06.02.2013 Views

Backforty Bunkhouse Newsletter - Joe Baker Home Page

Backforty Bunkhouse Newsletter - Joe Baker Home Page

Backforty Bunkhouse Newsletter - Joe Baker Home Page

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Review by:<br />

Mike Gross<br />

Album: It's a Good Day<br />

Artist: Leon Rausch and<br />

Asleep at the Wheel<br />

Label: Bismeaux<br />

This tremendous new<br />

album of 12 tunes combines<br />

the talents of former<br />

Bob Wills vocalist Leon<br />

Rausch and the contemporary Western Swing super-group,<br />

Asleep at the Wheel. In addition some guests joined in along the<br />

way.<br />

Leon, Asleep at the Wheel leader, Ray Benson, Wheel fiddle<br />

player, Jason Roberts and Wheel member Elizabeth McQueen<br />

are heard doing vocals. The great Willie Nelson joins Leon for<br />

vocals on Ted Daffan's Truck Driver's Blues. Ray is also playing<br />

some awesome guitar while Jason also plays electric mandolin.<br />

The steel guitar belongs to Eddie Rivers and Dave Miller plays<br />

bass. Floyd Domino and Dan Walton are the pianists and Dave<br />

Sanger is the drummer. Jim Cullum plays trumpet, Randy Zimmerman-<br />

trombone, Jonathan Doyle-clarinet and the great Rick<br />

McRae- electric guitar.<br />

The album opens with a fantastic version of Peggy Lee and Dave<br />

Barbour pop composition and hit, It's a Good Day. Also from pop<br />

music is Bobby Troup's Get Your Kicks (on Route 66). From the<br />

big band of Count Basie comes Alright, Okay, You Win and from<br />

the blues is reprised Spencer Williams' Basin Street Blues. Leon<br />

and the Wheel remember Bob Wills with Earl Hines' Rosetta,<br />

Rusty McDonald's I Didn't Realize and Sheb Wooley's Mean<br />

Woman with Green Eyes. Also from Bob are Cindy Walker's<br />

Sugar Moon, Bob Wills and Tiny Moore's Cotton Patch Blues,<br />

Grady Martin and Alex Zanetis' Snap Your Fingers and Bob's own<br />

Osage Stomp, an instrumental from the first Wills Columbia Session.<br />

Leon plays electric bass on that tune.<br />

This album can be obtained from most CD outlets on line and<br />

from the Asleep at the Wheel web site at<br />

www.asleepatthewheel.com<br />

Mike Gross, WVOF-FM, Fairfield, CT<br />

www.swinginwest.com<br />

A-10 Etcheverry, Creative Achievement Award Winner<br />

Cowtown Society of Western Music 2009 - CrayolaCowboy.com<br />

9<br />

The First Bob Wills Swing School<br />

Is BIG SUCCESS!<br />

On July 27, 2010 Carolyn Wills and Dave<br />

Alexander kicked off the first day of the first<br />

ever Bob Wills Swing School at North Central<br />

Texas College in Gainesville, Texas. The 110-acre campus<br />

was the ideal environment for the students aged 12 to 17 who<br />

attended. The college is large enough to give the youngsters a<br />

feel for what college life is like; yet small enough to provide easy<br />

access to all classes and activities. It provided an intimate and<br />

fun atmosphere to learn about western swing music (Bob Wills‘<br />

style) without overwhelming them.<br />

The following is a synopsis of the student‘s activities each day<br />

from a letter written by Carolyn Wills.<br />

Each day began with breakfast in the cafeteria followed by a music<br />

theory class in the theater arts building. North Central Texas<br />

College-Gainesville is the perfect setting for the school and this<br />

first session could not have been more blessed. The music theory<br />

room has a media center and tiered desks with swivel seating for<br />

the students. After welcoming everyone, Dave Alexander let the<br />

kids know they would be learning a new song daily for the first<br />

four days leading up to the Grand Concert on Saturday. Each day<br />

included music theory, instrumental study, sectional study, and<br />

band rehearsal.<br />

On that first day, as the kids started learning Sugar Moon, it was<br />

easy to hear the progress and to know their nerves were giving<br />

way to excitement. After lunch and after the afternoon snack in the<br />

„green room,‟ everyone gathered for band rehearsal. For some,<br />

that moment was a first at actually playing in a band. Again, the<br />

NCTC facilities were exceptional; band rehearsals met in a large<br />

room with a two-tiered stage, walled mirrors and a huge white<br />

„chalk‟ board; a sound chamber big enough to hold a 20-25 piece<br />

band. When Dave asked for Sugar Moon and the kids struck the<br />

first chord, a current literally swept through the room. Yes, it was<br />

the first day; and yes, Sugar Moon had starts and stops, but I believe<br />

those sounds reached all the way to heaven. It was electrifying.<br />

And, each day as the kids gathered in the band room to kick off<br />

the next song: Deep Water, Faded Love, San Antonio Rose, the<br />

same magic happened.<br />

A truly historic moment happened when Texas Playboys Leon<br />

Rausch, Casey Dickens and Maurice Anderson shared the theater

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!