A Working Bibliography - The University of Sydney

121
Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March 4-25, 1992;
Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department of Art, CA, USA, March -
April , 1990;
Vichoke Mukdamanee: Vichoke Mukdamanee, The Worldview of Vichoke Mukdamanee, the National Gallery, Bangkok,
October 5-31, 1998; Thomas Brecelic, ‘An Expanding Universe of Earthly Junk’, Bangkok Post, May 25,
1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by Vichoke Mukdamanee, the
National Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee & Kamol Phaosavasdi, Kamol &
Vichoke Contemporary Art Exhibition, the Faculty of Painting Sculpture and Printmaking, Silpakorn
University Bangkok, November 25- December 12, 1992.
Wannaa Juukhong: Pinanong Paanchyyn, ‘Duaj Huachaj Khong Cidtrakorn’, Krungthep Wanaathid, May 30, 2542
(1999).
Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition of Art by Wipavee Boriboon, Dialogue Gallery, Bangkok,
December 7-26, 1991.
Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June.
Yuree Kensaku Pettifor, Steven, ‘Polished Darkness’ in Asian Art News, Vol. 14, Number 3 (May/June, 2004), pp.
50-53
Recent Thai Art Overall
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992.
Apisuk, Chumpon, ‘Art of Dissent’, Artlink, Vol. 13, No.3&4, November-March 1993/94
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007.
First International Conference on Modern Art in Thailand “Modern Art in Thailand 1932-1992, Changing Perspectives”,
organised by the Faculty of Fine and Applied Arts, Chulalongkorn University, 31 July - 2 August, 1992
National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty’s Accession to the
Throne, Rattanakosin Art, the Reign of King Rama IX 2nd eds. Published in Commemoration of the 50th
Anniversary of His Majesty’s Accession to the Thorne, Bangkok, Amarin, 1997
Phillips, Herbert P.The Integrative Art of Modern Thailand, Berkeley, University of California at Berkeley, 1992.
Piriya Krairiksh & Pishnu Supanimit, Art since 1932, Research Document No. 17 Bangkok, Thai Khadi Research
Institute, Thammasart University (1982).
Poshyananda, Apinan, ‘Introduction to Thai Modernism’, Artlink, Vol. 13, No.3&4, November-March 1993/94
Photography in Thailand
Cary, Caverlee, ‘In the image of the King: two photographs from nineteenth century Thailand’, in Taylor Nora E.
ed, Studies in Southeast Asian Art: Essays in honor of Stanley J.O’Connor, Ithaca, SEAP Cotrnell University,
2000.
[Manit Sriwanichpoom], Knithichan, Khetsirin, ‘City of Hell’ ART AsiaPacific, no.13, 1997.
[Manit Sriwanichpoom] Pettifor, Steven, ‘Looking glass reality’, Asian Art News, vol.12, no.2, 2002
Anek Naawikkamuun, Photography in Thailand, Bangkok, Sangdad Publishing Co.,Ltd., 2530 (1987).
Sakda Siripant, King and Camera, Evolution of Photography in Thailand 1845-1992, Bangkok, Prof. Sakda Siriopant,
2535 (1992).
Art 1980s
Sandra Cate, Long-Distance Merit-Making, Art at a Thai Buddhist Temple in Wimbledon, unpublished PhD Thesis,
University of California, Berkeley, 1998.
Virginia Henderson, The Social Production of Art in Thailand, Patronage and Commoditisation, 1980-1998, unpublished
MA in Thai Studies Thesis, Chulalongkorn University, 1998.
Sodchuen Chaiprasathna, Surrealistic Trends in Painting and Literature in Thailand 1964-1984, Bangkok, The Siam
Society, 1996.
1990s
[Arya Rasjarmrearnsook] Apinan Poshyananda, ‘Arya Rasdjarmrearnsook’, Art & Asia Pacific, vol.2, no.3, 1995
[Chalermchai Khositpipat] Hoskin, John, ‘A Question of attitude’, Chalermchai Kositpipat, Panya
Vijinthanasarn’, Art & Asia Pacific, vol.2, no.3, 1995.
[Chatchai Puipia ] Preece, Robert and Gaweewong, Gridthiya. ‘An Interview with Chatchai Puipia.’ Art AsiaPacific
issue 22 1999; Gampell, Jennifer, ‘Desperately seeking Chatchai’, Art & Asia Pacific, vol.2, no.3, 1995;