A Working Bibliography - The University of Sydney

100
‘Asian Modernisms’ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002, pp.
102-111.
‘Art History and Alterity: ‘Othering’ as Process in Modern Asian Art Discourses’ in Flores, Patrick D. ed.,
Commemorative Anthology on the retirement of Professor Alice G. Guillermo, Manila, University of the Philippines,
scheduled 2003.
Modern aesthetics:
‘The Structure of "Iki" by Kuki Shûzô’, Asian Culture Quarterly, 1984, XII, 1, 45-51.
Review of Leslie Pincus, Authenticating Culture in Imperial Japan, Berkeley, University of California Press, 1996, in
The Australian Journal of Art, vol.XVI, 1997.
Translator and annotator, Kuki Shûzô, An Essay on Japanese Taste - The Structure of Iki, [with a foreword by Nakano
Hajimu, Co-edited with notes by John Clark and by Sakuko Matsui], 168 pages, Sydney, Power
Publications, 1997.
‘Sovereign Domains: The Structure of Iki’, Japan Forum, vol.10, no.2, 1998, 197-209
“Okakura Kakuzô [Tenshin] and Aesthetic Nationalism’, forthcoming 2003-06-01
Japanese Architecture:
‘Japanese Architecture’, Nuttgens, P., World’s Great Architecture, Paul Hamlyn, London, 1980, 163-179.
Review of Chris Fawcett, The New Japanese House, London, Granada Publishing, 1980, Architects’ Association
Quarterly, vol.14, no.2, 1982, 83-84.
‘Japanese Houses’, Architects’ Association Quarterly, vol.10, no.4, 1978, 46-47;
Guide Notes:
‘Art Sites in Japan: I Around Ueno’, TAASA Review, vol.3, no.3, September 1994, 5-6. (507-508))
‘Art sites around Japan II’, TAASA Review, 1995. (509-511)
KOREA-REPUBLIC OF KOREA
General Works
[Kim, Youngna] Kim, Youngna, “Modern Korean Painting and Sculpture” in Clark, John, ed. Modernity in Asian
Art, Sydney: Wild Peony Press, 1993, pp. 155-168;
Kim, Youngna, “The Nude in Modern Korean Painting” in Hitono Katachi, Hitono Karada (Human Figure in the
Visual Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese);
Kim, Youngna, Modern, after 1910” in Korea: Sculpture, The Dictionary of Art, vol. 18, London: Macmillam, 1996,
300-310;
Kim, Youngna,”Modern Development” in Korea: Painting, The Dictionary of Art, vol. 18, London: Macmillam,
1996, pp. 325-327;
Kim, Youngna, “Korean Art Today: Contemporary Art and Social Change” in Visual Arts and Culture, 1998;
Kim, Youngna, “Recent Contemporary Art and Social Change in Korea” in Lee, Sang-oak and Park, Duk-soo,
ed., Perspectives on Korea, Sydney: Wild Peony Press, 1998, pp. 137-143;
Kim, Youngna, “Yi In-song’s Local Colors: Nationalism or Colonialism” in Oriental Arts, Vol. XLVI, no. 4, 2000,
pp. 20-30;
Kim, Youngna, “Korean Art and Culture at the End of the Century” in Oh, Kyong-dan, ed., Korean Briefing
1997-1999, The Asia Society, New York: M.E. Sharp, 2000;
Kim, Youngna, “Artistic Trends in Korean Painting During the 1930s” in Mayo, Marlene and Rimer, Thomas,
ed., Japan and East Asia: War, Occupation, and Creativity, Hawaii: University of Hawaii Press, 2001, 121-146;
Kim, Youngna, “Millet’s Peasant Image: The Receptive Phenomenon in Asia” in Seoul Journal of Korean Studies,
Vol. 14, 2001, pp. 233-262;
Kim, Youngna, “Korean Students in Tokyo in the 1930s: Their Activities with Avant Garde Art” (Japanese
Language) in Gendai Geijutsu Genkyu, Tsukuba University, Vol. 4, 2001, pp. 3-22;
Kim, Youngna, “Let’s Pause and Talk, Let’s Pause and Drik” in IIAS Newsletter, Leiden: International Institute for
Asian Studies, August 2000, p. 40;
Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym Publisher
with Korea Foundation, 2004 (Forthcoming);
Kim, Youngna, ‘Postwar Abstract Art and Korea’s Informel’ in Woo, Hyesoo, Postwar Abstract Art in Korea and the
West: Passion and Expression, Seoul: Samsung Museum of Modern Art, 2000
Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD