A Working Bibliography - The University of Sydney

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102 [Kwangju Biennale 2002] Kwangju Biennale 2002 – Project 1: Pause, Realization (Catalogue) Kwangju Biennale 2002, Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 1: Pause, Conception (Catalogue) Kwangju Biennale 2002, Korean Biennnale Foundation, 2002; Project 2 – There: Sites of Korean Diaspora (Catalogue), Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 3: Stay of Execution (Catalogue) Kwangju Biennale 2002, Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 4: Connection (Catalogue) Kwangju Biennale 2002, Korean Biennnale Foundation, 2002; ‘Photo: Gwangju Biennial 2002’, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.16-19 [Gwangju Biennale 2004] Moon, Iris, ‘Rethinking Art Along the East-West Axis: The 2004 Gwangju Biennale” in Art Asia Pacific, No. 40 (Spring 2004), p. 27; Clark, John, ‘Three Biennales’, Art and Australia, March 2005. [Venice Biennale, 1995] Rhee Jong Soong, ‘Clay Idols: The new Korean pavilion at the Venice Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996; Rhee Jong Soong, ‘Clay Idols: The new Korean pavilion at the Venice Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996 [Venice 1999] Shimizu, Toshio, ‘Japan and Korea at the 48 th Venice Biennale’, Art AsiaPacific, 25, 2000 ‘Supplement: Korea’, Asian Art News, vol. 5, no.1, Jan-Feb 1995. Ahn, En-Young, ‘Slowness of Speed’, Art Monthly Australia, April 1999: 118 Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master of Visual Arts Thesis, Sydney College of the Arts, 1994. Ahn, Soyeon, ‘Korean art in the 1990s’, Artlink, Vol. 20, No. 2, July 2000 Chattopadhyay, Collette. ‘A Korean WRAPsody.’ Art AsiaPacific no. 21 1999. Chiba Shigeo, Ichikawa Masanori, Nakabayashi Kazuo, curators; texts by Chiba Shigeo, Ôno Ikuhiko, An aspect of Korean art in the 1990s, Tokyo, National Museum of Modern Art, 1996 Choi, Eunju, ‘Contemporary Korean Art in Pluralism and the Issue of ‘Communication’, Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 Choi, Tae-man, ‘Min Joong Art and its Testing Ground’, Art & Asia Pacific, vol.1, no.4, 1994. Choi, Tae-man, ‘Min Joong art in Korea: Realism as a communication’, in Fukuoka Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. Choy, Linda, ‘Confucian Feminists’, Art AsiaPacific, no.33, 2002. Circulating Currents: Japanese and Korean Contemporary Art, Nagoya, Nagoya Shiritsu Bijutsukan, 1995 Focus on Korea, Art AsiaPacific, vol.3, no.3, 1996 Fouser, Robert J, ‘The Wow Projects: Putting art into circulation’, Art AsiaPacific, no.35, 2002. Fouser, Robert J., ‘Canned ambiguity: an exhibition of Korean art in Tokyo’, Art AsiaPacific, no.16, 1997. Hasegawa Yuko & Carols, Isabel, “Last words on the Biennial” ’, Flash Art, XXVIII, no.185, Nov/Dec, 1995. Jung Hun Yee, ‘The Ssack exhibition at the Sonje Museum’, Art & Asia Pacific, vol.3, no.2, 1996 Jung Hun Yee, ‘The Ssack exhibition at the Sonje Museum’, Art & Asia Pacific, vol.3, no.2, 1996 Kee, Joan, ‘Confronting multiple colonization in contemporary Korean art’, in Milford-Lutzker, Mary-Ann, ed., Postmodernism and the Postcolonial Debate in Contemporary Asian Art, Oakland, Mills, College, 1998. Kent, Rachel, ‘Slowness of speed’, Art AsiaPacific, 24, 1999 Kim Hyun-do, ‘Videomatic, beauty kitsch and politics in contemporary Korean art’, Art AsiaPacific, vol.3, no.3, 1996. Kim Soun-gui, ‘The Emptiness of Emptiness, Dream of the Butterfly’, Art & Asia Pacific, vol.1, no.4, 1994. Kim Youngna, ‘Korean Art Today: Contemporary Art and Social Change’, Visual Arts + Culture, vol.1, no.1, 1998. Kim