100 ‘Asian Modernisms’ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002, pp. 102-111. ‘Art History and Alterity: ‘Othering’ as Process in Modern Asian Art Discourses’ in Flores, Patrick D. ed., Commemorative Anthology on the retirement <strong>of</strong> Pr<strong>of</strong>essor Alice G. Guillermo, Manila, <strong>University</strong> <strong>of</strong> the Philippines, scheduled 2003. Modern aesthetics: ‘<strong>The</strong> Structure <strong>of</strong> "Iki" by Kuki Shûzô’, Asian Culture Quarterly, 1984, XII, 1, 45-51. Review <strong>of</strong> Leslie Pincus, Authenticating Culture in Imperial Japan, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1996, in <strong>The</strong> Australian Journal <strong>of</strong> Art, vol.XVI, 1997. Translator and annotator, Kuki Shûzô, An Essay on Japanese Taste - <strong>The</strong> Structure <strong>of</strong> Iki, [with a foreword by Nakano Hajimu, Co-edited with notes by John Clark and by Sakuko Matsui], 168 pages, <strong>Sydney</strong>, Power Publications, 1997. ‘Sovereign Domains: <strong>The</strong> Structure <strong>of</strong> Iki’, Japan Forum, vol.10, no.2, 1998, 197-209 “Okakura Kakuzô [Tenshin] and Aesthetic Nationalism’, forthcoming 2003-06-01 Japanese Architecture: ‘Japanese Architecture’, Nuttgens, P., World’s Great Architecture, Paul Hamlyn, London, 1980, 163-179. Review <strong>of</strong> Chris Fawcett, <strong>The</strong> New Japanese House, London, Granada Publishing, 1980, Architects’ Association Quarterly, vol.14, no.2, 1982, 83-84. ‘Japanese Houses’, Architects’ Association Quarterly, vol.10, no.4, 1978, 46-47; Guide Notes: ‘Art Sites in Japan: I Around Ueno’, TAASA Review, vol.3, no.3, September 1994, 5-6. (507-508)) ‘Art sites around Japan II’, TAASA Review, 1995. (509-511) KOREA-REPUBLIC OF KOREA General Works [Kim, Youngna] Kim, Youngna, “Modern Korean Painting and Sculpture” in Clark, John, ed. Modernity in Asian Art, <strong>Sydney</strong>: Wild Peony Press, 1993, pp. 155-168; Kim, Youngna, “<strong>The</strong> Nude in Modern Korean Painting” in Hitono Katachi, Hitono Karada (Human Figure in the Visual Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese); Kim, Youngna, Modern, after 1910” in Korea: Sculpture, <strong>The</strong> Dictionary <strong>of</strong> Art, vol. 18, London: Macmillam, 1996, 300-310; Kim, Youngna,”Modern Development” in Korea: Painting, <strong>The</strong> Dictionary <strong>of</strong> Art, vol. 18, London: Macmillam, 1996, pp. 325-327; Kim, Youngna, “Korean Art Today: Contemporary Art and Social Change” in Visual Arts and Culture, 1998; Kim, Youngna, “Recent Contemporary Art and Social Change in Korea” in Lee, Sang-oak and Park, Duk-soo, ed., Perspectives on Korea, <strong>Sydney</strong>: Wild Peony Press, 1998, pp. 137-143; Kim, Youngna, “Yi In-song’s Local Colors: Nationalism or Colonialism” in Oriental Arts, Vol. XLVI, no. 4, 2000, pp. 20-30; Kim, Youngna, “Korean Art and Culture at the End <strong>of</strong> the Century” in Oh, Kyong-dan, ed., Korean Briefing 1997-1999, <strong>The</strong> Asia Society, New York: M.E. Sharp, 2000; Kim, Youngna, “Artistic Trends in Korean Painting During the 1930s” in Mayo, Marlene and Rimer, Thomas, ed., Japan and East Asia: War, Occupation, and Creativity, Hawaii: <strong>University</strong> <strong>of</strong> Hawaii Press, 2001, 121-146; Kim, Youngna, “Millet’s Peasant Image: <strong>The</strong> Receptive Phenomenon in Asia” in Seoul Journal <strong>of</strong> Korean Studies, Vol. 14, 2001, pp. 233-262; Kim, Youngna, “Korean Students in Tokyo in the 1930s: <strong>The</strong>ir Activities with Avant Garde Art” (Japanese Language) in Gendai Geijutsu Genkyu, Tsukuba <strong>University</strong>, Vol. 4, 2001, pp. 3-22; Kim, Youngna, “Let’s Pause and Talk, Let’s Pause and Drik” in IIAS Newsletter, Leiden: International Institute for Asian Studies, August 2000, p. 40; Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym Publisher with Korea Foundation, 2004 (Forthcoming); Kim, Youngna, ‘Postwar Abstract Art and Korea’s Informel’ in Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum <strong>of</strong> Modern Art, 2000 Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD
