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A Working Bibliography - The University of Sydney

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106<br />

KOREA-DEMOCRATIC PEOPLE’S REPUBLIC OF KOREA<br />

Jana, Reena, ‘Art Under Control in North Korea’ (book review), Artforum (Bookforum), vol 12, iss. 2, June-Sep<br />

2005.<br />

Joren, G., ‘Artists at Work’, Asian Art News, 2, no.3, May-June 1992.<br />

Korean Paintings <strong>of</strong> Today, Pyongyang, Foreign Languages Publishing House, 1980.<br />

<strong>The</strong> Korean Art Gallery, Pyongyang, Foreign Languages Publishing House, 1985.<br />

Portal, Jane, Art Under Control in North Korea, Reaktion Books, London, 2005.<br />

Suh Sung-rok, ‘<strong>The</strong> Battlefield is just in front <strong>of</strong> us’, Art AsiaPacific, vol.3, no.3, 1996.<br />

SOUTHEAST ASIA<br />

Southeast Asian Modern Art in General<br />

[ARX5], Farnay, Rachel, ‘Minds <strong>of</strong> their own’ Asian Art News, vol.9, no.1, 1999<br />

[ASEAN, 1989] First ASEAN Symposium on Aesthetics, Kuala Lumpur, Balai Seni Lukis Negara, 1989.<br />

[ASEAN, 1997 ] ‘ASEAN art awards 1996’, Asian Art News, vol.7, no.1, Jan/Feb 1997.<br />

[ASEAN, 1998 ] Farnay, Rachel, ‘An ASEAN success story’, Asian Art News, vol. 8, no.1, January/February<br />

1998; Galligan, Gregory, ‘<strong>The</strong> ASEAN Art Awards’, Art AsiaPacific,no.18, 1998.<br />

[ASEAN, 1999] Jay, Sian E., ‘<strong>The</strong> Face <strong>of</strong> the new’, [Philip Morris ASEAN Art Awards], Asian Art News, vol.9,<br />

no.1, 1999; Sian E, Jay, ‘<strong>The</strong> Face <strong>of</strong> the New’, [ASEAN Art Awards] Asian Art News, 9:1 1999.<br />

[ASEAN, 2001] Jay, Sian E., ‘An ASEAN looking-glass’, Asian Art News, vol.11, no.1, 2001; Lenzi, Iola, ‘Twelve<br />

ASEAN artists’, Art AsiaPacific, 31, 2001<br />

[ASEAN, 2002] ‘An engaging vision’[8 th Philip Morris ASEAN Art Awards], Asian Art News, vol.12, no.4, 2002;<br />

Jay, Sian E., ‘Sixth Sense’ [Philip Morris ASEAN Art Awards], Asian Art News, vol.10, no.1, 2002<br />

Clark, J, ‘Modern Art in S.E.Asia’, Special Null Issue <strong>of</strong> Art & Asia Pacific, 1993.<br />

‘Contemporary Arts <strong>of</strong> the Region: South East Asia and Australia’, ARTLINK, vol.13, nos 3 & 4, Nov/Mar,<br />

1993/1994. [Thailand, Indonesia, Vietnam, the Philippines, Malaysia, Singapore, Australia].<br />

Asian Modernism: Diverse Development in Indonesia, the Philippines and Thailand, Tokyo, Asia Center, 1995, [reviews by<br />

Clark John, Asian Art News, vol.6, no.1, Jan/Feb 1996; Shimizu Toshio, ‘Asian Modernism’, Art &<br />

Asia-Pacific, vol.3, no.1, 1996].<br />

Cooke, Anna Zeitlin, ‘<strong>The</strong> weavings <strong>of</strong> war: textiles from Vietnam, Laos, and Thailand’, Art AsiaPacific, no.18,<br />

1998.<br />

Eagle, M., ‘Shadows cast by others’ [Adelaide Festival Installations], Art Monthly Australia, no.68, April 1994.<br />

Ewington, Julie, ‘Between the cracks: Art and method in SE Asia’, Art AsiaPacific, vol.3, no.4, 1996.<br />

Findlay, Ian., ‘Understanding Contemporary Southeast Asian Art by Marjorie Chu’ (book review), in Asian Art<br />

News, Vol. 14, No. 2, March/April 2004, p.99-100.<br />

Furuichi, Y., Ushiroshoji, M., Sakonaka, Y., New Art from South-East Asia 1992, [bilingual], Tokyo, <strong>The</strong> Japan<br />

Foundation, 1992.<br />

Gaweewong, Jeab Gridthiya., ‘Towards a New Paradigm: Contemporary Art from Thailand and Nan Yang’, in<br />

Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.104-107.<br />

Jay, Sean E., ‘In search <strong>of</strong> the future’, other [Nokia awards], Asian Art News, vol.10, no.2, 2000<br />

Jay, Sian E, ‘Other Voices, Other Views’, Asian Art News, 9:1 1999.<br />

Jay, Sian E, ‘A Winning Way’, Asian Art News, 9:1 1999.<br />

Jones, Jason, ‚Could Installation Art be the New Mdium for Southeast Asia’ in Explorations in Southeast Asian<br />

Studies (A Journal <strong>of</strong> the Southeast Asian Studies Student Association), Vol. 4 (Fall 2000)<br />

Löschmann, Jörg, curaor, Identities versus Globalization?, Chiang Mai, Heinrich Böll Foundation, 2003<br />

Paras-Perez, Rod, ‘South-East Asian Sense and Sensibility: <strong>The</strong> well-filled space, the well-cut silence’, Art & Asia<br />

Pacific, vol.1, no.4, 1994.<br />

Poshyananda, Apinan, ‘“Con Art” seen from the edge: the meaning <strong>of</strong> conceptual art in South and Southeast<br />

Asia’, in Global Conceptualism: Points <strong>of</strong> origin, 1950s –1980s, New York, Queens Museum <strong>of</strong> Art, 1999<br />

Sabapathy, T.K., et al, Modernity and Beyond: <strong>The</strong>mes in South East Asian Art, Singapore, Singapore Art Museum,<br />

1995.

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