Bill Ryder-Jones Salem Rages Loka Lizzie Nunnery Bill ... - Bido Lito!
Bill Ryder-Jones Salem Rages Loka Lizzie Nunnery Bill ... - Bido Lito!
Bill Ryder-Jones Salem Rages Loka Lizzie Nunnery Bill ... - Bido Lito!
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8<br />
<strong>Bido</strong> <strong>Lito</strong>! December 2011<br />
THE RISE OF GLOOM PUNK<br />
BENEATH THE GREY MATTER OF SALEM RAGES<br />
I originally wanted to start this article with a clever play on the phrase<br />
‘these are dark times.’ Unfortunately, I had assumed the expression was from a<br />
weightier literary source than its actual root – Harry fucking Potter. Regardless, the<br />
witchcraft link I have now clumsily hatched is apt enough to describe the outlook<br />
of Liverpool’s newest (and probably first) gloom-punk outfit, SALEM RAGES.<br />
Formed from the ashes of well-supported local punk acts S.S.S and Cold Ones,<br />
this band take a rather different perspective on that branch of rock music. <strong>Salem</strong><br />
<strong>Rages</strong> are all horror-show guitars and dark chord changes, given a sprinkling of<br />
Gray Matter-esque American punk; in fact if you’re struggling to envisage the final<br />
product, think Zombies on skateboards. The assumed names of its members are a<br />
further further example example of of the the band’s band’s ethos: ethos: meet Messrs. Rag Payne, A.Dark Sun, Sunday<br />
Mourning and Roman Roman Remains. I I got got the opportunity to chat vinyl, artwork and and trick<br />
or treat with the latter two as they used their ‘daytime names’ - Dave and Russ.<br />
We inevitably start by talking talking influences, and Dave eagerly lets lets me in on the secret<br />
regarding the the specificity of the group’s group’s origins: “Sometimes it’s not just just bands, bands, it’s<br />
things. There’s a film called Suburbia and and there’s a bit in in that film where where there there is a<br />
band called TSOL [True Sounds of Liberty]; we just liked about twenty seconds of<br />
it. We were like like ‘that ‘that bit there, that’s what we want to do’. That look, that that feeling,<br />
that’s what we wanted wanted to to aim aim for.” It makes sense. This This is a band pushing a level of<br />
originality unlike most; they should at least have an influence equally as quirky.<br />
Russ brings a little more of a musical backdrop to the band’s cultivation,<br />
however, citing citing the British-tinged late skate punk punk scene as an influence. “If you<br />
look at it in a hardcore timeline, it starts in 1983 when American punk bands<br />
slowed down down a little bit and started started taking in in a few more influences. They<br />
started gelling gelling hardcore aggression, speed and simplicity, with guitar elements<br />
which lend themselves to bands like Joy Division and Echo & The The Bunnymen.”<br />
Given the end product of this witches’ brew being something of an acquired<br />
taste, I ask if they have trouble with being pigeonholed into certain gigs? Dave<br />
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tells me that this has thus far proved impossible: “We’re always the square peg in<br />
round holes on billings.” When I enquire whether this is a good thing, both the lads<br />
swiftly and emphatically reply in the affirmative - this is clearly a band enjoying their<br />
uniqueness. Their latest release then, an EP entitled Disturb Not The Sleep Of Death, Death Death,<br />
of course follows this philosophy closely.<br />
First editions of the vinyl record came encased in a crushed velvet sleeve<br />
and with several unique pieces of assorted paraphernalia associated with the<br />
band. This is the group’s prerogative, adding their spin to the DIY project, and<br />
Russ explained how this route presented itself: “We got a label from London<br />
not coming through on the promise of putting a record out. We thought, ‘to this<br />
point we’ve done everything off our own backs, why don’t we just pull together<br />
everything we’ve got.’” And And so, a wonderful artistic opportunity opportunity was was born.<br />
Everything is now now put together financially and artistically artistically by the band and,<br />
as Dave explains, this this is an aspect they are rather enjoying, given the slavish<br />
nature of record labels they had encountered whilst in other bands. bands. “The last<br />
band I was was in we had no artistic control, everything arrived to you already done.<br />
It takes all the fun away when they advertise advertise you how they want want you to be.” In<br />
keeping, then, with this ideal, the band’s band’s next EP, entitled Our Halloween is set to<br />
be released on Flexi Disc Disc (anyone (anyone remember those?!).<br />
For future releases, the band are understandably unwilling to surrender this<br />
creative flair. Russ says: “This is the band where we’re going to do everything we<br />
couldn’t do in other bands and completely go for for it,” before telling me me they’d like<br />
to release an album... album... on VHS. So, when Dave adds to this by declaring, “Any idea<br />
goes,” I see that utterance as not not just a summary of <strong>Salem</strong> <strong>Rages</strong>, <strong>Rages</strong>, but also of art<br />
itself. And, though though it is often forgotten, that’s the point of it all, isn’t it?<br />
Go to bidolito.co.uk for this month’s exclusive Obscenic Session with <strong>Salem</strong> <strong>Rages</strong><br />
salemrages.co.uk