120 Siriput Pullarp: Siriput Pullarp, <strong>The</strong> Elements <strong>of</strong> Humankind, Ceramic Art Exhibition,Queen Sirikit Naitonal Convention Center, Bangkok, November 25 - December 15, 1992 Sittichai Pratchayaratikun: Sittichai Pratchayaraticun, Art Exhibition by Sittichai Pratchayaraticun, Design Line Gallery, Bangkok, January 6 - February 6, 1992. Sriwan Janehuttakarnkit: Sriwan Janehuttakarnkit, Sriwan Janehuttakarnkit 1993, Dialogue 1991, Bangkok, n.d. Somboon Hormthienthong: Khetsirin Knithichan, ‘When is a stone not just a stone’, <strong>The</strong> Nation, January 30, 1995: Somboon Hormthienthong Work 1968-1989, Bangkok, National Gallery, 1989; Somboon Hormthienthong, Paper Work 1990-1992, Bangkok, Contempus Gallery 1993. Somchai Hattakitakosol: Somchai Hattakitakosol, Paintings, Bangkok, Monthien Hotel, 1993 Sompop Budtarad: Sompop Budtarad, <strong>The</strong> Art Exhibition by Sompop Budtarad, Phonngaan 2535-2539, October, 4-31, 1996; Sompop Budtarad, Contemporary Art 2528-2535, December 21, 1992- January 30, 1993. Supoj Sirirajanikorn Supoj Sirirajanikorn, <strong>The</strong> Lost Soul, Studio Xang, February 24 - March 31, 1996. Surasi Kusolwon, Gaweewong, Gridthiya, ‘Surasi Kusolwong’ in Art Asia Pacific, Issue 37 (2003), p. 48Surasit Saowakong: John Hoskin, ‘Surasit Saouakong, Recapturing the old Chiang Saen style <strong>of</strong> Buddhist art’, Sawsdee, n.d.; Rooseum, Malmö, ‘Surasi Kosolwon’ (Review) in Frieze, Issue 83 (May 2004), pp. 91-92 Sutee Kunavichayanont: Sutee Kunavichayanont, Works 1995 - 1998, Tadu Contemporary Art, Bangkok, 1995 – 1998; Sutee Kunavichayanont, Flowing Tide, Silom Art Space, Bangkok, May 7 - June 18, 1994. 2 books; Sutee Kunavichayanont, Flowing Tide, Allen Street Gallery, <strong>Sydney</strong>, Australia, no date; Sutee Kunavichayanont, Time and Mind, Drawing Installation by Sutee Kunavichayanont, Tin Sheds Gallery, <strong>Sydney</strong>, Australia, 1993; Sutee Kunavichayanont, Flowing Tide, unpublished MVA Research Paper, <strong>Sydney</strong> College <strong>of</strong> the Arts, 1993; Somrak Bunlung, ‘ “Phawa Un Naaryynrom” Pherm Chiiwid Chiiwaa Phaan Hun Silikhon’, **** no data; Pettifor, Steven, ‘For All Times’, On Sutee Kunavichayanont, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002; Rodriguez, Hilda Maria, ‘Sutee Kunavichayanont’ in Art Asia Pacific, Issue 37 (2003), p. 81 Teerawat Kanama: Findlay, Ian, ‘ Teerawat Kanama at Surapon Gallery’, Asiaweek, Exhibition Reviews, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002 Thawii Nanthakhwuang: Thawii Nanthakhwuang, Retrsopective 1949-1990, Bangkok, National Gallery, 1990. Thaiwijit Puangkasemsomboon: Thaiwijit Puangkasemsomboon, Recent Paintings, Bangkok, Visual Dhamma Gallery, 1991. Thammasak Boomcherd: Thammasak Boomcherd, Three Dimension Work, the National Gallery, Bangkok, January 8 - 31, 1999. Thavorn Ko-Udomvit: Phatarawadee Phataranawik, ‘In search <strong>of</strong> new horizons’, <strong>The</strong> Nation, January 9, 1995; Thavorn Ko-Udomvit, Art Exhibition by Thavorn Ko-Udomvit1989-1990, Seven Seas Gallery. <strong>The</strong> National Gallery, Fukuda Gallery, 1990; Thavorn Ko-Udomvit, Prints 1990-1992, Gallery