A Working Bibliography - The University of Sydney

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Art Asia Pacific, since 1993. Art & Culture, since 1996. ArtForum International Art in America, has Asia related matters in most issues. Art Monthly Australia, some issues. Artlink, some issues. Art & Text, articles in some issues, especially after 1994. Asian Art News, since 1991, some feature issues, cumulative index vol.4, no.6, 1994. Contemporary Visual Art Critical Inquiry Flash Art, some issues. Parkett positions: east asian cultures critique Public Culture Orientations, some features on modern art. Res, material culture and anthropology journal. South Atlantic Quarterly Third Text, largely theory-oriented. World Art, some contemporary artists [discontinued] Visual Art & Culture [discontinued] Yishu: Journal of Chinese Contemporary Art NORTHEAST ASIA CHINA 12 Bibliographical Note There is good but selective bibliography up to 1999 by Britta Erickson Twentieth Century Chinese Art Bibliography & Individual Artists’ Bibliographies available online at http://www.stanford.edu/dept/art/china. There is critical bibliography in Clark, John, ‘Art and Modernism in China, 1900-97: A review and documentation’, Journal of the Oriental Society of Australia, vol.29, 1997, 50-73, and Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: some chronological materials’, Journal of the Oriental Society of Australia, vol.29, 1997, 74-169. Some texts cited in the latter are included here. CHINA-GENERAL General Problems of Modernity and Art [Asian Art market] ‘Move over Van Gogh’, Far Eastern Economic Review, 22 July 1993. Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth Century China, New York, Guggenheim Museum, 1998 Birnie Danzker, Jo-Anne, Ken Lum, and Zheng Shengtian, eds., Shanghai Modern: 1919-1945, Ostfildern (Germany), Hatje Cantz, 2005 China Modernity and Art, and a discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural Planning and Development, 1990. Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: Some chronological materials’, Journal of the Oriental Society of Australia, vol. 29, 1997. Clark, John, Modernities of Chinese Art, Singapore, Institute of Contemporary Art, 2007 Clarke, David, ‘Tradition and Innovation’ [British Museum exhibition], ART AsiaPacific, no.15, 1997 Croizier, R., ‘Art and Society in Modern China - A Review Article’, The Journal of Asian Studies, vol.49, no.3, August 1990. de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam, NAI Publishers, 2006 Fong, Wen C., ‘The Modern Chinese Art Debate’, Artibus Asiae, vol.53, 1/2, 1993 Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998. Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan Museum of Art, 2001
13 Hearn, Maxwell K.; Smith Judith G.; eds, Chinese Art: Modern Expressions, New York, Metropolitan Museum of Art, 2001 Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 [proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese painting in a general manner] Kuo, Jason, C., ‘Reviews of recent books on Modern Chinese Painting’, Ars Orientalis, vol.20, 1991. Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984 Litzinger, Ralph A., 1959-, ‘Theorizing Postsocialism: Reflections on the Politics of Marginality in Contemporary China’, The South Atlantic Quarterly, 101.1, Winter 2002 Sullivan, Michael, ‘Orthodoxy and Individuality in Twentieth Century Chinese Art’, in Murck, C., ed., Artists and Traditions, Princeton, Princeton UP, 1979. Sullivan, Michael, Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996 [reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Croizier in The Journal of Asian Studies, 1997; Clark in Asian Studies Reviews, 1999]. Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959. Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and approach of this book are highly problematic], revised version, U. California Press, 1991. Tsuruta, T., ‘Kinhyakunenrai Chûgoku Gajin Shiryô’, Bijutsu Kenkyû, nos 293-294, 303, 307; ‘Minkokuki ni okeru zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1’, Bijutsu Kenkyû, no.349; ‘Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2’, Bijutsu Kenkyû, no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue of the 1954 Second National Fine Arts Exhibition]; 2, Fu 2, Bijutsu Kenkyû, no.352 [Catalogue of the 1960 Third National Fine Arts Exhibition]. Tsuruta, T., ‘Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei’, (Izumishi Kubosô Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991. Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972. Wan Qingli, ‘Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting’, Orientations, 23, no.7, July 1992. Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London, Harvard University Press, 2005 Wu Hung, Remaking Beijing: Tiananmen Square and the Creation of Political Space, Reaktion Books, 2005 Texts and Some Terms in Chinese: MS: Meishu, Art, the only national art monthly, published by the Artists’ Association. Generally the issue number equals the month, thus 1979-3, means the issue puiblished for March 1979. But for a brief period from 1960 until about 1964 it was published bi-monthly. Publication was suspended during the Cultural Revolution and restarted in 1977. MSJTX: Meishujia Tongxun, Information Bulletin of the Artists’ Association, this is not usually available to non-members and foreigners and has only occasionally been available to this author. MSJY: Meishu Yanjiu, Art Research, quarterly, published by CAFA. MY: Meishuyanjiu, Art Research, published by the Central Academy of Fine Arts, Beijing. RMRB: Renmin Ribao, People’s Daily, the official CCP newspaper. Shijie Meishu, World Art. Xinmeishu: New Art, irregular journal of Zhejiang Academy of Fine Art. youhua: oil painting. zhongguohua: Chinese painting, sometimes used as a full form for guohua. ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989. ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary of Chinese Artists, Changsha, Hunan Renmin Chubanshe, 1981-1985 Chinese Art before the Twentieth Century (selected texts) Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana & Chicago, University of Illinois Press, 1991. Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon, Princeton University Press, 1997. Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996 Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994 Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge University
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11: 11 [Global Conceptualism] Global Co
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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