THE HISTORY OF BLANCPAIN
THE HISTORY OF BLANCPAIN THE HISTORY OF BLANCPAIN
CLOSE UP
Art without Concessions In addition to a diploma, Ecole Boulle also confers a certain spirit, somewhat similar to the Compagnons du devoir who travel throughout France (the world too sometimes) working before accomplishing their masterpiece and beginning their careers armed with experience that goes well beyond professional skills. “Being a Boullist means being part of a community.” There is not the slightest doubt about that – all three are unanimous. “When you enter, you stay,” adds Marie-Laure. “Whenever I go to Paris, I stop by the school and we are greeted as though we were still there. Moreover, we are in frequent contact with our professor, Mr. Le Hir, whether to get an answer to a question, resolve a technical problem or simply out of friendship. He has already come to visit the Blancpain Manufacture on several occasions.” Precious ties are thus formed, and so it is that one fine February day Marie-Laure went to see her professor with a specific mission in mind: hiring. That was at the end of 2007. A few months later, Anaïs and Gwenaëlle were on their way to the Joux Valley. And the trio was formed. 50 | 51
- Page 1 and 2: THE HISTORY OF BLANCPAIN Traversing
- Page 3 and 4: DEAR FELLOW WATCH CONNOISSEURS: Wel
- Page 5 and 6: CONTENT IN TIME ART DE VIVRE IN TIM
- Page 7 and 8: OF BLANCPAIN BY JEFFREY S. KINGSTON
- Page 9 and 10: JEHAN-JACQUES BLANCPAIN’S ORIGINA
- Page 11 and 12: pocket watches feature the crown at
- Page 13 and 14: THE RAYVILLE WORKSHOP IN VILLERET C
- Page 15 and 16: 1953 The original Fifty Fathoms. TH
- Page 17 and 18: BY DIDIER SCHMUTZ PHOTOGRAPHS ANNE-
- Page 19 and 20: Nothing. Only a faint rustle of bra
- Page 21 and 22: est, and have lost all respect for
- Page 23 and 24: We followed Lorenzo so he could tak
- Page 25 and 26: 22 | 23
- Page 27 and 28: ney because Le Brassus is the last
- Page 29 and 30: 26 | 27
- Page 31 and 32: and asks ‘How much?’; the barte
- Page 33 and 34: equired before Blancpain in 2003 co
- Page 35 and 36: Blancpain developed a shape which w
- Page 37 and 38: BY JEFFREY S. KINGSTON 34 THE BLANC
- Page 39 and 40: CHAMPAGNE QUALITY AND CHARACTER IS
- Page 41 and 42: oker from Alsace, came to the Champ
- Page 43 and 44: Dr. George Derbalian in one of the
- Page 45 and 46: L ES AVENTURES: This is a blend fro
- Page 47 and 48: 44 | 45
- Page 49 and 50: Only the cream of the crop work at
- Page 51: 48 | 49
- Page 55 and 56: JOURNEY TO JAPAN The Tobu World Wat
- Page 57 and 58: 54 | 55
- Page 59 and 60: Satigny vineyards and “Domaine de
- Page 61 and 62: 58 | 59
- Page 63 and 64: Right: Les framboises de Machilly f
- Page 65 and 66: An outrageous introduction, perhaps
- Page 67 and 68: The Leman Flyback Grand Date. The L
- Page 69 and 70: At midnight this comfortable relati
- Page 71 and 72: Fig. 6 The system for rapid date co
- Page 73 and 74: THE SECRET ART OF SWISS CHOCOLATE O
- Page 75 and 76: Urs Liechti is in charge of a small
- Page 77 and 78: SUCCESS STORY The Sprüngli & fils
- Page 79 and 80: 76 | 77
- Page 81 and 82: FARMERS IN ACTION Let us now turn o
- Page 83 and 84: 80 | 81 work is more than positive:
- Page 85 and 86: The ”Over The Rainbow“. Right,
- Page 88: Fifty Fathoms Tourbillon (ref. 5025
Art without Concessions<br />
In addition to a diploma, Ecole Boulle also<br />
confers a certain spirit, somewhat similar to<br />
the Compagnons du devoir who travel<br />
throughout France (the world too sometimes)<br />
working before accomplishing their<br />
masterpiece and beginning their careers<br />
armed with experience that goes well<br />
beyond professional skills.<br />
“Being a Boullist means being part of a<br />
community.” There is not the slightest doubt<br />
about that – all three are unanimous. “When<br />
you enter, you stay,” adds Marie-Laure.<br />
“Whenever I go to Paris, I stop by the school<br />
and we are greeted as though we were still<br />
there. Moreover, we are in frequent contact<br />
with our professor, Mr. Le Hir, whether to get<br />
an answer to a question, resolve a technical<br />
problem or simply out of friendship. He<br />
has already come to visit the Blancpain<br />
Manufacture on several occasions.” Precious<br />
ties are thus formed, and so it is that one fine<br />
February day Marie-Laure went to see her professor<br />
with a specific mission in mind: hiring.<br />
That was at the end of 2007. A few months<br />
later, Anaïs and Gwenaëlle were on their way<br />
to the Joux Valley. And the trio was formed.<br />
50<br />
| 51