THE HISTORY OF BLANCPAIN
THE HISTORY OF BLANCPAIN
THE HISTORY OF BLANCPAIN
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ART DE VIVRE<br />
OUR WOODS ARE NO LESS<br />
ATTRACTIVE THAN <strong>THE</strong> MOST<br />
VALUABLE EXOTIC WOOD.<br />
in the world thanks to the intense presence,<br />
the warmth and the fullness of their sound,<br />
as well as through a kind of ergonomic elegance<br />
verging on perfection.<br />
Being self-taught with no frame of reference<br />
needs a lot of perseverance. Never give<br />
up, keep working at it, try and try again –<br />
these are some of the principles that converted<br />
the former teacher into a maker of<br />
musical instruments.<br />
Jeanmichel took a major step in 2004<br />
when he went into partnership with Céline<br />
Renaud and registered JMC Guitars as<br />
a trademark. School was now over and he<br />
was going to live, and live off, his dream.<br />
The lessons of discovery would fully apply,<br />
because as a craftsman it wasn’t enough just<br />
to make musical instruments, however per-<br />
INTEGRAL SOUND<br />
fect; he had to bring something new in<br />
order to advance the discipline of sound and<br />
harmonies.<br />
Thus was created the Soundboard, crafted<br />
from Risoud spruce. In solidarity with the<br />
values shared by the guitar-maker and the<br />
forester, the workshops promote the merits<br />
of the local wood. “We want to give up<br />
using exotic woods that are the result of systematic<br />
deforestation. Our woods are no less<br />
attractive than the most valuable exotic<br />
wood. There’s no need to look elsewhere<br />
for what we have at hand.” Céline and<br />
Jeanmichel agree how pleasant it is to realise<br />
that happiness isn’t somewhere else.<br />
If that be true, Lorenzo might not, after<br />
all, be the last gardener of the Risoud forest.<br />
■<br />
For Jeanmichel Capt, sound is a global vibration and not only a harmony for the ear.<br />
It might be a strange way of understanding sound, but it intrigued the instrument<br />
maker, tickled his imagination and opened a line of research that ended in the Soundboard.<br />
This sound-transmission enclosure reflects the sound of instruments and voices<br />
through the resonance of spruce-wood, with a remarkable effect of presence.<br />
Although the idea is simple, the JMC Soundboard is an alternative that produces a<br />
complete sound. It generates an omnipresent sound so that the listener hears a sound<br />
of great consistency from anywhere in the surrounding space.<br />
Thus with the Soundboard, stereophonic becomes an irrelevant concept, because<br />
the sound is in the environment. It creates all the dimensions of a harmony so the<br />
listener feels wrapped in music. By thinking beyond sound as “directional” this enclosure<br />
is an ideal substitute for the conventional loudspeaker.