THE ART OF ENTERTAINMENT - Needcompany
THE ART OF ENTERTAINMENT - Needcompany
THE ART OF ENTERTAINMENT - Needcompany
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<strong>THE</strong> <strong>ART</strong> <strong>OF</strong> <strong>ENTERTAINMENT</strong><br />
NEEDCOMPANY PLAYS <strong>THE</strong> DEATH <strong>OF</strong> DIRK RO<strong>OF</strong>THO<strong>OF</strong>T<br />
‘Here we are, six strangers on an island, and we have to survive. The big bad outside world is<br />
knocking at the door. We’ve got good music, delicious food, excellent drinks and genitalia. So what<br />
do you suggest, you beautiful new woman who has just slipped into my life?’<br />
Dirk Roofthooft in ‘The art of entertainment’<br />
The art of entertainment is Jan Lauwers’ new play, commissioned by the Burgtheater.<br />
The art of entertainment is a black, comedy about a famous actor, who decides to end his life<br />
because he feels that his memory, the home of the soul, is slowly breaking down. He is invited to<br />
kill himself in a reality show with a worldwide audience: ‘The Art of Entertainment’, a cookery<br />
programme in which a celebrated French chef prepares the suicide’s last meal. Here the story<br />
unfolds of an exhausted actor who has been overtaken by time. The profession he has lovingly<br />
practised for so long has become inaccessible to him. After all, what remains for an actor who is<br />
no longer able to remember his lines, who, with his memory, has also lost his most important<br />
weapon in the struggle against reality. But he doesn’t give up that easily. For the last time he takes<br />
up the challenge of history. Until the bitter end he continues to play his role. By consciously<br />
choosing death where and when he wants it, he retains control until the end of his life. This is his<br />
final act.<br />
The art of entertainment thus unfolds as an entertainer’s apologia, the death-song of an actor who<br />
can only exist in the play. In confrontation with his great love, Gena, the woman with whom he<br />
had made love more than a thousand times, Mr Joy, the embittered doctor-without-borders, and,<br />
of course, Liliane Van Muynck, the world-famous host of the programme, an older stand-up<br />
comedienne on the decline, a conversation arises about the decadence of the Occident and the<br />
actor launches into a tirade about the loss of his profession: acting.<br />
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