A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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112<br />
Chulathat Phayakharanon, Patterns and Evolution <strong>of</strong> Mural Paintings in Rattanakosin Period, from Technical Seminar on the<br />
Evolution <strong>of</strong> Arts and Culture <strong>of</strong> Rattanakosin Bicentennial, Bangkok, Thailand Information Center, Academic<br />
Resource Center, Chulalongkorn <strong>University</strong>, 17 August 2525 (1982).<br />
Italians at the Court <strong>of</strong> Siam, <strong>The</strong> 50th Anniversary Celebration <strong>of</strong> His Majesty’s Accession to the Throne, Bangkok,<br />
Amarin Printing and Publishing Public Compary Limited<br />
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures <strong>of</strong> Rattanakosin, Bangkok, A<br />
Publication <strong>of</strong> the Committee for the Rattanakosin Bicantennial Celebration to Commemorate the<br />
Rattanakosin Bicentennial, 2525 (1983).<br />
National Committee for Organizing the Celebrations for the 50th Anniversary <strong>of</strong> His Majesty’s Accession to the<br />
Throne, Rattanakosin Art, the Reign <strong>of</strong> King Rama I-VIII, 2nd eds. Published in Commemoration <strong>of</strong> the 50th<br />
Anniversary <strong>of</strong> His Majesty’s Accession to the Thorne, Bangkok, Amarin Printing and Publishing Public<br />
Company Limited, 1998.<br />
Pairote Samosorn, E-Sarn Mural Paintings,Bangkok, E-Sarn Cultural Center, 2532 (1989).<br />
Peleggi, Maurizio, Lords <strong>of</strong> Things, Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 2002.<br />
Peleggi, Maurizio, ‘Royal antiquarianism, European Orientalism and the production <strong>of</strong> archaeological knowledge<br />
in Modern Siam’, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia, Asia in Europe, Leiden:<br />
KITVL & Singapore: ISEAS, 2005<br />
After 1947 (Rama IX)<br />
<strong>The</strong> Mural Painting <strong>of</strong> Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX<br />
Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM King Bhumibol<br />
Adulyadej’s Accession to the Throne, 1996.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX<br />
Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM King Bhumibol<br />
Adulyadej’s Accession to the Throne, 1996.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and Rama IX<br />
Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM King Bhumibol<br />
Adulyadej’s Accession to the Throne, 1996.<br />
Peleggi, Maurizio, <strong>The</strong> Politics <strong>of</strong> Ruins and the Business <strong>of</strong> Nostalgia, Bangkok, White Lotus, 2002.<br />
General Works on Neo-traditional Art [including Group Catalogues]<br />
Art and Environment, Bangkok, Silpakorn <strong>University</strong> & Goethe Institut, 1991.<br />
Art Exhibition by the members <strong>of</strong> the Faculty <strong>of</strong> Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn <strong>University</strong><br />
[6th], 1989, [7th] 1990, [8th] 1991.<br />
Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991.<br />
Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991.<br />
Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984<br />
Leesuwan, V., An Exhibition <strong>of</strong> Thai Art in the People’s Republic <strong>of</strong> China Beijing, Centre <strong>of</strong> Fine Arts, 1985 [some<br />
modern works illustrated]<br />
Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984.<br />
Thai-Australian Cultural Space, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1994.<br />
<strong>The</strong> New Path, Bangkok, Con-tempus 1992.<br />
Third Thai Art ‘80, Bangkok, Bhirarsi Institute <strong>of</strong> Modern Art, 1980.<br />
White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985.<br />
General Works on Modern Thai Art<br />
Apinan Poshyananda, ‘Thai MODERNism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow" from a<br />
Thai perspective)’, in Clark, J., ed., Modernity in Asian Art, <strong>Sydney</strong>, Wild Peony, 1993.<br />
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992.<br />
Bhirasri, S. [Thai name <strong>of</strong> Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts Department, B.E.<br />
2532 [1989].<br />
Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 2003<br />
Michaelsen, H., ‘State Building and Thai Painting and Sculpture in the 1930s and 1940s’, in Modernity in Asian<br />
Art, 1993.<br />
Michaelsen, H., ‘Thailand in the 1980s’, Art Monthly Australia, no.41, June 1991.