Backforty Bunkhouse Newsletter - Joe Baker Home Page
Backforty Bunkhouse Newsletter - Joe Baker Home Page
Backforty Bunkhouse Newsletter - Joe Baker Home Page
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Review by:<br />
Mike Gross<br />
Album: It's a Good Day<br />
Artist: Leon Rausch and<br />
Asleep at the Wheel<br />
Label: Bismeaux<br />
This tremendous new<br />
album of 12 tunes combines<br />
the talents of former<br />
Bob Wills vocalist Leon<br />
Rausch and the contemporary Western Swing super-group,<br />
Asleep at the Wheel. In addition some guests joined in along the<br />
way.<br />
Leon, Asleep at the Wheel leader, Ray Benson, Wheel fiddle<br />
player, Jason Roberts and Wheel member Elizabeth McQueen<br />
are heard doing vocals. The great Willie Nelson joins Leon for<br />
vocals on Ted Daffan's Truck Driver's Blues. Ray is also playing<br />
some awesome guitar while Jason also plays electric mandolin.<br />
The steel guitar belongs to Eddie Rivers and Dave Miller plays<br />
bass. Floyd Domino and Dan Walton are the pianists and Dave<br />
Sanger is the drummer. Jim Cullum plays trumpet, Randy Zimmerman-<br />
trombone, Jonathan Doyle-clarinet and the great Rick<br />
McRae- electric guitar.<br />
The album opens with a fantastic version of Peggy Lee and Dave<br />
Barbour pop composition and hit, It's a Good Day. Also from pop<br />
music is Bobby Troup's Get Your Kicks (on Route 66). From the<br />
big band of Count Basie comes Alright, Okay, You Win and from<br />
the blues is reprised Spencer Williams' Basin Street Blues. Leon<br />
and the Wheel remember Bob Wills with Earl Hines' Rosetta,<br />
Rusty McDonald's I Didn't Realize and Sheb Wooley's Mean<br />
Woman with Green Eyes. Also from Bob are Cindy Walker's<br />
Sugar Moon, Bob Wills and Tiny Moore's Cotton Patch Blues,<br />
Grady Martin and Alex Zanetis' Snap Your Fingers and Bob's own<br />
Osage Stomp, an instrumental from the first Wills Columbia Session.<br />
Leon plays electric bass on that tune.<br />
This album can be obtained from most CD outlets on line and<br />
from the Asleep at the Wheel web site at<br />
www.asleepatthewheel.com<br />
Mike Gross, WVOF-FM, Fairfield, CT<br />
www.swinginwest.com<br />
A-10 Etcheverry, Creative Achievement Award Winner<br />
Cowtown Society of Western Music 2009 - CrayolaCowboy.com<br />
9<br />
The First Bob Wills Swing School<br />
Is BIG SUCCESS!<br />
On July 27, 2010 Carolyn Wills and Dave<br />
Alexander kicked off the first day of the first<br />
ever Bob Wills Swing School at North Central<br />
Texas College in Gainesville, Texas. The 110-acre campus<br />
was the ideal environment for the students aged 12 to 17 who<br />
attended. The college is large enough to give the youngsters a<br />
feel for what college life is like; yet small enough to provide easy<br />
access to all classes and activities. It provided an intimate and<br />
fun atmosphere to learn about western swing music (Bob Wills‘<br />
style) without overwhelming them.<br />
The following is a synopsis of the student‘s activities each day<br />
from a letter written by Carolyn Wills.<br />
Each day began with breakfast in the cafeteria followed by a music<br />
theory class in the theater arts building. North Central Texas<br />
College-Gainesville is the perfect setting for the school and this<br />
first session could not have been more blessed. The music theory<br />
room has a media center and tiered desks with swivel seating for<br />
the students. After welcoming everyone, Dave Alexander let the<br />
kids know they would be learning a new song daily for the first<br />
four days leading up to the Grand Concert on Saturday. Each day<br />
included music theory, instrumental study, sectional study, and<br />
band rehearsal.<br />
On that first day, as the kids started learning Sugar Moon, it was<br />
easy to hear the progress and to know their nerves were giving<br />
way to excitement. After lunch and after the afternoon snack in the<br />
„green room,‟ everyone gathered for band rehearsal. For some,<br />
that moment was a first at actually playing in a band. Again, the<br />
NCTC facilities were exceptional; band rehearsals met in a large<br />
room with a two-tiered stage, walled mirrors and a huge white<br />
„chalk‟ board; a sound chamber big enough to hold a 20-25 piece<br />
band. When Dave asked for Sugar Moon and the kids struck the<br />
first chord, a current literally swept through the room. Yes, it was<br />
the first day; and yes, Sugar Moon had starts and stops, but I believe<br />
those sounds reached all the way to heaven. It was electrifying.<br />
And, each day as the kids gathered in the band room to kick off<br />
the next song: Deep Water, Faded Love, San Antonio Rose, the<br />
same magic happened.<br />
A truly historic moment happened when Texas Playboys Leon<br />
Rausch, Casey Dickens and Maurice Anderson shared the theater