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THE HISTORY OF BLANCPAIN

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ART DE VIVRE<br />

Mauro, an Italian community assistance<br />

worker who has been here for twenty years,<br />

has a sober – not to say resigned – commentary<br />

on this spectacle. “It’s completely surreal,<br />

as if a mouse were dying of hunger in a warehouse<br />

full of cheese! There are coffee trees all<br />

around us and here everything is in a state of<br />

neglect.” As a good Italian, Mauro dreams of<br />

getting this factory running again, in the context<br />

of fair trade with trustworthy investors.<br />

Mr. Didier, the last director of Cafema,<br />

tells how the company met its demise in<br />

1994. He mentions international competition<br />

and wear and tear on the equipment,<br />

which could not be replaced due to lack<br />

of resources. The ill-advised or ill-intentioned<br />

managers in the faraway capital of<br />

Antananarivo spent more on extravagances<br />

than on parts. He also lets drop the word<br />

“privatisation,” so dear to the high priests of<br />

liberalism who lay down their law from within<br />

the World Trade Organisation (WTO). That<br />

was all it took to bring Cafema down and<br />

reduce hundreds of families to poverty. Like<br />

so many others, Mr. Didier is out of a job.<br />

And unemployment is a very strong word in<br />

a country that has no unemployment benefits.<br />

The former director gets by as best he<br />

can, acting as an agent for several non-governmental<br />

organisations that work on the<br />

island. And the workers? They will have to<br />

manage as best they can. And the farmers?<br />

They no longer harvest coffee, no buyers<br />

want it.

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