A Working Bibliography - The University of Sydney

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112 Chulathat Phayakharanon, Patterns and Evolution of Mural Paintings in Rattanakosin Period, from Technical Seminar on the Evolution of Arts and Culture of Rattanakosin Bicentennial, Bangkok, Thailand Information Center, Academic Resource Center, Chulalongkorn University, 17 August 2525 (1982). Italians at the Court of Siam, The 50th Anniversary Celebration of His Majesty’s Accession to the Throne, Bangkok, Amarin Printing and Publishing Public Compary Limited Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures of Rattanakosin, Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the Rattanakosin Bicentennial, 2525 (1983). National Committee for Organizing the Celebrations for the 50th Anniversary of His Majesty’s Accession to the Throne, Rattanakosin Art, the Reign of King Rama I-VIII, 2nd eds. Published in Commemoration of the 50th Anniversary of His Majesty’s Accession to the Thorne, Bangkok, Amarin Printing and Publishing Public Company Limited, 1998. Pairote Samosorn, E-Sarn Mural Paintings,Bangkok, E-Sarn Cultural Center, 2532 (1989). Peleggi, Maurizio, Lords of Things, Honolulu, University of Hawai’i Press, 2002. Peleggi, Maurizio, ‘Royal antiquarianism, European Orientalism and the production of archaeological knowledge in Modern Siam’, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia, Asia in Europe, Leiden: KITVL & Singapore: ISEAS, 2005 After 1947 (Rama IX) The Mural Painting of Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987. Art in the Reign of King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej’s Accession to the Throne, 1996. Art in the Reign of King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej’s Accession to the Throne, 1996. Art in the Reign of King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX Art Museum Foundation, Published On the Occasion of the 50th Anniversary of HM King Bhumibol Adulyadej’s Accession to the Throne, 1996. Peleggi, Maurizio, The Politics of Ruins and the Business of Nostalgia, Bangkok, White Lotus, 2002. General Works on Neo-traditional Art [including Group Catalogues] Art and Environment, Bangkok, Silpakorn University & Goethe Institut, 1991. Art Exhibition by the members of the Faculty of Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn University [6th], 1989, [7th] 1990, [8th] 1991. Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991. Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991. Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984 Leesuwan, V., An Exhibition of Thai Art in the People’s Republic of China Beijing, Centre of Fine Arts, 1985 [some modern works illustrated] Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984. Thai-Australian Cultural Space, Sydney, Art Gallery of New South Wales, 1994. The New Path, Bangkok, Con-tempus 1992. Third Thai Art ‘80, Bangkok, Bhirarsi Institute of Modern Art, 1980. White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985. General Works on Modern Thai Art Apinan Poshyananda, ‘Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow" from a Thai perspective)’, in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony, 1993. Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford University Press, 1992. Bhirasri, S. [Thai name of Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts Department, B.E. 2532 [1989]. Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, University of Hawai’i Press, 2003 Michaelsen, H., ‘State Building and Thai Painting and Sculpture in the 1930s and 1940s’, in Modernity in Asian Art, 1993. Michaelsen, H., ‘Thailand in the 1980s’, Art Monthly Australia, no.41, June 1991.
