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ECO-MARKETING AND ECO-LABELLING: DOES IT ENSURE ...

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D.Grundey 171 ISSN 1648-4460<br />

Researching Customer loyalty in LHIiuania<br />

4. Analysis of Mini Case Studies in Eco-Marketing and Eco-Labelling: Germany and<br />

Lithuania<br />

4.1 The Impact of the "Blue AngeV'for Paints - a Mini Case Study<br />

One of the first Blue Angel product categories developed was for acrylic and 'highsolid'<br />

paints (these are the kinds of paint used for woodwork and metalvvork). The product<br />

selection criteria for this category limited the proportion of volatile organic compounds<br />

(VOCs) to 10 percent for acrylic paints and 15 percent for high-solid paints. The first acrylic<br />

paint to display a Blue Angel was introduced by Glasiirit in 1982; in 1987 eco-labelled paints<br />

represented approximately 16 percent of the total market for solvent-based paints in (West)<br />

Germany (ENDS, 1989); and by 1995 this figure had risen to just under 25 percent (telephone<br />

interview with Jerry Hodge, director, ICI paints).<br />

In 1990, the German government claimed that the Blue Angel for paints had reduced<br />

VOC emissions by 40,000 tons (OECD, 1991, p. 30). However, the environmental benefits<br />

resulfing from this reducfion should be viewed in light of the following.<br />

First, any benefit (private or public) which has arisen from the shift towards low-VOC<br />

paints did not come without a cost. The paints which have a Blue Angel are more expensive to<br />

produce, which implies that scarce resources have been utilised in the producfion of these<br />

paints that might have been utilized more efficiently elsewhere.<br />

Second, an alternative set of eco-label criteria might have had a similar impact at a<br />

lower cost.<br />

Third, it is possible that low-VOC paints would have come onto the market even<br />

without the eco-label. (Such paints might, for example, have been adverfised simply as 'lowsolvent',<br />

with the puфorted health benefits, rather than the environmental benefits, given<br />

emphasis.)<br />

Fourth, according to a report on eco-labels carried out by Environmental Data<br />

Services (ENDS, 1989, p. 23), 'Acrylic paints which carry the Blue Angel do not perform as<br />

well as more traditional products.' Indeed, the report ascribes the poor sales of eco-labelled<br />

paint in the professional market to this poor performance, noting that 'what counts for the<br />

professional decorator are aspects of product quality such as ease of application, colour and<br />

durability, and "environment-friendliness" ranks low on this Hst of purchasing criteria.' Poor<br />

performance may also lead to a need for more coatings, hence more overall consumption to<br />

accomplish a given task. More use per task may undo any puфortcd environmental benefits<br />

measured on a product weight or volume basis.<br />

Fifth, since no cco-labcl was applied to emulsion paints (which arc by far the largest<br />

sector of the paint market), it is possible that some consumers bought cco-labclled acrylic<br />

paints for use on walls and ceilings because they thought that such paints would have a lower<br />

environmental impact. In fact, emulsion paints typically have much lower concentrations of<br />

VOCs than even the ceo-labcllcd acrylic paints, so such purchasing habits would have been<br />

perverse indeed (ENDS 202, November 1989, p. 26).<br />

Finally, it is possible that some of the demand for low-solvent paint was the result of<br />

concern over the direct health impacts (rafiicr than the environmental impacts) of solventbased<br />

paints. Clcady, any reduction in emissions of VOCs which resulted from the use of<br />

low-VOC paint purchased primarily for its perceived health benefits should not be counted as<br />

a consequence of the cco-labcl, but rather as a byproduct of health-conscious paint purchases.<br />

rWlN.mniMATlOKS IN nVSIMiSS a-liCONOMICS, \'o\. 8, No 1 (16), 2009

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