A Working Bibliography - The University of Sydney

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10 Barucha, Rustom, ‘ Beyond the Box: Problematising the New Asian Museum’, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Bharucha, Rustom., ‘The New Asian Museum Beyond the Box: Problematising the New Asian Museum’, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237. Benett, Tony, ‘The Rules of Culture: Exhibition and the Politics of Knowledge’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 Carroll, Alison, ‘A floating world’, Art AsiaPacific 28, 2001 Chang, Alexandra, ‘The Control of Fear: Art and the Epidemic as Excess’ in Art Asia Pacific, No. 38 (Fall 2003), pp. 54-57 Clarke, David, ‘Contemporary Asian Art and Its Western Reception’, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Eley, Geoff, ‘Politics, Culture and the Public Sphere’, positions east asia cultures critique, Vol. 10, Number 1, Spring 2002 Enwezor, Okwui. and Apinan Poshyananda, ‘Looking Ahead: Dialogues in Asian Contemporary Art, November 8-9, 2002’ (Asia Society and Museum, New York), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.112-121 Findlay, Ian, ‘Looking For A New Vision’, Asian Art News, vol. 13, no. 1, January/February 2003 Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, The Japan Foundation Asia Center, 2002. Gao, Shiming., ‘Symposium: Edges of the Earth, Hangzhou; The Syndrome of Asia: Experience and Representation’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88. Gaweewong, Gridthiya, ‘On Under Construction and Localization’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Hoskote, Ranjit, ‘India Ink, Manila Evelope: Three Meditations on Art and the Global Media’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Hou Hanru; Obrist, Hans-Ulrich, ‘Cities on the move’, Art AsiaPacific, 25, 2000 Hui, Wang, ‘The Geneology of Asian Imaginaries’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 Kember, Pamela., ‘A Report on the Asian Art Archive’, in FOCAS: Forum on Contemporary Art & Society, No. 5, January 2003, p.372-377. Lacayo, Richard, ‘The Rise and Rise of Asian Art’, Time Magazine, March 31 2003 Lee Weng Choy, ‘Tomorrow’s Local Library: The Asia Art Archive in Context’, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Mami, Kataoka, ‘Beyond a Progressive Asia: Under Construction Collective Exhibition’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Mania, Astrid, ‘Curation on the Move’, ArtAsiaPacific, no. 47, 2006. McNeill, David, ‘Planet Art: Aesthetics and Labour in the Era of Globalisation’, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Munroe, Alaxandra, ‚Contemporary Art in Asia’, Artforum International, Vol.35, Issue 8, April 1997 Pi Li, ‘Fantasia: an imagination towards the daily life’ Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Robinson, Joel D., ‘The Construction Sites of Asian Art’ (The Exhibition of Under Construction: New Dimensions of Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo, 2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57. Shinkawa, Takashi, ‘Promenade in Asia, A collaborative exhibition’, Art Asia Pacific, No.34, 2002. Tavassoli, Babak A., ‘A Fresh Figure of Paradise’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.95-103. Thompson, Jonathan, ‘Without Borders’ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4, 2006. Woo, Lee Yong, ‘Globalism and the Vanity of Its System’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 Yasuko, Furuichi, ed., International Symposium 2002, ‘Asia in Transition: Representation and Identity’, Report, Japan: Japan Foundation Asia Center, 2002 Xu Jiang., ‘Earth Link and Cosmic Time’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.89-94 Asia-Wide New Art Practices and New Media
11 [Global Conceptualism] Global Conceptualism: Points of origin, 1950s–1980s, New York, Queens Museum of Art, 1999; Meyer, James, ‘Global Conceptualism’: Points of Origin, 1950s-1980s’, Artforum International, Vol.38, Issue 1, September1999 [MAAP in Beijing 2002] Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House [NIPAF] ‘1998 Nipaf Asian Performance Art’, Art AsiaPacific, 22, 1999 [Polypolis] Chang Tsong-zung, ‘Outer landscapes and inner dreams’, Asian Art News, vol.12, no.1, 2002; Seyfarth, Ludwig, ‘Asia in color and in black and white’, Asian Art News, vol.12, no.1, 2002 [Polypolis] Seyfarth, Ludwig, ‘Asia in Color And in Black And White, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002; Chang, Tsong-zung, ‘Outer Landscapes And Inner Dreams’, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002 [Translated Acts] Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February 2001; Kerr, Merrily, ‘Translated Acts: Asian Performance Art’ Art AsiaPacific, no.35, 2002 [Under Construction] Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Purvis, Jennifer, ‘Under Construction; New Dimensions of Asian Art’, Flash Art, Vol. XXXVI, No. 229, March-April 2003; ‘Under Construction: New Dimensions of Asian Art’ Heartney, in Art Asia Pacific, No. 38 (Fall 2003), p. 74 [Video] Kuraishi, Shino, ‘Serendipity’, Art AsiaPacific 28, 2001 Akiko Miyake, ed., let’s talk about ART #0002, ‘Transexperiences’, Kitakyushu: Center For Contemporary Art, 2002 [The conference was with Marina Abramovic, Chen Zhen, Simryn Gill, Hou Hanru, Huang Yongping, Ken Lum, Hans Ulrich Obrist on March 20, 2000]. Birnbaum, Daniel, ‘How Latitudes Become Forms, Exhibition Review at Walker Art Center, Featuring Various Asian Artists, Artforum International, Vol.41, Issue 5, January 2003 Flores, Patrick D., ‘Renewing the Contemporary’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Furuichi Yasuko, ed., Out of the Window: Spaces of Distraction, Tokyo, The Japan Foundation Asia Center, 2004 [recent conceptualism in China, Japan, Korea] Furuichi, Yasuko, ‘Asia: The Possibility of a Collaborative Space – Under Construction Project, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Gakoumi, Dionissia, ‘Beyond Language’, Artlink, Vol. 20, No. 2, July 2000 Kamiya Yukie, ‘Communicative Approach, from Asia’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Kim, Sunjung, ‘In Search of an Oasis’, Mami, Kataoka, Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 Levin, Kim ‘Gesture, performance, behaviour, attitude: asian influences on contemporary western art’, Art Asia Pacific, vol.3, no.4, 1996. Machan, Kim, ‘Digital Luggage and Meaningful Relationships’, Asian Art News, vol. 21, no. 3, September 2001 Machan, Kim, ‘Vis.arts.online: Asian art on the internet’, Artlink, Vol. 20, No. 2, July 2000 Maerkle, Andrew, ‘Focal Point: Asian Video and Media Artists Take New York’, ArtAsiaPacific, no. 48, 2006 Sivanesan, Haema, ‘Mirror Worlds: Contemporary Video Art from Asia in Sydney’ (review), Art Monthly Australia, no. 185, November 2005. Teh, David, ‘Mirror Worlds, Contemporary Video from Aisa’ (review), Art and Australia, vol. 43, no. 1, 2005. WEB RESOURCES www.aaa.org.hk/links.html has the best set of Contemporary Asian Art links to date. http://universes-in-universe.de/asia/english.htm art resources listed by country and useful Biennale links elsewhere on the same site. http://faam.city.fukuoka.jp/cgi-bin/eng/link/link.cgi has a number of links to Asian art museums and in the same menu to other cultural organizations. http://qag.qld.gov.au/research/acapa includes a menu with access to Asian-art related activities of the Queensland Art Gallery, including the Asia-Pacific Triennale and also to the searchable Research Library catalogue. RELEVANT SERIALS IN ENGLISH [Journal articles on Asian art and artists are listed in the relevant sections and largely updated to March 2007]
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62:
61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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