APA, Japan; Silom Art Space, Bangkok, 1992; Thavorn Ko-Udomvit, Thavorn Ko-Udomvit1990-1991, Bangkok, NOB Gallery, n.d. Thawan Duchanee: Thawan Duchanee, Fukuoka, Fukuoka Art Museum, 1990; <strong>The</strong> Buddhist Art <strong>of</strong> Thawan Ducahnee/ Wenk, K/ Zurich 1981 [ NLA ef741.9593 T368W]; Thawan Duchanee, Thailand -- In Quest <strong>of</strong> the Ultimate Sacredness, Fukuoka Art Museum, the Japan Foundation ASEAN Culture Center Gallery, Japan, 1990; Ciraaporn Carernded & Pinanong Paanchyyn, ‘Man <strong>of</strong> GM, Thawan Duchanee’, GM Magazine, Pak Lung, October 2535 (1992) unknown word; Joubert, Lindy, ‘Thawan Duchanee’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Titapol Suwankusolsong: Phatarawadee Phataranawik, ‘A Structural Approach to Space’, <strong>The</strong> Nation, February 20, 1995. Toi Ungkavatanapong: Toi Ungkavatanapong & Anurak Chatanan, Fact VS Fiction, Tadu Contemporary Art, Bangkok, March 25 - April 19, 1998. Udomsak Krisanamis: Udomsak Krisanamis, An Exhibition <strong>of</strong> Work by Udomsak Krisanamis, Goethe-Institut, Bangkok, January 9-31, 1990. Vane Group: Namtaa Rungaruun, ‘Rorj Jab Tii Khorbfaa Lae Bangsuan Caak Bantyk Khong “Kanghan”‘, no date and publication’s name Vasan Sitthiket: Wasan Sitthiket, Farmers Are Farmers, Tadu Contemporary Art, Bangkok, October 22 - November 29, 1998; Wasan Sitthiket, No Future, Sunday Gallery, December - January, 1996; Khetsirin Knithichan, ‘Vasan falls foul <strong>of</strong> the censors’, <strong>The</strong> Nation, pp.c7-c8, February 13, 1995; I Love Thai Culture, the National Gallery, February 7 - March 3, 2538 (1995). <strong>The</strong> Nation January 14, 1995 ; Wasan Sitthiket, Inferno, the National Gallery, June 5-7, 2534 (1991); Lenzi, Iola, ‘Activist, Anarchist, Artist: Vasan Sitthiket’, ART AsiaPacific, Issue 36 (2002)
121 Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March 4-25, 1992; Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department <strong>of</strong> Art, CA, USA, March - April , 1990; Vichoke Mukdamanee: Vichoke Mukdamanee, <strong>The</strong> Worldview <strong>of</strong> Vichoke Mukdamanee, the National Gallery, Bangkok, October 5-31, 1998; Thomas Brecelic, ‘An Expanding Universe <strong>of</strong> Earthly Junk’, Bangkok Post, May 25, 1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by Vichoke Mukdamanee, the National Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee & Kamol Phaosavasdi, Kamol & Vichoke Contemporary Art Exhibition, the Faculty <strong>of</strong> Painting Sculpture and Printmaking, Silpakorn <strong>University</strong> Bangkok, November 25- December 12, 1992. Wannaa Juukhong: Pinanong Paanchyyn, ‘Duaj Huachaj Khong Cidtrakorn’, Krungthep Wanaathid, May 30, 2542 (1999). Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition <strong>of</strong> Art by Wipavee Boriboon, Dialogue Gallery, Bangkok, December 7-26, 1991. Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June. Yuree Kensaku Pettifor, Steven, ‘Polished Darkness’ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp. 50-53 Recent Thai Art Overall Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992. Apisuk, Chumpon, ‘Art <strong>of</strong> Dissent’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007. First International Conference on Modern Art in Thailand “Modern Art in Thailand 1932-1992, Changing Perspectives”, organised by the Faculty <strong>of</strong> Fine and Applied Arts, Chulalongkorn <strong>University</strong>, 31 July - 2 August, 1992 National Committee for Organizing the Celebrations for the 50th Anniversary <strong>of</strong> His Majesty’s Accession to the Throne, Rattanakosin Art, the Reign <strong>of</strong> King Rama IX 2nd eds. Published in Commemoration <strong>of</strong> the 50th Anniversary <strong>of</strong> His Majesty’s Accession to the Thorne, Bangkok, Amarin, 1997 Phillips, Herbert P.<strong>The</strong> Integrative Art <strong>of</strong> Modern Thailand, Berkeley, <strong>University</strong> <strong>of</strong> California at Berkeley, 1992. Piriya Krairiksh & Pishnu Supanimit, Art since 1932, Research Document No. 17 Bangkok, Thai Khadi Research Institute, Thammasart <strong>University</strong> (1982). Poshyananda, Apinan, ‘Introduction to Thai Modernism’, Artlink, Vol. 13, No.3&4, November-March 1993/94 Photography in Thailand Cary, Caverlee, ‘In the image <strong>of</strong> the King: two photographs from nineteenth century Thailand’, in Taylor Nora E. ed, Studies in Southeast Asian Art: Essays in honor <strong>of</strong> Stanley J.O’Connor, Ithaca, SEAP Cotrnell <strong>University</strong>, 2000. [Manit Sriwanichpoom], Knithichan, Khetsirin, ‘City <strong>of</strong> Hell’ ART AsiaPacific, no.13, 1997. [Manit Sriwanichpoom] Pettifor, Steven, ‘Looking glass reality’, Asian Art News, vol.12, no.2, 2002 Anek Naawikkamuun, Photography in Thailand, Bangkok, Sangdad Publishing Co.,Ltd., 2530 (1987). Sakda Siripant, King and Camera, Evolution <strong>of</strong> Photography in Thailand 1845-1992, Bangkok, Pr<strong>of</strong>. Sakda Siriopant, 2535 (1992). Art 1980s Sandra Cate, Long-Distance Merit-Making, Art at a Thai Buddhist Temple in Wimbledon, unpublished PhD <strong>The</strong>sis, <strong>University</strong> <strong>of</strong> California, Berkeley, 1998. Virginia Henderson, <strong>The</strong> Social Production <strong>of</strong> Art in Thailand, Patronage and Commoditisation, 1980-1998, unpublished MA in Thai Studies <strong>The</strong>sis, Chulalongkorn <strong>University</strong>, 1998. Sodchuen Chaiprasathna, Surrealistic Trends in Painting and Literature in Thailand 1964-1984, Bangkok, <strong>The</strong> Siam Society, 1996. 1990s [Arya Rasjarmrearnsook] Apinan Poshyananda, ‘Arya Rasdjarmrearnsook’, Art & Asia Pacific, vol.2, no.3, 1995 [Chalermchai Khositpipat] Hoskin, John, ‘A Question <strong>of</strong> attitude’, Chalermchai Kositpipat, Panya Vijinthanasarn’, Art & Asia Pacific, vol.2, no.3, 1995. [Chatchai Puipia ] Preece, Robert and Gaweewong, Gridthiya. ‘An Interview with Chatchai Puipia.’ Art AsiaPacific issue 22 1999; Gampell, Jennifer, ‘Desperately seeking Chatchai’, Art & Asia Pacific, vol.2, no.3, 1995;
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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171 [Natesan, Shibu] Bordewekar, Sa
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Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media