforum, vol 43, iss. 6, February 2005; ‘Rikrit Tiravanija – ARC/Musee d’Art Moderne’, (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005. [Vasan Sitthiket] Pettifor, Steven, ‘Visual insurrection’, Asian Art News, vol.11, no.2, 2001; review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News, vol.10, no.5, 2000; Lenzi, Iola., ‘Vasan Sitthiket at Atelier Frank & Lee’ (Singapore, review), in Asian Art News, Vol.13, No.1, January/February 2003, p.86-87. [Vichoke Mukdamanee] review, Asian Art News, vol.11, no.3, 2001 [Vijinthansarn, Panya] Pettifor, Steven, ‘A Painterly Pairing’, Asian Art News, vol. 16, no. 3, 2006. [Womanifesto] Nair, Varsha, ‘Womanifesto’, Art AsiaPacific, 26, 2000; Pettifor, Steven, ‘A communion <strong>of</strong> understanding’, Asian Art News, vol.12, no.1, 2002 Curtin, Brian, ‘Phuket a Year Later (Art for Andaman series), Flash Art, vol. XXXVIII, no. 245, November-December, 2005; ‘Reading Thai Art Internationally’ (book review), Art Journal, vol. 64, iss. 1, 2005. Gaweewong, Gridthiya., ‘Project 304: A Secret Code <strong>of</strong> Cultural Operation from Bangkok Art World’, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.48-51. Mertens, Brian. ‘Death in Venice: Montien and Araya’, ArtAsiaPacific, no. 45, 2005. Nair, Varsha, ‘All About the Future: Bangkok’s About Café’, ArtAsiaPacific, no. 46, 2005. Ng, Josef., ‘History & Memory: <strong>The</strong> Hook, the Line and the Sinker <strong>of</strong> Thai History 101, Group Exhibition by Sutee Kunavichayanont, Ing K, Manit Sriwanichpoom’(Art Center, Chulalongkorn <strong>University</strong>, Bangkok), in Vehicle: Contemporary Visual Arts, No.3, 2001, p.36-43. Pettifor, Steven ‘FT3D at the Japan Foundation’ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007; ‘Mechanical Imagination’, World Sculpture News, vol. 12, no. 4, 2006; ‘Neo Nationalism at Chulalongkorn <strong>University</strong> Art Center’ (review), Asian Art News, vol. 16, no. 1, 2006; ‘Making Connections’ (Temporary Art Museum Soi Sabai), Asian Art News, vol. 16, no. 2, 2006; ‘Present Perfect at Bhirasri Institute <strong>of</strong> Modern Art’, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.83-84; ‘In Search <strong>of</strong> Global Identities’, in Asian Art News, Vol. 14, No. 2, March/April 2004, p.48-51; ‘Manit Sriwanichpoom and Weng Fen at Tang Gallery’ (review), in Asian Art News, Vol. 13, No. 6, November/December 2003, p.91-92; ‘Dansoung Sungvornveshapan at Chulalongkorn <strong>University</strong>’, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.83-84; ‘Niti Wattuya at Numthong Gallery’ (review), in Asian Art News, Vol. 13, No. 6, November/December 2003, p.92; ‘Studios Exposed’, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; ‘Struggling for a change on a global stage’, Asian Art News, vol.12, no.1, 2002; ‘A Communion <strong>of</strong> Understanding’, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; ‘Northern Thailand’s artistic home’, Asian Art News, vol.11, no.5, 2001. Teh, David, ‘Growing Pains’, ArtAsiaPacific, no. 48, 2006; ‘Exhibition Round-up: Bangkok’, Art and Australia, vol. 43, no. 3, 2006. Thompson, Jonathan, ‘A Taste <strong>of</strong> Thai Sculpture’, World Sculpture News, vol. 12, no. 3, 2006; ‘Under the Hammer in Bangkok’, Asian Art News, vol. 16, no. 3, 2006. Tutton, Sarah, ‘Parking Lots, Shopping Malls and Contemporary Art in Bangkok’, ART AsiaPacific, Issue 36 (2002) Works on Modern Thai Literature in English Anderson, B., Mendiones, Ruchira, In the mirror: Literature and Politics in Siam in the American Era, Duang Kamol, Bangkok, 1985, (the long foreword contains an accessible review <strong>of</strong> the problems <strong>of</strong> Americanization in culture and politics in the 1960s and 1970s). Barmé, S., Kulap in Oz: A Thai View <strong>of</strong> Australian Life and Scoiety in the late 1940s [includes translation <strong>of</strong> Siburapha’s Until we meet again, Clayon, Monash Asia Insitute, 1995. Botan, Letters from Thailand, tr. Fulop, Bangkok, Duang Kamol, 1991.