Youngna, ‘Recent Contemporary Art and Social Change in Korea’, in Lee Sang-Oak, Park Duk-soo, eds., Perspectives on Korea, Sydney, Wild Peony, 1998. Kim, Youngna, ‘Korean Art Today: Contemporary Art and Social Change’, Paroissien, Leon, ed., Visual Arts and Culture, Volume 1, Part 1 (1998) Kim Youngna, ‘Korean arts and culture at the end of the twentieth century’ in Oh Kongdan, ed., Korea briefing, 1997-1999, challenges and change at the turn of the twentieth century, Armonk, Eastgate, 2000 Lee Hwaik, ‘Painting Nothing’ [monochome painting], Art AsiaPacific, vol.3, no.3, 1996 Gallery,1995. Lee Yongwoo, Information and Reality: Contemporary Art, Edinburgh, Fruitmarket Gallery, 1995. Lee, James B., ‘The year of art’, Art & Asia Pacific, vol.2, no.3, 1995. Lee, James B., ‘Performance Art takes a stand’ Asian Art News, vol.4, no.6, Nov-Dec, 1994. Lee, James B., ‘You are not here’ [Korean art at Edinburgh], Art AsiaPacific, vol.3, no.3, 1996. Nahas, Dominique, ‘The eye of the tiger: a survey of contemporary Korean art’, Art AsiaPacific, no.18, 1998. Roe Jae-ryung, ‘From Chosun Dynasty to Segehwa’, Art AsiaPacific, vol.3, no.3, 1996.
103 Roe Jae-ryung, Contemporary Korean Art, Sydney, Craftsman House, 2001 [Ahn, En-Young, review of Art AsiaPacific, 35, 2002] Roe, Jae-ryung, ‘Korean Art at Home and Abroad: Staging a Culture’, Art & Asia Pacific, vol.1, no.4, 1994. Roe Jae-ryung, ‘Novel exposure’ [Korean photography], ART AsiaPacific, no.13, 1997. Seo Seongrok, ‘Sensibility of a New Generation.’ ‘Asian Art: Prospects for the Future.’ International Symposium 1999. ‘Supplement: Korea’, Asian Art News, vol. 5, no.1, Jan-Feb 1995. Young Y. Chung. ‘The Traditional Korean Wedding Robe.’ TASSA Review, 7:3 1998. Individual Artists [Blupers (Rhie Joongjae)] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 [Cho Duck-hyun], Fouser, Robert J., ‘Duck-Hyun Cho and the art of “Memories”‘, Third Text, no.33, Winter 1995- 1996. [Cho Duck-hyun], Fouser, Robert J., ‘Therapy and Psyche’, Asian Art News, vol.6, no.2, Mar/Apr 1996. [Choi Hyunsoo] Seo Sounjpu, ‘Choi Hyunsoo, a Korean artist in Paris’, Art AsiaPacific, vol.3, no.3, 1996. [Choi Jeong-hwa] Lee, James B., ‘ Flim-flam and fabrication: an interview with Korean artist Choi Jeong-hwa’, Art AsiaPacific, vol.3, no.3, 1996 Asia Pacific, vol.3, no.4, 1996. [Choi Jian] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999 [Do-Ho Shu], Kee, Joan, ‘The Singular Pluralities of Do-Ho Shu’, Art AsiaPacific, no.34, 2002. [Gimhongsok], Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 [Ha Bik-chuen] Thomson, Jonathan, ‘Ha Bik-chuen at City Hall Exhibition Gallery’ (Review) in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 49-50 [Ham Jin] Nanjo, Fumio, ‘Ham Jin’ in Art Asia Pacific, Issue 37 (2003), p. 7 [Ham Sup] review, Asian Art News, vol.11, no.4, 2001 [Ham Sup], Binks, Hilary, ‘Paper reborn in art’, Asian Art News, vol.10, no.3, 2000 [Hoon Kwak] ‘Hoon Kwak’, Asian Art News, 2, no.3, May June 1992 [ium] Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999 [Jung Jong-Mee], Findlay, Ian, ‘Of memory and culture’, Asian Art News, vol.11, no.1, 2001 [Jung Ye Ondoo] Yukie, Kamiya, ‘Dreamweaver: Jung Ye Ondoo’ in Art Asia Pacific, No. 39 (Winter 2004), pp. 70-75 [Kang Ik-Joong] Kee, Joan. ‘Living on the Edge. Borders and Cultures in the work of Ik-Joong Kang.’ Art AsiaPacific no.19 1998. [Kang Jin-mo] Findlay, Ian. ‘The Soul of Rock: Kang Jinmo.’ Asia-Pacific Sculpture News 2:1 Winter 1996. [Kang Sun-Mee] Moon, Iris, ‘Kang Sun-Mee at Gallery Biim’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 85 [Kim Beom], Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 [Kim Ho-suk] Kim Hyun-do, ‘Disrupture: Politics and history in the art of Kim Ho-suk’, Art AsiaPacific, no.14, 1997. [Kim Soo-ja, Cho Kyung-sook, Yi Bul, Yun Suk-nam], Kim Sun-jung ‘Bauble, Bangles and beads’, Art AsiaPacific, vol.3, no.3, 1996; Fouser, Robert J., ‘Wrapping Everyday Life: Kim Soo-Ja.’ Asia-Pacific Sculpture News 2:2 Spring 1996; Schwabsky, Barry, ‘Kim Soo-ja’, Art & Text 65, 1999; Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist’s Book Series, Kim Soo Ja: A Needle Woman, Kitakyushu: Center For Contemporary Art, 2000; Wei, Lilly, ‘Kim Sooja at Peter Blum’, Art in America, Vol. 90, Issue 9, September 2002; Goodman, Jonathan, ‘Kim Sooja’ in Art Asia Pacific, Issue 37 (2003), p. 51 [Kimsooja] Pasini, Francesca, ed., Kimsooja: To Breathe: Respiare, Charta, Milan, 2006 [Kim Sora], Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002 [Kim Whanki] Schwabsky, Barry, ‘Kim Whanki’ [Seoul] Review, Art & Text 67, Nov. 1999- Jan. 2000 [Kim Yeong gil] Goodman, Jonathan, ‘Small marks, small spaces’, Art AsiaPacific, 22, 1999 [Kim Youngae] Fusco, Cassandra, ‘An archaeology of experience’, Asian Art News, vol.12, no.3, 2002 [Kwak Hoon], ‘Hoon Kwak’, Asian Art News, 2, no.3, May June 1992.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64: 63 Agahari, Rae, Beyond representat
Page 65 and 66: 65 General Works Clark, J., ‘Mode
Page 67 and 68: 67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70: 69 Clark, John, ‘Artist and the S
Page 71 and 72: Smith, L.H.R., Contemporary Japanes
Page 73 and 74: 73 Abstract painting in Japan, Hokk
Page 75 and 76: 75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78: 77 Annear, J., ‘A forest of art i
Page 79 and 80: 79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82: 81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86: 85 Clark, John, ‘Japanese houses
Page 87 and 88: 87 Society of Architects & Building
Page 89 and 90: 89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92: 91 Medical facilities : new concept
Page 93 and 94: 93 Wilson, Peter L. Western objects
Page 95 and 96: 95 Gluck, C., Japan’s Modern Myth
Page 97 and 98: 97 La Fleur, William A., ‘A turni
Page 99 and 100: http://www.musabi.co.jp/list.html M
Page 101: 101 thesis, Australian National Uni
Page 105 and 106: 105 [Lee, Yong-Baek] review, Flash
Page 107 and 108: 107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110: 109 Chaiyan Rajchagool, The Rise an
Page 111 and 112: 111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114: 113 Michaelsen, H., Die Entwicklung
Page 115 and 116: 115 8 Actual Visions in Thai Contem
Page 117 and 118: 117 Individual Artists Anurak Chata
Page 119 and 120: 119 to shock’ The Nation, January
Page 121 and 122: 121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124: 123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126: 125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128: 127 Suehiro Akira, Capital Accumula
Page 129 and 130: 129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132: Nguyen Thi Dinh, No other road to t
Page 133 and 134: 133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136: 135 Holt, Claire, Art in Indonesia:
Page 137 and 138: 137 Supangkat, J., Sanento Yuliman
Page 139 and 140: 139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142: Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144: BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146: 145 Whitley, Keri, ‘Castle’s Jo
Page 147: 147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152: 151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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