APOTELESMATICA 2. (1) 14–140: SOURCES AND MODELS*
APOTELESMATICA 2. (1) 14–140: SOURCES AND MODELS*
APOTELESMATICA 2. (1) 14–140: SOURCES AND MODELS*
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98 Maria Ypsilanti<br />
constant reference to its updated commentaries, and also with the<br />
help of a globe which he in fact seems describing, perhaps a globe<br />
similar to that of Manilius. From this point of view his work is<br />
comparable to that of Aratus for a further reason: the author of the<br />
Apotelesmatica imitates the poet of the Phaenomena in that he also<br />
treats his model, Aratus, in a critical way, as Aratus too was not<br />
absolutely faithful in his rendering of Eudoxus, but had occasionally<br />
deviated from his model following his own observations and<br />
research. Pseudo-Manetho is thus continuing the practice of a critical<br />
and imaginative dialogue on both literary and scientific<br />
grounds his Hellenistic predecessor introduced and aspires to a<br />
poetic composition based on the astronomical knowledge of his<br />
era which has, at the same time, strong roots in the didactic genre<br />
and in the epic tradition more generally.<br />
Leukosia Maria Ypsilanti