125 Kriengkraipetch, Suvann, Smith, L.E., Value Conflicts in Thai Society: Agonies <strong>of</strong> change seen in short stories, Bangkok, Social Research Institute, Chulalongkorn <strong>University</strong>, 1992. Manas Chitakasem, ‘Poetic Conventions and Modern Thai poetry’, in Manas Chitakasem, & Turton A., Thai Constructions <strong>of</strong> Knowledge, London, School <strong>of</strong> Oriental and African Studies, 1991. Mulder, N., ‘Individual and society in modern Thai literature’, in Brummelhuis & Kemp, Phillips, H., ed. and tr., Modern Thai Literature - with an ethnographic interpretation, Honolulu, <strong>University</strong> <strong>of</strong> Hawaii Press, 1987. Reynolds, C.J., ‘Tycoons and warlords: Modern Thai social formations and Chinese Historical Romance’, draft <strong>of</strong> paper for Cushman Memorial Volume 1992. Rutnin, Mattani Mojdara, Modern Thai Literature, Bangkok, Thammasat <strong>University</strong> Press, 1976, 1988. Rutnin, Mattani, ‘Modern Thai Literature: the process <strong>of</strong> modernization and the transformation <strong>of</strong> values’, East Asian Cultural Studies, 17: 1-4, 1978. Senanan, Wibha, <strong>The</strong> Genesis <strong>of</strong> the Novel in Thailand, Bangkok, Thai Watana Panich, 1975. Siburapha, Behind the painting and other stories, Singapore, Oxford <strong>University</strong> Press, 1990. Smyth, D., ‘Siburapha’, in Manas Chitakasem, & Turton A., Thai Constructions <strong>of</strong> Knowledge, London, School <strong>of</strong> Oriental and African Studies, 1991. Thai Music Cornwel-Smith, Philip, ‘Ramakien Unplugged’, ArtAsiaPacific, no. 51, 2007. Morton, David, <strong>The</strong> Traditional Music <strong>of</strong> Thailand,Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1976 Myers-Moro, Pamela, Thai Music and Musicians in Contemporary Bangkok, Centers for South and Southeast Asia Studies, <strong>University</strong> <strong>of</strong> California at Berkeley, 1993. Thai Mentalities including Religions Amara Ponsapich. Ed., Traditional and changing Thai world view, Bangkok, Chulalongkorn <strong>University</strong> Press, 2541 (1998) Anderson, Benedict R.O’G; Ruchira Mendiones, In <strong>The</strong> Mirror: Literature and Politcs in Siam in the American Era, Bangkok, Duang Kamol, 1985. Barmé, Scot, Luang Wichit Wathakan and the creation <strong>of</strong> a Thai identity, Singapore, Institute <strong>of</strong> Southeast Asian Studies, 1993. Barmé, Scot, tr. & ed., Kulap in Oz, A Thai view <strong>of</strong> Australian life and society in the late 1940s, Clayton, Monash Asia Institute, 1995. Barmé, Scot, Woman, Man, Bangkok: Love, Sex & Popular Culture in Thailand, Lanham, Rowman & Littlefield, 2002. Chaiworaporn, Anchalee, ‘Nostalgia in Post-Crisis Thai Cinema’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 Dhani Nivat, Prince, ‘<strong>The</strong> Old Siamese Conception <strong>of</strong> the Monarchy’, Journal <strong>of</strong> the Siam Society, vol. XXXVI, pt.2. Diller, Anthony, ‘What Makes Central Thai a National Language’, Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000 Hirsch, Philip, ‘What is the Thai Village?’, Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000 (1991,1993) Gerson, Ruth Traditional Festivals in Thailand, Singapore, Oxford <strong>University</strong> Press, 1996. Griswold, A.B., Na Nagara, Prasert, Epigraphic and Historical Studies, Bangkok, <strong>The</strong> Historical Society, 1992. Jackson, P., Buddhist Legitimacy and Conflict, Singapore, Institute forS.E.Asian Studies, Le May, R., An Asian Arcady, Cambridge, Heffer, 1926 [see Chapters VI & VII]. Ling, T., Buddhism and the Mythology <strong>of</strong> Evil, Oxford, Oneworld, 1997 Manas Chitakasem, & Turton A., Thai Constructions <strong>of</strong> Knowledge, London, School <strong>of</strong> Oriental and African Studies, 1991. Mulder, N., Inside Thai Society, an interpretation <strong>of</strong> everyday life, Bangkok, Duang Kamol, 1979, 1992. Mulder, N., Thai Images: <strong>The</strong> culture <strong>of</strong> the public world, Chiangmai, Silkworm Books, 1997. Nimmanahaeminda, Kraisri, ‘An inscribed silver-plate grant <strong>of</strong> the Lawa <strong>of</strong> Boh Luang’, in Felicitation Volumes, 1965, see 16.a.5. Quaritch Wales, H.G., Siamese State Ceremonies, <strong>The</strong>ir History and Function, London, Bernard Quaritch, 1931. Rajadhon, Phya Anuman, Essays on Thai Folklore, Bangkok, <strong>The</strong> Social Science Association <strong>of</strong> Thailand, 1968. Rajadhon, Phya Anuman, Life and Ritual in Old Siam [1948, 1949], tr. and ed. Gedney, W.J., New Haven, HRAF Press, 1961.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media