A Working Bibliography - The University of Sydney

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[Kwangju Biennale 2002] Kwangju Biennale 2002 – Project 1: Pause, Realization (Catalogue) Kwangju Biennale 2002,
Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 1: Pause, Conception (Catalogue) Kwangju
Biennale 2002, Korean Biennnale Foundation, 2002; Project 2 – There: Sites of Korean Diaspora (Catalogue),
Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 3: Stay of Execution (Catalogue) Kwangju
Biennale 2002, Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 4: Connection (Catalogue)
Kwangju Biennale 2002, Korean Biennnale Foundation, 2002; ‘Photo: Gwangju Biennial 2002’, in Vehicle:
Contemporary Visual Arts, No.6, 2002, p.16-19
[Gwangju Biennale 2004] Moon, Iris, ‘Rethinking Art Along the East-West Axis: The 2004 Gwangju Biennale” in
Art Asia Pacific, No. 40 (Spring 2004), p. 27; Clark, John, ‘Three Biennales’, Art and Australia, March 2005.
[Venice Biennale, 1995] Rhee Jong Soong, ‘Clay Idols: The new Korean pavilion at the Venice Biennale’, Art &
Asia-Pacific, vol.3, no.1, 1996; Rhee Jong Soong, ‘Clay Idols: The new Korean pavilion at the Venice
Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996
[Venice 1999] Shimizu, Toshio, ‘Japan and Korea at the 48 th Venice Biennale’, Art AsiaPacific, 25, 2000
‘Supplement: Korea’, Asian Art News, vol. 5, no.1, Jan-Feb 1995.
Ahn, En-Young, ‘Slowness of Speed’, Art Monthly Australia, April 1999: 118
Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master of Visual Arts Thesis, Sydney College of the
Arts, 1994.
Ahn, Soyeon, ‘Korean art in the 1990s’, Artlink, Vol. 20, No. 2, July 2000
Chattopadhyay, Collette. ‘A Korean WRAPsody.’ Art AsiaPacific no. 21 1999.
Chiba Shigeo, Ichikawa Masanori, Nakabayashi Kazuo, curators; texts by Chiba Shigeo, Ôno Ikuhiko, An aspect of
Korean art in the 1990s, Tokyo, National Museum of Modern Art, 1996
Choi, Eunju, ‘Contemporary Korean Art in Pluralism and the Issue of ‘Communication’, Kuroda, Raiji, The First
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999
Choi, Tae-man, ‘Min Joong Art and its Testing Ground’, Art & Asia Pacific, vol.1, no.4, 1994.
Choi, Tae-man, ‘Min Joong art in Korea: Realism as a communication’, in Fukuoka Art Museum, 4th Asian Art
Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.
Choy, Linda, ‘Confucian Feminists’, Art AsiaPacific, no.33, 2002.
Circulating Currents: Japanese and Korean Contemporary Art, Nagoya, Nagoya Shiritsu Bijutsukan, 1995
Focus on Korea, Art AsiaPacific, vol.3, no.3, 1996
Fouser, Robert J, ‘The Wow Projects: Putting art into circulation’, Art AsiaPacific, no.35, 2002.
Fouser, Robert J., ‘Canned ambiguity: an exhibition of Korean art in Tokyo’, Art AsiaPacific, no.16, 1997.
Hasegawa Yuko & Carols, Isabel, “Last words on the Biennial” ’, Flash Art, XXVIII, no.185, Nov/Dec, 1995.
Jung Hun Yee, ‘The Ssack exhibition at the Sonje Museum’, Art & Asia Pacific, vol.3, no.2, 1996
Jung Hun Yee, ‘The Ssack exhibition at the Sonje Museum’, Art & Asia Pacific, vol.3, no.2, 1996
Kee, Joan, ‘Confronting multiple colonization in contemporary Korean art’, in Milford-Lutzker, Mary-Ann, ed.,
Postmodernism and the Postcolonial Debate in Contemporary Asian Art, Oakland, Mills, College, 1998.
Kent, Rachel, ‘Slowness of speed’, Art AsiaPacific, 24, 1999
Kim Hyun-do, ‘Videomatic, beauty kitsch and politics in contemporary Korean art’, Art AsiaPacific, vol.3, no.3,
1996.
Kim Soun-gui, ‘The Emptiness of Emptiness, Dream of the Butterfly’, Art & Asia Pacific, vol.1, no.4, 1994.
Kim Youngna, ‘Korean Art Today: Contemporary Art and Social Change’, Visual Arts + Culture, vol.1, no.1,
1998.
Kim Youngna, ‘Recent Contemporary Art and Social Change in Korea’, in Lee Sang-Oak, Park Duk-soo, eds.,
Perspectives on Korea, Sydney, Wild Peony, 1998.
Kim, Youngna, ‘Korean Art Today: Contemporary Art and Social Change’, Paroissien, Leon, ed., Visual Arts and
Culture, Volume 1, Part 1 (1998)
Kim Youngna, ‘Korean arts and culture at the end of the twentieth century’ in Oh Kongdan, ed., Korea briefing,
1997-1999, challenges and change at the turn of the twentieth century, Armonk, Eastgate, 2000
Lee Hwaik, ‘Painting Nothing’ [monochome painting], Art AsiaPacific, vol.3, no.3, 1996 Gallery,1995.
Lee Yongwoo, Information and Reality: Contemporary Art, Edinburgh, Fruitmarket Gallery, 1995.
Lee, James B., ‘The year of art’, Art & Asia Pacific, vol.2, no.3, 1995.
Lee, James B., ‘Performance Art takes a stand’ Asian Art News, vol.4, no.6, Nov-Dec, 1994.
Lee, James B., ‘You are not here’ [Korean art at Edinburgh], Art AsiaPacific, vol.3, no.3, 1996.
Nahas, Dominique, ‘The eye of the tiger: a survey of contemporary Korean art’, Art AsiaPacific, no.18, 1998.
Roe Jae-ryung, ‘From Chosun Dynasty to Segehwa’, Art AsiaPacific, vol.3, no.3, 1996.