113 Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflüsse auf die zeitgenössische thailändische Malerie, Magisterarbeit, Ruhr Universität-Bochum, 1987. Pawlin, A., ‘Reaching beyond Tradition’, Asian Art News, 1, no.3, Nov/Dec 1991. Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003 Phillips, H., The Integrative Art of Modern Thailand, Berkeley, Lowie Museum of Anthropology and California University Press, 1992. [Review by Murray, S.E., Asian Art News, 2, no.2 Mar/ Apr 1992]. Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat University, Thai Khadi Research Institute, 1982. Piriya Krairiksh, Thai Reflections on American Experiences, Bangkok, Bhirasri Institute of Modern Art, 1986 Rodboon, Somporn, ‘Contemporary Art Scene in Thailand’, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Smithies, M., ‘The Bangkok Art Scene in the Early 1960s: A personal souvenir’, Journal of the Siam Society, vol.66, July 1978. Wong-Uparaj, Damrong, Professor Silpa Bhirasri, 1978. Architecture and Environment Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Architectures of Rattanakosin, Bangkok, A Publication of the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the Rattanakosin Bicentennial, 2525 (1983). Aasen, Clarence, Architecture of Siam, A Cultural History Interpretation, Kuala Lumpur, Oxford University Press, 1996. Askew, Marc, Interpreting Bangkok, The Urban Question in Thai Studies, Bangkok, Chulalongkorn University Printing House, 1994. Askew, Marc, Bangkok: Place, Practice and Representation, London, Routledge, 2002. Dumarçay, Jacques, The House in South-East Asia, (Tr.& Ed. Smithies, M.), Singapore, Oxford University Press, 1990. Dumarçay, Jacques, The Palaces of Southeast Asia, Architecture and Customs [tr., ed. Michael Smythies], Singapore, Oxford University Press, 1991. Fox, James J., ed. Inside Austronesian Houses, Canberra, Australian National University, 1993. Sumet Jumsai, Naga, Cultural, Origins in Siam and the West Pacific, Singapore, Oxford University Press, 1989. Moore, Elizabeth, et.al, Ancient Capitals of Thailand, Bangkok, Asia Books Co.,Ltd., 1996. Smithies, Michael, Old Bangkok, Singapore, Oxford University Press, 1993. Waterson, Roxana, The Architecture of South-East Asia through Travellers’ Eyes, Kuala Lumpur, Oxford University Press, 1998. Roxana Waterson, The Living House, An Anthropology of Architecture in South-East Asia, Singapore, Thames and Hudson, 1997. Craft Bhirasri, Silpa, Thai Lacquer Works, Bangkok, The Promotion and Public Relations Sub-Division, the Fine Arts Department, 2532 (1989). Cohen, E., The Commercialized Crafts of Thailand: Hill tribes and lowland villages, Richmond, Curzon & Honolulu, University of Hawaii Press, 2000. Connors, Mary F., Lao Textiles and Traditions, Kuala Lumpur, Oxford University Press, 1996. Conway, Susan, Thai Textiles, London, British Museum Press, 1992. Fraser-Lu, Sylvia, Handwoven Textiles of South-East Asia,2nd Impression, Singapore, Oxford University Press, 1990. Songsak Prangwatthanakun & Patricia Naenna, Lan Na Textiles, Yuan Lue Lao, Chiang Mai, the Center for the Promotion of Arts and Culture, Chiang Mai University, 2533 (1990). Subhadradis Diskul, M.C. ,The Lacquer Pavilion at Suan Pakkad Palace, Bangkok Princess Chumbhot of Nagara Svarga. Thai Textiles, Threads of a Cultural Heritages, Chiang Mai, Center for the Promotion of Arts and Culture, Chiang Mai University, 1996. Wiboon Liisuwan, Directory of ThaiFolk Handicrafts, Bangkok ,The Industrial Finance Corporation of Thailand, 2532 (1989). Reference
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64: 63 Agahari, Rae, Beyond representat
Page 65 and 66: 65 General Works Clark, J., ‘Mode
Page 67 and 68: 67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70: 69 Clark, John, ‘Artist and the S
Page 71 and 72: Smith, L.H.R., Contemporary Japanes
Page 73 and 74: 73 Abstract painting in Japan, Hokk
Page 75 and 76: 75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78: 77 Annear, J., ‘A forest of art i
Page 79 and 80: 79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82: 81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86: 85 Clark, John, ‘Japanese houses
Page 87 and 88: 87 Society of Architects & Building
Page 89 and 90: 89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92: 91 Medical facilities : new concept
Page 93 and 94: 93 Wilson, Peter L. Western objects
Page 95 and 96: 95 Gluck, C., Japan’s Modern Myth
Page 97 and 98: 97 La Fleur, William A., ‘A turni
Page 99 and 100: http://www.musabi.co.jp/list.html M
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Page 103 and 104: 103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106: 105 [Lee, Yong-Baek] review, Flash
Page 107 and 108: 107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110: 109 Chaiyan Rajchagool, The Rise an
Page 111: 111 No Na Pak Nam, Phra Acharn Nak,
Page 115 and 116: 115 8 Actual Visions in Thai Contem
Page 117 and 118: 117 Individual Artists Anurak Chata
Page 119 and 120: 119 to shock’ The Nation, January
Page 121 and 122: 121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124: 123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126: 125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128: 127 Suehiro Akira, Capital Accumula
Page 129 and 130: 129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132: Nguyen Thi Dinh, No other road to t
Page 133 and 134: 133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136: 135 Holt, Claire, Art in Indonesia:
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144: BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152: 151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154: 153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156: 155 Foundation Asia Center, 2002; F
Page 157 and 158: 157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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