101 thesis, Australian National <strong>University</strong>, 2003 ‘Introduction to the Modern Oriental Painting <strong>of</strong> Korea’, Han'guk Kundae Tongyanghwa, Seoul, Hwarang Namkyong, 1976 Modern Korea Art Exhibition for the Past 60 years, Seoul, Ministry <strong>of</strong> Information, 1973 [bilingual catalogue] National Museum <strong>of</strong> Contemporary Art, ed., 100 Masterpieces <strong>of</strong> Modern Korean paintings (1900-1960), Seoul, National Museum <strong>of</strong> Contemporary Art, 2002. National Museum <strong>of</strong> Contemporary Art, ed., A glimpse into Korean Modern Painting,[1920s-1960s] Seoul, National Museum <strong>of</strong> Contemporary Art, 1998 Pak, Syeung-Gil, ed., Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971 Roe, Jae-Ryung, <strong>The</strong> representation <strong>of</strong> national identity in Korean Art Exhibitions, 1951-1994, Ph D thesis, New York <strong>University</strong>, 1995. Roe, Jae-ryung, Contemporary Korean Art, <strong>Sydney</strong>, Australian Humanities Research Foundation, 2001 Selected Works <strong>of</strong> 100 Modern Korean Sculptors and Painters, Seoul, 1965, [series <strong>of</strong> one volume per artist in Korean with some details in English] Selz, P.ed., Contemporary Korean Painting, Berkeley, Asian Humanities Press, 1979. So Chong-Ae, Public Funding for the Arts in the Republic <strong>of</strong> Korea, unpublished MA <strong>The</strong>sis, Teachers’ College, Columbia <strong>University</strong>, 2000 Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum <strong>of</strong> Modern Art, 2000 Yi Kyong-song, ‘Sixty years <strong>of</strong> Modern Korean Art’, and accompanying chronology by Yi Ku-yol, English texts in the Korean catalogue Han'guk Kundae Misul, Seoul, National Museum <strong>of</strong> Modern Art, 1973. Yi Kyong-song, Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971. Yoon, Jin-sup, A study on Korean modernism: with emphasis on avant-garde movement since 1956, Unpublished PhD <strong>The</strong>sis, <strong>University</strong> <strong>of</strong> Western <strong>Sydney</strong>, 2000 Colonial Period Park, Hyun Ok, ‘Korean Manchuria: <strong>The</strong> Racial Politics <strong>of</strong> Territorial Osmosis’, <strong>The</strong> South Atlantic Quarterly, 99.1, Winter 2000 Kim Youngna, ‘Artistic trends in Korean painting during the 1930s’, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, <strong>University</strong> <strong>of</strong> Hawai’i Press, 2001, p.121-146. 1950s-1960s National Museum <strong>of</strong> Contemporary Art, ed., An aspect <strong>of</strong> Korean Contemporary Art – in the 1950s to 1960s, Seoul, National Museum <strong>of</strong> Contemporary Art, 2000 1970s-1980s Oh Kwang-su & Kim Bok-young, Korean Contemporary Art from the mid-1970s to mid-1980s: Age <strong>of</strong> Philosophy and Aesthetics, Seoul, National Museum <strong>of</strong> Contemporary Art, 2002 1980s and 1990s [Korean photography] Roe Jae-ryung ‘Novel exposure’, Art AsiaPacific, no.13, 1997. [Kwangju Biennale, 1995] Kwangju Biennale 1995: Beyond the Borders (Catalogue), Kwangju Biennale Press, 1995; Heartney, Eleanor B., ‘More on the Kwangju Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996; Bonami, Francesco, ‘Kwangju (Korea): “By the Borders, our Borders”, Flash Art, XXVIII, no.185, Nov/Dec, 1995; Lee, James B., ‘<strong>The</strong> inaugural Kwangju Biennale’, Art & Asia Pacific, vol.3, no.2, 1996; Bonami, Francesco, ‘Kwanju (Korea): “By the Borders, our Borders”, Flash Art, XXVIII, no.185, Nov/Dec, 1995; Hasegawa Yuko & Carlos, Isabel, ‘Last words on the Biennial”’, Flash Art, XXVIII, no.185, Nov/Dec, 1995; Heartney, Eleanor B., ‘More on the Kangju Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996 [Kwangju Biennale 1997] 97 Kwangju Biennale: Unmapping the Earth (Catalogue), Kwangju: Kwangju Biennale Press, 1997; Fouser, Robert J., ‘<strong>The</strong> Kwangju Biennale’, Art AsiaPacific, no.18, 1998; Roe, Jae-Ryung, ‘ ’97 Kwangju Biennale’, Artforum International, Vol.36, Issue 8, April 1998 [Kwangju Biennale 2000] Kwangju Biennale 2000 : <strong>The</strong> Special Exhibition, <strong>The</strong> Kwangju Biennale Foundation, Kwangju, 2000 ; Kwangju Biennale 2000: Man + Space, Kwangju: Kwangju Biennale Press, 2000; Art News, 99, 6, 2000; Fouser, Robert J., ‘Picnic in an art garden’, Art AsiaPacific 29, 2001
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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- Page 121 and 122: 121 Viboon Leesuwan: Viboon Leesuwa
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media